<?xml version="1.0"?>
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	<id>https://shifti.org/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Whiteflame</id>
	<title>Shifti - User contributions [en]</title>
	<link rel="self" type="application/atom+xml" href="https://shifti.org/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Whiteflame"/>
	<link rel="alternate" type="text/html" href="https://shifti.org/wiki/Special:Contributions/Whiteflame"/>
	<updated>2026-04-24T19:57:26Z</updated>
	<subtitle>User contributions</subtitle>
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	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=7834</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=7834"/>
		<updated>2008-06-05T02:01:16Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Transformation Prose, Stories, etc. (or related) ==&lt;br /&gt;
&lt;br /&gt;
[[Beyond the Scope of Reason]]&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]]&lt;br /&gt;
&lt;br /&gt;
Catastrophe and Whispers in the Meadow, a novel (that will probably never be completed)&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Mainly Transformation Poetry (or related) ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]]&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the past be known?]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled 2]]&lt;br /&gt;
&lt;br /&gt;
[[Finding the Southward Wind]], for a mare that I know and love.&lt;br /&gt;
&lt;br /&gt;
[[Becoming One with Helios]]&lt;br /&gt;
&lt;br /&gt;
[[An Ovidian Metamorphosis; Poseidon’s Gift]]&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Perspectives&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Poems of Equus&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]]&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]]&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[On Martyrdom]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]] in couplets of iambic pentameter - Yes, I was in one of those moods. Forgive me...&lt;br /&gt;
&lt;br /&gt;
[[In the midst of a Cold, I wrote this Poem]]&lt;br /&gt;
&lt;br /&gt;
[[Las Rosas en la primavera]]&lt;br /&gt;
&lt;br /&gt;
[[Pictural of Sound Barriers along a Highway]]&lt;br /&gt;
&lt;br /&gt;
[[The Orchard, Two Poems]]&lt;br /&gt;
&lt;br /&gt;
[[One, Mourning in Traffic]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=An_Ovidian_Metamorphosis;_Poseidon%E2%80%99s_Gift&amp;diff=6110</id>
		<title>An Ovidian Metamorphosis; Poseidon’s Gift</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=An_Ovidian_Metamorphosis;_Poseidon%E2%80%99s_Gift&amp;diff=6110"/>
		<updated>2008-02-18T06:41:37Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Aglea, daughter of beauty was her name,&lt;br /&gt;
Nay, she did beat upon the doors&lt;br /&gt;
Of the gods,&lt;br /&gt;
	         Demanding they change her,&lt;br /&gt;
Maker her faster, fleet of foot,&lt;br /&gt;
Different from the form she was born,&lt;br /&gt;
For the man she loved did not take interest&lt;br /&gt;
In the slow;&lt;br /&gt;
                   And he thwarted her approaches,&lt;br /&gt;
And discarded her letters and words&lt;br /&gt;
Of love,&lt;br /&gt;
               For he was, like Tantalus before him,&lt;br /&gt;
Punished with his obsession, and punished&lt;br /&gt;
By the gods with it,&lt;br /&gt;
                                 So that no woman would win &lt;br /&gt;
His heart, and he would never grasp his golden grape.&lt;br /&gt;
And so she pled to the gods,&lt;br /&gt;
Interrupted their homes on Mt. Olympus,&lt;br /&gt;
Demanding that they allow her to&lt;br /&gt;
Win the heart of the very man they&lt;br /&gt;
Forsook not to.&lt;br /&gt;
                          For sooth, the gods were angered,&lt;br /&gt;
But not without a sense of pity,&lt;br /&gt;
For Aglea was innocent,&lt;br /&gt;
A matron and priestess,&lt;br /&gt;
Only compelled by Eros’ arrow,&lt;br /&gt;
Not by a will to accost the gods,&lt;br /&gt;
And contradict their ordinance, their decree,&lt;br /&gt;
They could not deny her.&lt;br /&gt;
And yet, they could not withdraw their punishment,&lt;br /&gt;
For the man’s father, Kapaneus,&lt;br /&gt;
Was cruel and treacherous,&lt;br /&gt;
And enraged Poseidon with his treatment of&lt;br /&gt;
His steeds,&lt;br /&gt;
                  And so was punished to have his line die,&lt;br /&gt;
With his son, who delighted not in mortal women,&lt;br /&gt;
But in the very steeds his father tormented,&lt;br /&gt;
And so he would not marry,&lt;br /&gt;
Nor his seed caress a woman’s womb,&lt;br /&gt;
To the ends of an heir to Kapaneus’ house.&lt;br /&gt;
And so the gods sought to uphold,&lt;br /&gt;
Both divine law and mortal love,&lt;br /&gt;
And answered the damsel’s plea,&lt;br /&gt;
Drawing upon acts of old; Demeter and Poseidon,&lt;br /&gt;
For the damsel’s worship went to the temple of&lt;br /&gt;
Demeter, maternal goddess, Poseidon’s love and envy,&lt;br /&gt;
Whose favor was hers...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
And so the gods changed the damsel,&lt;br /&gt;
Altering her form, bone, and sinew, and flesh,&lt;br /&gt;
And sculpted her as if she was re-birthed,&lt;br /&gt;
And she cried out in agony,&lt;br /&gt;
For this was not what she wanted,&lt;br /&gt;
And so resistance became physical pain,&lt;br /&gt;
The pain of change,&lt;br /&gt;
		        For although she loved the man,&lt;br /&gt;
She desired the way to be her way,&lt;br /&gt;
And desired her love to be human love,&lt;br /&gt;
And so the transfiguration continued against&lt;br /&gt;
Her will, painfully so,&lt;br /&gt;
			Her cries grew shrill and sharp,&lt;br /&gt;
Somewhere between the words of humans,&lt;br /&gt;
And the neighs of horse, until at last she only&lt;br /&gt;
Neighed,&lt;br /&gt;
                And bones changed,&lt;br /&gt;
Spine lengthened,&lt;br /&gt;
		     And a tail grew from her back,&lt;br /&gt;
And brown hair sprouted from it,&lt;br /&gt;
The hairs of a horse’s swat,&lt;br /&gt;
Which Poseidon first gave to the race&lt;br /&gt;
To protect their flanks,&lt;br /&gt;
And so prevent the winged menace from spoiling&lt;br /&gt;
Their beauty with irritation and stings.&lt;br /&gt;
Its flowing trail of strands undulated like&lt;br /&gt;
The tides of the Sea-god’s realm itself,&lt;br /&gt;
And it set by her rump,&lt;br /&gt;
Like a stream weaving through the woods,&lt;br /&gt;
Waves of hair gently brushing her tan hide,&lt;br /&gt;
And her feet and hands changed and were&lt;br /&gt;
Sculpted into hooves clad with horn,&lt;br /&gt;
Fingers merged into a single toe,&lt;br /&gt;
For Poseidon’s grace does not need twenty to stand,&lt;br /&gt;
And she winced for the numbness shocked her&lt;br /&gt;
Maidenhead and her mind, as never had she held &lt;br /&gt;
Beauty,&lt;br /&gt;
             Without the grasp of hands.&lt;br /&gt;
And her back arched and neck arched,&lt;br /&gt;
Both into a powerful curve,&lt;br /&gt;
The noble and elegant and awesome form&lt;br /&gt;
Of a curling wave upon the sands.&lt;br /&gt;
Her arms, no longer arms, and her legs&lt;br /&gt;
Grew long and thin, cannons and hocks&lt;br /&gt;
Her hand bones fused into fetlocks,&lt;br /&gt;
For beauty is shaped in balance,&lt;br /&gt;
And how wondrous to behold such strength&lt;br /&gt;
In such narrow and fragile limbs,&lt;br /&gt;
And support for such a massive, yet gentle creature?&lt;br /&gt;
And her muscles blossomed in her rear and chest,&lt;br /&gt;
Her stance widened, her belly, which would carry&lt;br /&gt;
The weight of her race and the burden, yet gift&lt;br /&gt;
Of a foal, sunk down and came to rest,&lt;br /&gt;
All upon her haunches and legs,&lt;br /&gt;
And her breasts shrunk, no longer to the lust of man,&lt;br /&gt;
But innocent and tucked between her legs&lt;br /&gt;
To nourish the life of her race,&lt;br /&gt;
So to raise a foal to health with the&lt;br /&gt;
Warm milk of her tits. And a wild, yet wondrous&lt;br /&gt;
Mane sprouted from her proud neck, a sign&lt;br /&gt;
Of the matriarch, each glossy, &lt;br /&gt;
Yet coarse strand tangled, yet flowing.&lt;br /&gt;
And wild, yet wondrous thoughts filled her head.&lt;br /&gt;
She wanted to gallop and prance,&lt;br /&gt;
And then, her face began to change,&lt;br /&gt;
And Poseidon with his chisel worked it into&lt;br /&gt;
A long and graceful muzzle,&lt;br /&gt;
With velvet lips, and vibrant, flaring nostrils,&lt;br /&gt;
To breath in the very existence of the air,&lt;br /&gt;
And a long tongue caressed her broad teeth,&lt;br /&gt;
Stained yellow as the elder race of the earth,&lt;br /&gt;
Made to chop even a single blade of grass,&lt;br /&gt;
And not to waste a leaf.&lt;br /&gt;
Her eyes became wide and dark, mirrors&lt;br /&gt;
To the natural world,&lt;br /&gt;
And her ears stood like two sentries&lt;br /&gt;
Upon her head, and twitched lightly in the air.&lt;br /&gt;
And there she stood, her transformation complete,&lt;br /&gt;
An exquisite image of the Sea-god’s pride.&lt;br /&gt;
She was as though an orphan,&lt;br /&gt;
Whom Poseidon, the great father,&lt;br /&gt;
Embraced in open arms,&lt;br /&gt;
Yet still the change wasn’t pleasant,&lt;br /&gt;
For no change is,&lt;br /&gt;
But now she gazed untroubled&lt;br /&gt;
Through her dark eyes, beneath&lt;br /&gt;
Her delicate, yet bristly eyelashes.&lt;br /&gt;
And she snorted and breathed in the world,&lt;br /&gt;
And her scent expanded into the world.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
And the son of Kapaneus, Hyppolytos,&lt;br /&gt;
Freer of horses was his name,&lt;br /&gt;
The tamer and lover of chargers found her,&lt;br /&gt;
Most beautiful of her race,&lt;br /&gt;
And fell in love with her form.&lt;br /&gt;
He vowed to take care of her&lt;br /&gt;
Like he had no other,&lt;br /&gt;
For she would bear the greatest of her race,&lt;br /&gt;
And give herself fully to its continuation.&lt;br /&gt;
And he always admired her,&lt;br /&gt;
As she bore many foals and&lt;br /&gt;
Forever had the love and affection&lt;br /&gt;
Of the man she once loved,&lt;br /&gt;
Though she forgot it in her transfiguration;&lt;br /&gt;
Her thoughts became those of a mare,&lt;br /&gt;
Her desire was fulfilled, though she belonged,&lt;br /&gt;
To a different creature, and loved the stallion,&lt;br /&gt;
Not the man.&lt;br /&gt;
	         They were together, but apart&lt;br /&gt;
In a perfect unity, such as only the gods&lt;br /&gt;
Could have bonded.&lt;br /&gt;
		        And she lived to a long age, &lt;br /&gt;
And she and the man died together in battle.&lt;br /&gt;
Upon her back, he rode to Elysium&lt;br /&gt;
They traveled together,&lt;br /&gt;
And upon reaching the blessed realm,&lt;br /&gt;
Hyppolytos took the form of a stallion,&lt;br /&gt;
And forgot who he once was.&lt;br /&gt;
The two existed together and&lt;br /&gt;
Gave birth to the steeds of the wilderness,&lt;br /&gt;
Who were untamable and wild;&lt;br /&gt;
Few exist now, but their line&lt;br /&gt;
Continues...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
To all ye mortals, who read this poem,&lt;br /&gt;
Change is painful, yet it can be rewarding,&lt;br /&gt;
Our desires are ne’er fulfilled,&lt;br /&gt;
‘cept in some way we do not perceive.&lt;br /&gt;
And beauty is most present in this perception.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Poem]] [[Category:Animal]] [[Category:Equine]][[Category:Whiteflame]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=6109</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=6109"/>
		<updated>2008-02-18T05:43:34Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* Prose, Stories, etc. */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;If you have questions, comments, criticisms, concerns, praise, heartaches, troubles, corrections, desires for communication and/or want of a friend (or want of an enemy), plain silliness, feedback, scorn, laughter, philosophical advise, need for a cartload of philosophical advise, or just want to observe and/or snicker behind you computer screen at my countless eccentricities, drop me a LAN line (or dial-up if you prefer) at Justcomp1124@aol.com. (Side-effects may include a more listless and humorous outlook on life) I do like communication (and friends), and I would much like to know if people like or despise my writings. Either of those will keep me writing. :-) I, however, will destroy all spam upon its discovery with a paradox of the delete key and will ensure that all spam is returned to its proper and original source in equal, if not greater proportions than that which made its appearance in my inbox. Now back to your irregularly scheduled program...&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[Beyond the Scope of Reason]], the first transformation story I ever wrote. Of course, it doesn&#039;t follow all of the conventions of writing and is not perfect in cohesion, but heck, it was the first.&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]]&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the past be known?]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled 2]]&lt;br /&gt;
&lt;br /&gt;
[[Finding the Southward Wind]], for a mare that I know and love.&lt;br /&gt;
&lt;br /&gt;
[[Becoming One with Helios]]&lt;br /&gt;
&lt;br /&gt;
[[An Ovidian Metamorphosis; Poseidon’s Gift]], Quite a long poem inspired by the Greek poet himself, specifically &amp;quot;Ocyrrhoe transform&#039;d into a Mare.&amp;quot; I must note here that the stanzas are specifically divided to parallel life, transfiguration, and death (and, of course, the moral of the story). Though some would believe that transfiguration occurs after death (as according to certain religions), it actually occurs during life. We constantly change, always for the better depending on how we preceive our changes. Pain and change are simply a part of life. To deny pain would be to deny life. We are thrown into this world screaming and covered in blood, and we tend to leave the world that way. To deny one&#039;s own changes would be to deny oneself. Alas, though this poem is inspired by Ovid, it has an entirely different approach to transformation. Though Ovid uses change as punishment, it cannot possibly be so. Change is a part of life. &lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[On Martyrdom]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]] in couplets of iambic pentameter - Yes, I was in one of those moods. Forgive me...&lt;br /&gt;
&lt;br /&gt;
[[In the midst of a Cold, I wrote this Poem]]&lt;br /&gt;
&lt;br /&gt;
[[Las Rosas en la primavera]], Spanish is such a beautiful language.&lt;br /&gt;
&lt;br /&gt;
[[Pictural of Sound Barriers along a Highway]]&lt;br /&gt;
&lt;br /&gt;
[[The Orchard, Two Poems]]&lt;br /&gt;
&lt;br /&gt;
[[One, Mourning in Traffic]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=An_Ovidian_Metamorphosis;_Poseidon%E2%80%99s_Gift&amp;diff=6108</id>
		<title>An Ovidian Metamorphosis; Poseidon’s Gift</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=An_Ovidian_Metamorphosis;_Poseidon%E2%80%99s_Gift&amp;diff=6108"/>
		<updated>2008-02-18T05:26:27Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Aglea, daughter of beauty was her name,&lt;br /&gt;
Nay, she did beat upon the doors&lt;br /&gt;
Of the gods,&lt;br /&gt;
	         Demanding they change her,&lt;br /&gt;
Maker her faster, fleet of foot,&lt;br /&gt;
Different from the form she was born,&lt;br /&gt;
For the man she loved did not take interest&lt;br /&gt;
In the slow;&lt;br /&gt;
                   And he thwarted her approaches,&lt;br /&gt;
And discarded her letters and words&lt;br /&gt;
Of love,&lt;br /&gt;
               For he was, like Tantalus before him,&lt;br /&gt;
Punished with his obsession, and punished&lt;br /&gt;
By the gods with it,&lt;br /&gt;
                                 So that no woman would win &lt;br /&gt;
His heart, and he would never grasp his golden grape.&lt;br /&gt;
And so she pled to the gods,&lt;br /&gt;
Interrupted their homes on Mt. Olympus,&lt;br /&gt;
Demanding that they allow her to&lt;br /&gt;
Win the heart of the very man they&lt;br /&gt;
Forsook not to.&lt;br /&gt;
                          For sooth, the gods were angered,&lt;br /&gt;
But not without a sense of pity,&lt;br /&gt;
For Aglea was innocent,&lt;br /&gt;
A matron and priestess,&lt;br /&gt;
Only compelled by Eros’ arrow,&lt;br /&gt;
Not by a will to accost the gods,&lt;br /&gt;
And contradict their ordinance, their decree,&lt;br /&gt;
They could not deny her.&lt;br /&gt;
And yet, they could not withdraw their punishment,&lt;br /&gt;
For the man’s father, Kapaneus,&lt;br /&gt;
Was cruel and treacherous,&lt;br /&gt;
And enraged Poseidon with his treatment of&lt;br /&gt;
His steeds,&lt;br /&gt;
                  And so was punished to have his line die,&lt;br /&gt;
With his son, who delighted not in mortal women,&lt;br /&gt;
But in the very steeds his father tormented,&lt;br /&gt;
And so he would not marry,&lt;br /&gt;
Nor his seed caress a woman’s womb,&lt;br /&gt;
To the ends of an heir to Kapaneus’ house.&lt;br /&gt;
And so the gods sought to uphold,&lt;br /&gt;
Both divine law and mortal love,&lt;br /&gt;
And answered the damsel’s plea,&lt;br /&gt;
Drawing upon acts of old; Demeter and Poseidon,&lt;br /&gt;
For the damsel’s worship went to the temple of&lt;br /&gt;
Demeter, maternal goddess, Poseidon’s love and envy,&lt;br /&gt;
Whose favor was hers...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
And so the gods changed the damsel,&lt;br /&gt;
Altering her form, bone, and sinew, and flesh,&lt;br /&gt;
And sculpted her as if she was re-birthed,&lt;br /&gt;
And she cried out in agony,&lt;br /&gt;
For this was not what she wanted,&lt;br /&gt;
And so resistance became physical pain,&lt;br /&gt;
The pain of change,&lt;br /&gt;
		        For although she loved the man,&lt;br /&gt;
She desired the way to be her way,&lt;br /&gt;
And desired her love to be human love,&lt;br /&gt;
And so the transfiguration continued against&lt;br /&gt;
Her will, painfully so,&lt;br /&gt;
			Her cries grew shrill and sharp,&lt;br /&gt;
Somewhere between the words of humans,&lt;br /&gt;
And the neighs of horse, until at last she only&lt;br /&gt;
Neighed,&lt;br /&gt;
                And bones changed,&lt;br /&gt;
Spine lengthened,&lt;br /&gt;
		     And a tail grew from her back,&lt;br /&gt;
And brown hair sprouted from it,&lt;br /&gt;
The hairs of a horse’s swat,&lt;br /&gt;
Which Poseidon first gave to the race&lt;br /&gt;
To protect their flanks,&lt;br /&gt;
And so prevent the winged menace from spoiling&lt;br /&gt;
Their beauty with irritation and stings.&lt;br /&gt;
Its flowing trail of strands undulated like&lt;br /&gt;
The tides of the Sea-god’s realm itself,&lt;br /&gt;
And it set by her rump,&lt;br /&gt;
Like a stream weaving through the woods,&lt;br /&gt;
Waves of hair gently brushing her tan hide,&lt;br /&gt;
And her feet and hands changed and were&lt;br /&gt;
Sculpted into hooves clad with horn,&lt;br /&gt;
Fingers merged into a single toe,&lt;br /&gt;
For Poseidon’s grace does not need twenty to stand,&lt;br /&gt;
And she winced for the numbness shocked her&lt;br /&gt;
Maidenhead and her mind, as never had she held &lt;br /&gt;
Beauty,&lt;br /&gt;
             Without the grasp of hands.&lt;br /&gt;
And her back arched and neck arched,&lt;br /&gt;
Both into a powerful curve,&lt;br /&gt;
The noble and elegant and awesome form&lt;br /&gt;
Of a curling wave upon the sands.&lt;br /&gt;
Her arms, no longer arms, and her legs&lt;br /&gt;
Grew long and thin, cannons and hocks&lt;br /&gt;
Her hand bones fused into fetlocks,&lt;br /&gt;
For beauty is shaped in balance,&lt;br /&gt;
And how wondrous to behold such strength&lt;br /&gt;
In such narrow and fragile limbs,&lt;br /&gt;
And support for such a massive, yet gentle creature?&lt;br /&gt;
And her muscles blossomed in her rear and chest,&lt;br /&gt;
Her stance widened, her belly, which would carry&lt;br /&gt;
The weight of her race and the burden, yet gift&lt;br /&gt;
Of a foal, sunk down and came to rest,&lt;br /&gt;
All upon her haunches and legs,&lt;br /&gt;
And her breasts shrunk, no longer to the lust of man,&lt;br /&gt;
But innocent and tucked between her legs&lt;br /&gt;
To nourish the life of her race,&lt;br /&gt;
So to raise a foal to health with the&lt;br /&gt;
Warm milk of her tits. And a wild, yet wondrous&lt;br /&gt;
Mane sprouted from her proud neck, a sign&lt;br /&gt;
Of the matriarch, each glossy, &lt;br /&gt;
Yet coarse strand tangled, yet flowing.&lt;br /&gt;
And wild, yet wondrous thoughts filled her head.&lt;br /&gt;
She wanted to gallop and prance,&lt;br /&gt;
And then, her face began to change,&lt;br /&gt;
And Poseidon with his chisel worked it into&lt;br /&gt;
A long and graceful muzzle,&lt;br /&gt;
With velvet lips, and vibrant, flaring nostrils,&lt;br /&gt;
To breath in the very existence of the air,&lt;br /&gt;
And a long tongue caressed her broad teeth,&lt;br /&gt;
Stained yellow as the elder race of the earth,&lt;br /&gt;
Made to chop even a single blade of grass,&lt;br /&gt;
And not to waste a leaf.&lt;br /&gt;
Her eyes became wide and dark, mirrors&lt;br /&gt;
To the natural world,&lt;br /&gt;
And her ears stood like two sentries&lt;br /&gt;
Upon her head, and twitched lightly in the air.&lt;br /&gt;
And there she stood, her transformation complete,&lt;br /&gt;
An exquisite image of the Sea-god’s pride.&lt;br /&gt;
She was as though an orphan,&lt;br /&gt;
Whom Poseidon, the great father,&lt;br /&gt;
Embraced in open arms,&lt;br /&gt;
Yet still the change wasn’t pleasant,&lt;br /&gt;
For no change is,&lt;br /&gt;
But now she gazed untroubled&lt;br /&gt;
Through her dark eyes, beneath&lt;br /&gt;
Her delicate, yet bristly eyelashes.&lt;br /&gt;
And she snorted and breathed in the world,&lt;br /&gt;
And her scent expanded into the world.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
And the son of Kapaneus, Hyppolytos,&lt;br /&gt;
Freer of horses was his name,&lt;br /&gt;
The tamer and lover of chargers found her,&lt;br /&gt;
Most beautiful of her race,&lt;br /&gt;
And fell in love with her form.&lt;br /&gt;
He vowed to take care of her&lt;br /&gt;
Like he had no other,&lt;br /&gt;
For she would bear the greatest of her race,&lt;br /&gt;
And give herself fully to its continuation.&lt;br /&gt;
And he always admired her,&lt;br /&gt;
As she bore many foals and&lt;br /&gt;
Forever had the love and affection&lt;br /&gt;
Of the man she once loved,&lt;br /&gt;
Though she forgot it in her transfiguration;&lt;br /&gt;
Her thoughts became those of a mare,&lt;br /&gt;
Her desire was fulfilled, though she belonged,&lt;br /&gt;
To a different creature, and loved the stallion,&lt;br /&gt;
Not the man.&lt;br /&gt;
	         They were together, but apart&lt;br /&gt;
In a perfect unity, such as only the gods&lt;br /&gt;
Could have bonded.&lt;br /&gt;
		        And she lived to a long age, &lt;br /&gt;
And she and the man died together in battle.&lt;br /&gt;
Upon her back, he rode to Elysium&lt;br /&gt;
They traveled together,&lt;br /&gt;
And upon reached the blessed realm,&lt;br /&gt;
Hyppolytos took the form of a stallion,&lt;br /&gt;
And forgot who he once was.&lt;br /&gt;
The two existed together and&lt;br /&gt;
Gave birth to the steeds of the wilderness,&lt;br /&gt;
Who were untamable and wild;&lt;br /&gt;
Few exist now, but their line&lt;br /&gt;
Continues...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
To all ye mortals, who read this poem,&lt;br /&gt;
Change is painful, yet it can be rewarding,&lt;br /&gt;
Our desires are ne’er fulfilled,&lt;br /&gt;
‘cept in some way we do not perceive.&lt;br /&gt;
And beauty is most present in this perception.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Poem]] [[Category:Animal]] [[Category:Equine]][[Category:Whiteflame]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=One,_Mourning_in_Traffic&amp;diff=6107</id>
		<title>One, Mourning in Traffic</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=One,_Mourning_in_Traffic&amp;diff=6107"/>
		<updated>2008-02-18T05:24:59Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: New page: {{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}  &amp;lt;poem&amp;gt; On this particular morning, I can see the deathly pale sky; Fingers of cloud throttling The sun, And not a bird to wake the...&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
On this particular morning,&lt;br /&gt;
I can see the deathly pale sky;&lt;br /&gt;
Fingers of cloud throttling&lt;br /&gt;
The sun,&lt;br /&gt;
And not a bird to wake the forgotten&lt;br /&gt;
Day. All is silent, but the&lt;br /&gt;
Cars, only the cars,&lt;br /&gt;
And the flitter of traffic lights,&lt;br /&gt;
Blinking on and on relentlessly;&lt;br /&gt;
They are resolute, unwavering,&lt;br /&gt;
And will not stop&lt;br /&gt;
To appease some fleeting lust,&lt;br /&gt;
As cold, thoughtless fingers,&lt;br /&gt;
Reverberate the mournful sky,&lt;br /&gt;
With a funeral march of horns,&lt;br /&gt;
Honks, heartaches, and hapless repetitions.&lt;br /&gt;
&lt;br /&gt;
I begin to relate the cars’ calls to the blinking&lt;br /&gt;
Lights:&lt;br /&gt;
&lt;br /&gt;
Red, green, yellow, red,&lt;br /&gt;
Loud honk, soft honk, short honk,&lt;br /&gt;
And one prolonged.&lt;br /&gt;
They think that the blasting sound&lt;br /&gt;
Will trigger some hidden mechanism&lt;br /&gt;
In the lights,&lt;br /&gt;
They think they can change the&lt;br /&gt;
World with a simple outcry,&lt;br /&gt;
Challenge fate.&lt;br /&gt;
&lt;br /&gt;
Furiously they press harder, faster, louder,&lt;br /&gt;
But to no avail.&lt;br /&gt;
The stoplights all turn to red,&lt;br /&gt;
And red is the color of death.&lt;br /&gt;
&lt;br /&gt;
Even the stoplights will go out,&lt;br /&gt;
Halt before the end.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Whiteflame]] [[Category:Non-TF poems]]&lt;br /&gt;
{{DEFAULTSORT:Period, A}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=The_Orchard,_Two_Poems&amp;diff=6106</id>
		<title>The Orchard, Two Poems</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=The_Orchard,_Two_Poems&amp;diff=6106"/>
		<updated>2008-02-18T05:23:58Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: New page: {{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}  &amp;lt;poem&amp;gt; 1. The chirping of birds Makes the orchards ripen With the sweet fruit Of tender days Long past, And the soft, fluffy ruffl...&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
1.&lt;br /&gt;
The chirping of birds&lt;br /&gt;
Makes the orchards ripen&lt;br /&gt;
With the sweet fruit&lt;br /&gt;
Of tender days&lt;br /&gt;
Long past,&lt;br /&gt;
And the soft, fluffy ruffle&lt;br /&gt;
Of a squirrel’s tail,&lt;br /&gt;
Flick figitingly through the air,&lt;br /&gt;
And a cuckold, a cuckoo, chuckles,&lt;br /&gt;
Laughing at the earth’s sky,&lt;br /&gt;
An apple falls upon my brow,&lt;br /&gt;
Oh, and only a few steps more&lt;br /&gt;
And I will be standing&lt;br /&gt;
Where Newton once sat.&lt;br /&gt;
&lt;br /&gt;
I smile.&lt;br /&gt;
Under the sun, and the shade of the tree,&lt;br /&gt;
All of life is blooming.&lt;br /&gt;
&lt;br /&gt;
2.&lt;br /&gt;
I guess this all is fine,&lt;br /&gt;
But I wish&lt;br /&gt;
That I&lt;br /&gt;
Could speak&lt;br /&gt;
With the birds.&lt;br /&gt;
Their aria is beautiful,&lt;br /&gt;
But their speech evades me,&lt;br /&gt;
And there are no subtitles&lt;br /&gt;
On a songbird’s song.&lt;br /&gt;
&lt;br /&gt;
Oh, pity upon me!&lt;br /&gt;
Oh, wretched self.&lt;br /&gt;
I only can sing the notes,&lt;br /&gt;
Harmony for a gorgeous, yet fleeting&lt;br /&gt;
Lyrics.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Whiteflame]] [[Category:Non-TF poems]]&lt;br /&gt;
{{DEFAULTSORT:Period, A}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=6105</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=6105"/>
		<updated>2008-02-18T05:22:18Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* New Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[Beyond the Scope of Reason]], the first transformation story I ever wrote. Of course, it doesn&#039;t follow all of the conventions of writing and is not perfect in cohesion, but heck, it was the first.&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]]&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the past be known?]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled 2]]&lt;br /&gt;
&lt;br /&gt;
[[Finding the Southward Wind]], for a mare that I know and love.&lt;br /&gt;
&lt;br /&gt;
[[Becoming One with Helios]]&lt;br /&gt;
&lt;br /&gt;
[[An Ovidian Metamorphosis; Poseidon’s Gift]], Quite a long poem inspired by the Greek poet himself, specifically &amp;quot;Ocyrrhoe transform&#039;d into a Mare.&amp;quot; I must note here that the stanzas are specifically divided to parallel life, transfiguration, and death (and, of course, the moral of the story). Though some would believe that transfiguration occurs after death (as according to certain religions), it actually occurs during life. We constantly change, always for the better depending on how we preceive our changes. Pain and change are simply a part of life. To deny pain would be to deny life. We are thrown into this world screaming and covered in blood, and we tend to leave the world that way. To deny one&#039;s own changes would be to deny oneself. Alas, though this poem is inspired by Ovid, it has an entirely different approach to transformation. Though Ovid uses change as punishment, it cannot possibly be so. Change is a part of life. &lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[On Martyrdom]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]] in couplets of iambic pentameter - Yes, I was in one of those moods. Forgive me...&lt;br /&gt;
&lt;br /&gt;
[[In the midst of a Cold, I wrote this Poem]]&lt;br /&gt;
&lt;br /&gt;
[[Las Rosas en la primavera]], Spanish is such a beautiful language.&lt;br /&gt;
&lt;br /&gt;
[[Pictural of Sound Barriers along a Highway]]&lt;br /&gt;
&lt;br /&gt;
[[The Orchard, Two Poems]]&lt;br /&gt;
&lt;br /&gt;
[[One, Mourning in Traffic]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=6104</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=6104"/>
		<updated>2008-02-18T05:21:31Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* New Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[Beyond the Scope of Reason]], the first transformation story I ever wrote. Of course, it doesn&#039;t follow all of the conventions of writing and is not perfect in cohesion, but heck, it was the first.&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]]&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the past be known?]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled 2]]&lt;br /&gt;
&lt;br /&gt;
[[Finding the Southward Wind]], for a mare that I know and love.&lt;br /&gt;
&lt;br /&gt;
[[Becoming One with Helios]]&lt;br /&gt;
&lt;br /&gt;
[[An Ovidian Metamorphosis; Poseidon’s Gift]], Quite a long poem inspired by the Greek poet himself, specifically &amp;quot;Ocyrrhoe transform&#039;d into a Mare.&amp;quot; I must note here that the stanzas are specifically divided to parallel life, transfiguration, and death (and, of course, the moral of the story). Though some would believe that transfiguration occurs after death (as according to certain religions), it actually occurs during life. We constantly change, always for the better depending on how we preceive our changes. Pain and change are simply a part of life. To deny pain would be to deny life. We are thrown into this world screaming and covered in blood, and we tend to leave the world that way. To deny one&#039;s own changes would be to deny oneself. Alas, though this poem is inspired by Ovid, it has an entirely different approach to transformation. Though Ovid uses change as punishment, it cannot possibly be so. Change is a part of life. &lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[On Martyrdom]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]] in couplets of iambic pentameter - Yes, I was in one of those moods. Forgive me...&lt;br /&gt;
&lt;br /&gt;
[[In the midst of a Cold, I wrote this Poem]]&lt;br /&gt;
&lt;br /&gt;
[[Las Rosas en la primavera]], Spanish is such a beautiful language.&lt;br /&gt;
&lt;br /&gt;
[[Pictural of Sound Barriers along a Highway]]&lt;br /&gt;
&lt;br /&gt;
[[The Orchard, Two Poems]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=6103</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=6103"/>
		<updated>2008-02-18T05:19:34Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* New Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[Beyond the Scope of Reason]], the first transformation story I ever wrote. Of course, it doesn&#039;t follow all of the conventions of writing and is not perfect in cohesion, but heck, it was the first.&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]]&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the past be known?]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled 2]]&lt;br /&gt;
&lt;br /&gt;
[[Finding the Southward Wind]], for a mare that I know and love.&lt;br /&gt;
&lt;br /&gt;
[[Becoming One with Helios]]&lt;br /&gt;
&lt;br /&gt;
[[An Ovidian Metamorphosis; Poseidon’s Gift]], Quite a long poem inspired by the Greek poet himself, specifically &amp;quot;Ocyrrhoe transform&#039;d into a Mare.&amp;quot; I must note here that the stanzas are specifically divided to parallel life, transfiguration, and death (and, of course, the moral of the story). Though some would believe that transfiguration occurs after death (as according to certain religions), it actually occurs during life. We constantly change, always for the better depending on how we preceive our changes. Pain and change are simply a part of life. To deny pain would be to deny life. We are thrown into this world screaming and covered in blood, and we tend to leave the world that way. To deny one&#039;s own changes would be to deny oneself. Alas, though this poem is inspired by Ovid, it has an entirely different approach to transformation. Though Ovid uses change as punishment, it cannot possibly be so. Change is a part of life. &lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[On Martyrdom]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]] in couplets of iambic pentameter - Yes, I was in one of those moods. Forgive me...&lt;br /&gt;
&lt;br /&gt;
[[In the midst of a Cold, I wrote this Poem]]&lt;br /&gt;
&lt;br /&gt;
[[Las Rosas en la primavera]], Spanish is such a beautiful language.&lt;br /&gt;
&lt;br /&gt;
[[Pictural of Sound Barriers along a Highway]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=An_Ovidian_Metamorphosis;_Poseidon%E2%80%99s_Gift&amp;diff=6101</id>
		<title>An Ovidian Metamorphosis; Poseidon’s Gift</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=An_Ovidian_Metamorphosis;_Poseidon%E2%80%99s_Gift&amp;diff=6101"/>
		<updated>2008-02-18T05:10:26Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Aglea, daughter of beauty was her name,&lt;br /&gt;
Nay, she did beat upon the doors&lt;br /&gt;
Of the gods,&lt;br /&gt;
	         Demanding they change her,&lt;br /&gt;
Maker her faster, fleet of foot,&lt;br /&gt;
Different from the form she was born,&lt;br /&gt;
For the man she loved did not take interest&lt;br /&gt;
In the slow;&lt;br /&gt;
                   And he thwarted her approaches,&lt;br /&gt;
And discarded her letters and words&lt;br /&gt;
Of love,&lt;br /&gt;
               For he was, like Tantalus before him,&lt;br /&gt;
Punished with his obsession, and punished&lt;br /&gt;
By the gods with it,&lt;br /&gt;
                                 So that no woman would win &lt;br /&gt;
His heart, and he would never grasp his golden grape.&lt;br /&gt;
And so she pled to the gods,&lt;br /&gt;
Interrupted their homes on Mt. Olympus,&lt;br /&gt;
Demanding that they allow her to&lt;br /&gt;
Win the heart of the very man they&lt;br /&gt;
Forsook not to.&lt;br /&gt;
                          For sooth, the gods were angered,&lt;br /&gt;
But not without a sense of pity,&lt;br /&gt;
For Aglea was innocent,&lt;br /&gt;
A matron and priestess,&lt;br /&gt;
Only compelled by Eros’ arrow,&lt;br /&gt;
Not by a will to accost the gods,&lt;br /&gt;
And contradict their ordinance, their decree,&lt;br /&gt;
They could not deny her.&lt;br /&gt;
And yet, they could not withdraw their punishment,&lt;br /&gt;
For the man’s father, Kapaneus,&lt;br /&gt;
Was cruel and treacherous,&lt;br /&gt;
And enraged Poseidon with his treatment of&lt;br /&gt;
His steeds,&lt;br /&gt;
                  And so was punished to have his line die,&lt;br /&gt;
With his son, who delighted not in mortal women,&lt;br /&gt;
But in the very steeds his father tormented,&lt;br /&gt;
And so he would not marry,&lt;br /&gt;
Nor his seed caress as woman’s womb,&lt;br /&gt;
To the ends of an heir to Kapaneus’ house.&lt;br /&gt;
And so the gods sought to uphold,&lt;br /&gt;
Both divine law and mortal love,&lt;br /&gt;
And answered the damsel’s plea,&lt;br /&gt;
Drawing upon acts of old; Demeter and Poseidon,&lt;br /&gt;
For the damsel’s worship went to the temple of&lt;br /&gt;
Demeter, maternal goddess, Poseidon’s love and envy,&lt;br /&gt;
Whose favor was hers...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
And so the gods changed the damsel,&lt;br /&gt;
Altering her form, bone, and sinew, and flesh,&lt;br /&gt;
And sculpted her as if she was re-birthed,&lt;br /&gt;
And she cried out in agony,&lt;br /&gt;
For this was not what she wanted,&lt;br /&gt;
And so resistance became physical pain,&lt;br /&gt;
The pain of change,&lt;br /&gt;
		        For although she loved the man,&lt;br /&gt;
She desired the way to be her way,&lt;br /&gt;
And desired her love to be human love,&lt;br /&gt;
And so the transfiguration continued against&lt;br /&gt;
Her will, painfully so,&lt;br /&gt;
			Her cries grew shrill and sharp,&lt;br /&gt;
Somewhere between the words of humans,&lt;br /&gt;
And the neighs of horse, until at last she only&lt;br /&gt;
Neighed,&lt;br /&gt;
                And bones changed,&lt;br /&gt;
Spine lengthened,&lt;br /&gt;
		     And a tail grew from her back,&lt;br /&gt;
And brown hair sprouted from it,&lt;br /&gt;
The hairs of a horse’s swat,&lt;br /&gt;
Which Poseidon first gave to the race&lt;br /&gt;
To protect their flanks,&lt;br /&gt;
And so prevent the winged menace from spoiling&lt;br /&gt;
Their beauty with irritation and stings.&lt;br /&gt;
Its flowing trail of strands undulated like&lt;br /&gt;
The tides of the Sea-god’s realm itself,&lt;br /&gt;
And it set by her rump,&lt;br /&gt;
Like a stream weaving through the woods,&lt;br /&gt;
Waves of hair gently brushing her tan hide,&lt;br /&gt;
And her feet and hands changed and were&lt;br /&gt;
Sculpted into hooves clad with horn,&lt;br /&gt;
Fingers merged into a single toe,&lt;br /&gt;
For Poseidon’s grace does not need twenty to stand,&lt;br /&gt;
And she winced for the numbness shocked her&lt;br /&gt;
Maidenhead and her mind, as never had she held &lt;br /&gt;
Beauty,&lt;br /&gt;
             Without the grasp of hands.&lt;br /&gt;
And her back arched and neck arched,&lt;br /&gt;
Both into a powerful curve,&lt;br /&gt;
The noble and elegant and awesome form&lt;br /&gt;
Of a curling wave upon the sands.&lt;br /&gt;
Her arms, no longer arms, and her legs&lt;br /&gt;
Grew long and thin, cannons and hocks&lt;br /&gt;
Her hand bones fused into fetlocks,&lt;br /&gt;
For beauty is shaped in balance,&lt;br /&gt;
And how wondrous to behold such strength&lt;br /&gt;
In such narrow and fragile limbs,&lt;br /&gt;
And support for such a massive, yet gentle creature?&lt;br /&gt;
And her muscles blossomed in her rear and chest,&lt;br /&gt;
Her stance widened, her belly, which would carry&lt;br /&gt;
The weight of her race and the burden, yet gift&lt;br /&gt;
Of a foal, sunk down and came to rest,&lt;br /&gt;
All upon her haunches and legs,&lt;br /&gt;
And her breasts shrunk, no longer to the lust of man,&lt;br /&gt;
But innocent and tucked between her legs&lt;br /&gt;
To nourish the life of her race,&lt;br /&gt;
So to raise a foal to health with the&lt;br /&gt;
Warm milk of her tits. And a wild, yet wondrous&lt;br /&gt;
Mane sprouted from her proud neck, a sign&lt;br /&gt;
Of the matriarch, each glossy, &lt;br /&gt;
Yet coarse strand tangled, yet flowing.&lt;br /&gt;
And wild, yet wondrous thoughts filled her head.&lt;br /&gt;
She wanted to gallop and prance,&lt;br /&gt;
And then, her face began to change,&lt;br /&gt;
And Poseidon with his chisel worked it into&lt;br /&gt;
A long and graceful muzzle,&lt;br /&gt;
With velvet lips, and vibrant, flaring nostrils,&lt;br /&gt;
To breath in the very existence of the air,&lt;br /&gt;
And a long tongue caressed her broad teeth,&lt;br /&gt;
Stained yellow as the elder race of the earth,&lt;br /&gt;
Made to chop even a single blade of grass,&lt;br /&gt;
And not to waste a leaf.&lt;br /&gt;
Her eyes became wide and dark, mirrors&lt;br /&gt;
To the natural world,&lt;br /&gt;
And her ears stood like two sentries&lt;br /&gt;
Upon her head, and twitched lightly in the air.&lt;br /&gt;
And there she stood, her transformation complete,&lt;br /&gt;
An exquisite image of the Sea-god’s pride.&lt;br /&gt;
She was as though an orphan,&lt;br /&gt;
Whom Poseidon, the great father,&lt;br /&gt;
Embraced in open arms,&lt;br /&gt;
Yet still the change wasn’t pleasant,&lt;br /&gt;
For no change is,&lt;br /&gt;
But now she gazed untroubled&lt;br /&gt;
Through her dark eyes, beneath&lt;br /&gt;
Her delicate, yet bristly eyelashes.&lt;br /&gt;
And she snorted and breathed in the world,&lt;br /&gt;
And her scent expanded into the world.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
And the son of Kapaneus, Hyppolytos,&lt;br /&gt;
Freer of horses was his name,&lt;br /&gt;
The tamer and lover of chargers found her,&lt;br /&gt;
Most beautiful of her race,&lt;br /&gt;
And fell in love with her form.&lt;br /&gt;
He vowed to take care of her&lt;br /&gt;
Like he had no other,&lt;br /&gt;
For she would bear the greatest of her race,&lt;br /&gt;
And give herself fully to its continuation.&lt;br /&gt;
And he always admired her,&lt;br /&gt;
As she bore many foals and&lt;br /&gt;
Forever had the love and affection&lt;br /&gt;
Of the man she once loved,&lt;br /&gt;
Though she forgot it in her transfiguration;&lt;br /&gt;
Her thoughts became those of a mare,&lt;br /&gt;
Her desire was fulfilled, though she belonged,&lt;br /&gt;
To a different creature, and loved the stallion,&lt;br /&gt;
Not the man.&lt;br /&gt;
	         They were together, but apart&lt;br /&gt;
In a perfect unity, such as only the gods&lt;br /&gt;
Could have bonded.&lt;br /&gt;
		        And she lived to a long age, &lt;br /&gt;
And she and the man died together in battle.&lt;br /&gt;
Upon her back, he rode to Elysium&lt;br /&gt;
They traveled together,&lt;br /&gt;
And upon reached the blessed realm,&lt;br /&gt;
Hyppolytos took the form of a stallion,&lt;br /&gt;
And forgot who he once was.&lt;br /&gt;
The two existed together and&lt;br /&gt;
Gave birth to the steeds of the wilderness,&lt;br /&gt;
Who were untamable and wild;&lt;br /&gt;
Few exist now, but their line&lt;br /&gt;
Continues...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
To all ye mortals, who read this poem,&lt;br /&gt;
Change is painful, yet it can be rewarding,&lt;br /&gt;
Our desires are ne’er fulfilled,&lt;br /&gt;
‘cept in some way we do not perceive.&lt;br /&gt;
And beauty is most present in this perception.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Poem]] [[Category:Animal]] [[Category:Equine]][[Category:Whiteflame]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=An_Ovidian_Metamorphosis;_Poseidon%E2%80%99s_Gift&amp;diff=6100</id>
		<title>An Ovidian Metamorphosis; Poseidon’s Gift</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=An_Ovidian_Metamorphosis;_Poseidon%E2%80%99s_Gift&amp;diff=6100"/>
		<updated>2008-02-18T05:09:49Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Aglea, daughter of beauty was her name,&lt;br /&gt;
Nay, she did beat upon the doors&lt;br /&gt;
Of the gods,&lt;br /&gt;
	         Demanding they change her,&lt;br /&gt;
Maker her faster, fleet of foot,&lt;br /&gt;
Different from the form she was born,&lt;br /&gt;
For the man she loved did not take interest&lt;br /&gt;
In the slow;&lt;br /&gt;
                   And he thwarted her approaches,&lt;br /&gt;
And discarded her letters and words&lt;br /&gt;
Of love,&lt;br /&gt;
               For he was, like Tantalus before him,&lt;br /&gt;
Punished with his obsession, and punished&lt;br /&gt;
By the gods with it,&lt;br /&gt;
                                 So that no woman would win &lt;br /&gt;
His heart, and he would never grasp his golden grape.&lt;br /&gt;
And so she pled to the gods,&lt;br /&gt;
Interrupted their homes on Mt. Olympus,&lt;br /&gt;
Demanding that they allow her to&lt;br /&gt;
Win the heart of the very man the&lt;br /&gt;
Forsook not to.&lt;br /&gt;
                          For sooth, the gods were angered,&lt;br /&gt;
But not without a sense of pity,&lt;br /&gt;
For Aglea was innocent,&lt;br /&gt;
A matron and priestess,&lt;br /&gt;
Only compelled by Eros’ arrow,&lt;br /&gt;
Not by a will to accost the gods,&lt;br /&gt;
And contradict their ordinance, their decree,&lt;br /&gt;
They could not deny her.&lt;br /&gt;
And yet, they could not withdraw their punishment,&lt;br /&gt;
For the man’s father, Kapaneus,&lt;br /&gt;
Was cruel and treacherous,&lt;br /&gt;
And enraged Poseidon with his treatment of&lt;br /&gt;
His steeds,&lt;br /&gt;
                  And so was punished to have his line die,&lt;br /&gt;
With his son, who delighted not in mortal women,&lt;br /&gt;
But in the very steeds his father tormented,&lt;br /&gt;
And so he would not marry,&lt;br /&gt;
Nor his seed caress as woman’s womb,&lt;br /&gt;
To the ends of an heir to Kapaneus’ house.&lt;br /&gt;
And so the gods sought to uphold,&lt;br /&gt;
Both divine law and mortal love,&lt;br /&gt;
And answered the damsel’s plea,&lt;br /&gt;
Drawing upon acts of old; Demeter and Poseidon,&lt;br /&gt;
For the damsel’s worship went to the temple of&lt;br /&gt;
Demeter, maternal goddess, Poseidon’s love and envy,&lt;br /&gt;
Whose favor was hers...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
And so the gods changed the damsel,&lt;br /&gt;
Altering her form, bone, and sinew, and flesh,&lt;br /&gt;
And sculpted her as if she was re-birthed,&lt;br /&gt;
And she cried out in agony,&lt;br /&gt;
For this was not what she wanted,&lt;br /&gt;
And so resistance became physical pain,&lt;br /&gt;
The pain of change,&lt;br /&gt;
		        For although she loved the man,&lt;br /&gt;
She desired the way to be her way,&lt;br /&gt;
And desired her love to be human love,&lt;br /&gt;
And so the transfiguration continued against&lt;br /&gt;
Her will, painfully so,&lt;br /&gt;
			Her cries grew shrill and sharp,&lt;br /&gt;
Somewhere between the words of humans,&lt;br /&gt;
And the neighs of horse, until at last she only&lt;br /&gt;
Neighed,&lt;br /&gt;
                And bones changed,&lt;br /&gt;
Spine lengthened,&lt;br /&gt;
		     And a tail grew from her back,&lt;br /&gt;
And brown hair sprouted from it,&lt;br /&gt;
The hairs of a horse’s swat,&lt;br /&gt;
Which Poseidon first gave to the race&lt;br /&gt;
To protect their flanks,&lt;br /&gt;
And so prevent the winged menace from spoiling&lt;br /&gt;
Their beauty with irritation and stings.&lt;br /&gt;
Its flowing trail of strands undulated like&lt;br /&gt;
The tides of the Sea-god’s realm itself,&lt;br /&gt;
And it set by her rump,&lt;br /&gt;
Like a stream weaving through the woods,&lt;br /&gt;
Waves of hair gently brushing her tan hide,&lt;br /&gt;
And her feet and hands changed and were&lt;br /&gt;
Sculpted into hooves clad with horn,&lt;br /&gt;
Fingers merged into a single toe,&lt;br /&gt;
For Poseidon’s grace does not need twenty to stand,&lt;br /&gt;
And she winced for the numbness shocked her&lt;br /&gt;
Maidenhead and her mind, as never had she held &lt;br /&gt;
Beauty,&lt;br /&gt;
             Without the grasp of hands.&lt;br /&gt;
And her back arched and neck arched,&lt;br /&gt;
Both into a powerful curve,&lt;br /&gt;
The noble and elegant and awesome form&lt;br /&gt;
Of a curling wave upon the sands.&lt;br /&gt;
Her arms, no longer arms, and her legs&lt;br /&gt;
Grew long and thin, cannons and hocks&lt;br /&gt;
Her hand bones fused into fetlocks,&lt;br /&gt;
For beauty is shaped in balance,&lt;br /&gt;
And how wondrous to behold such strength&lt;br /&gt;
In such narrow and fragile limbs,&lt;br /&gt;
And support for such a massive, yet gentle creature?&lt;br /&gt;
And her muscles blossomed in her rear and chest,&lt;br /&gt;
Her stance widened, her belly, which would carry&lt;br /&gt;
The weight of her race and the burden, yet gift&lt;br /&gt;
Of a foal, sunk down and came to rest,&lt;br /&gt;
All upon her haunches and legs,&lt;br /&gt;
And her breasts shrunk, no longer to the lust of man,&lt;br /&gt;
But innocent and tucked between her legs&lt;br /&gt;
To nourish the life of her race,&lt;br /&gt;
So to raise a foal to health with the&lt;br /&gt;
Warm milk of her tits. And a wild, yet wondrous&lt;br /&gt;
Mane sprouted from her proud neck, a sign&lt;br /&gt;
Of the matriarch, each glossy, &lt;br /&gt;
Yet coarse strand tangled, yet flowing.&lt;br /&gt;
And wild, yet wondrous thoughts filled her head.&lt;br /&gt;
She wanted to gallop and prance,&lt;br /&gt;
And then, her face began to change,&lt;br /&gt;
And Poseidon with his chisel worked it into&lt;br /&gt;
A long and graceful muzzle,&lt;br /&gt;
With velvet lips, and vibrant, flaring nostrils,&lt;br /&gt;
To breath in the very existence of the air,&lt;br /&gt;
And a long tongue caressed her broad teeth,&lt;br /&gt;
Stained yellow as the elder race of the earth,&lt;br /&gt;
Made to chop even a single blade of grass,&lt;br /&gt;
And not to waste a leaf.&lt;br /&gt;
Her eyes became wide and dark, mirrors&lt;br /&gt;
To the natural world,&lt;br /&gt;
And her ears stood like two sentries&lt;br /&gt;
Upon her head, and twitched lightly in the air.&lt;br /&gt;
And there she stood, her transformation complete,&lt;br /&gt;
An exquisite image of the Sea-god’s pride.&lt;br /&gt;
She was as though an orphan,&lt;br /&gt;
Whom Poseidon, the great father,&lt;br /&gt;
Embraced in open arms,&lt;br /&gt;
Yet still the change wasn’t pleasant,&lt;br /&gt;
For no change is,&lt;br /&gt;
But now she gazed untroubled&lt;br /&gt;
Through her dark eyes, beneath&lt;br /&gt;
Her delicate, yet bristly eyelashes.&lt;br /&gt;
And she snorted and breathed in the world,&lt;br /&gt;
And her scent expanded into the world.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
And the son of Kapaneus, Hyppolytos,&lt;br /&gt;
Freer of horses was his name,&lt;br /&gt;
The tamer and lover of chargers found her,&lt;br /&gt;
Most beautiful of her race,&lt;br /&gt;
And fell in love with her form.&lt;br /&gt;
He vowed to take care of her&lt;br /&gt;
Like he had no other,&lt;br /&gt;
For she would bear the greatest of her race,&lt;br /&gt;
And give herself fully to its continuation.&lt;br /&gt;
And he always admired her,&lt;br /&gt;
As she bore many foals and&lt;br /&gt;
Forever had the love and affection&lt;br /&gt;
Of the man she once loved,&lt;br /&gt;
Though she forgot it in her transfiguration;&lt;br /&gt;
Her thoughts became those of a mare,&lt;br /&gt;
Her desire was fulfilled, though she belonged,&lt;br /&gt;
To a different creature, and loved the stallion,&lt;br /&gt;
Not the man.&lt;br /&gt;
	         They were together, but apart&lt;br /&gt;
In a perfect unity, such as only the gods&lt;br /&gt;
Could have bonded.&lt;br /&gt;
		        And she lived to a long age, &lt;br /&gt;
And she and the man died together in battle.&lt;br /&gt;
Upon her back, he rode to Elysium&lt;br /&gt;
They traveled together,&lt;br /&gt;
And upon reached the blessed realm,&lt;br /&gt;
Hyppolytos took the form of a stallion,&lt;br /&gt;
And forgot who he once was.&lt;br /&gt;
The two existed together and&lt;br /&gt;
Gave birth to the steeds of the wilderness,&lt;br /&gt;
Who were untamable and wild;&lt;br /&gt;
Few exist now, but their line&lt;br /&gt;
Continues...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
To all ye mortals, who read this poem,&lt;br /&gt;
Change is painful, yet it can be rewarding,&lt;br /&gt;
Our desires are ne’er fulfilled,&lt;br /&gt;
‘cept in some way we do not perceive.&lt;br /&gt;
And beauty is most present in this perception.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Poem]] [[Category:Animal]] [[Category:Equine]][[Category:Whiteflame]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=An_Ovidian_Metamorphosis;_Poseidon%E2%80%99s_Gift&amp;diff=6099</id>
		<title>An Ovidian Metamorphosis; Poseidon’s Gift</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=An_Ovidian_Metamorphosis;_Poseidon%E2%80%99s_Gift&amp;diff=6099"/>
		<updated>2008-02-18T05:09:09Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: New page: {{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}  &amp;lt;poem&amp;gt; Aglea, daughter of beauty was her name, Nay, she did beat upon the doors Of the gods, 	         Demanding they change her, ...&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Aglea, daughter of beauty was her name,&lt;br /&gt;
Nay, she did beat upon the doors&lt;br /&gt;
Of the gods,&lt;br /&gt;
	         Demanding they change her,&lt;br /&gt;
Maker her faster, fleet of foot,&lt;br /&gt;
Different from the form she was born,&lt;br /&gt;
For the man she loved did not take interest&lt;br /&gt;
In the slow;&lt;br /&gt;
                   And he thwarted her approaches,&lt;br /&gt;
And discarded her letters and words&lt;br /&gt;
Of love,&lt;br /&gt;
               For her was, like Tantalus before him,&lt;br /&gt;
Punished with his obsession, and punished&lt;br /&gt;
By the gods with it,&lt;br /&gt;
                                 So that no woman would win &lt;br /&gt;
His heart, and he would never grasp his golden grape.&lt;br /&gt;
And so she pled to the gods,&lt;br /&gt;
Interrupted their homes on Mt. Olympus,&lt;br /&gt;
Demanding that they allow her to&lt;br /&gt;
Win the heart of the very man the&lt;br /&gt;
Forsook not to.&lt;br /&gt;
                          For sooth, the gods were angered,&lt;br /&gt;
But not without a sense of pity,&lt;br /&gt;
For Aglea was innocent,&lt;br /&gt;
A matron and priestess,&lt;br /&gt;
Only compelled by Eros’ arrow,&lt;br /&gt;
Not by a will to accost the gods,&lt;br /&gt;
And contradict their ordinance, their decree,&lt;br /&gt;
They could not deny her.&lt;br /&gt;
And yet, they could not withdraw their punishment,&lt;br /&gt;
For the man’s father, Kapaneus,&lt;br /&gt;
Was cruel and treacherous,&lt;br /&gt;
And enraged Poseidon with his treatment of&lt;br /&gt;
His steeds,&lt;br /&gt;
                  And so was punished to have his line die,&lt;br /&gt;
With his son, who delighted not in mortal women,&lt;br /&gt;
But in the very steeds his father tormented,&lt;br /&gt;
And so he would not marry,&lt;br /&gt;
Nor his seed caress as woman’s womb,&lt;br /&gt;
To the ends of an heir to Kapaneus’ house.&lt;br /&gt;
And so the gods sought to uphold,&lt;br /&gt;
Both divine law and mortal love,&lt;br /&gt;
And answered the damsel’s plea,&lt;br /&gt;
Drawing upon acts of old; Demeter and Poseidon,&lt;br /&gt;
For the damsel’s worship went to the temple of&lt;br /&gt;
Demeter, maternal goddess, Poseidon’s love and envy,&lt;br /&gt;
Whose favor was hers...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
And so the gods changed the damsel,&lt;br /&gt;
Altering her form, bone, and sinew, and flesh,&lt;br /&gt;
And sculpted her as if she was re-birthed,&lt;br /&gt;
And she cried out in agony,&lt;br /&gt;
For this was not what she wanted,&lt;br /&gt;
And so resistance became physical pain,&lt;br /&gt;
The pain of change,&lt;br /&gt;
		        For although she loved the man,&lt;br /&gt;
She desired the way to be her way,&lt;br /&gt;
And desired her love to be human love,&lt;br /&gt;
And so the transfiguration continued against&lt;br /&gt;
Her will, painfully so,&lt;br /&gt;
			Her cries grew shrill and sharp,&lt;br /&gt;
Somewhere between the words of humans,&lt;br /&gt;
And the neighs of horse, until at last she only&lt;br /&gt;
Neighed,&lt;br /&gt;
                And bones changed,&lt;br /&gt;
Spine lengthened,&lt;br /&gt;
		     And a tail grew from her back,&lt;br /&gt;
And brown hair sprouted from it,&lt;br /&gt;
The hairs of a horse’s swat,&lt;br /&gt;
Which Poseidon first gave to the race&lt;br /&gt;
To protect their flanks,&lt;br /&gt;
And so prevent the winged menace from spoiling&lt;br /&gt;
Their beauty with irritation and stings.&lt;br /&gt;
Its flowing trail of strands undulated like&lt;br /&gt;
The tides of the Sea-god’s realm itself,&lt;br /&gt;
And it set by her rump,&lt;br /&gt;
Like a stream weaving through the woods,&lt;br /&gt;
Waves of hair gently brushing her tan hide,&lt;br /&gt;
And her feet and hands changed and were&lt;br /&gt;
Sculpted into hooves clad with horn,&lt;br /&gt;
Fingers merged into a single toe,&lt;br /&gt;
For Poseidon’s grace does not need twenty to stand,&lt;br /&gt;
And she winced for the numbness shocked her&lt;br /&gt;
Maidenhead and her mind, as never had she held &lt;br /&gt;
Beauty,&lt;br /&gt;
             Without the grasp of hands.&lt;br /&gt;
And her back arched and neck arched,&lt;br /&gt;
Both into a powerful curve,&lt;br /&gt;
The noble and elegant and awesome form&lt;br /&gt;
Of a curling wave upon the sands.&lt;br /&gt;
Her arms, no longer arms, and her legs&lt;br /&gt;
Grew long and thin, cannons and hocks&lt;br /&gt;
Her hand bones fused into fetlocks,&lt;br /&gt;
For beauty is shaped in balance,&lt;br /&gt;
And how wondrous to behold such strength&lt;br /&gt;
In such narrow and fragile limbs,&lt;br /&gt;
And support for such a massive, yet gentle creature?&lt;br /&gt;
And her muscles blossomed in her rear and chest,&lt;br /&gt;
Her stance widened, her belly, which would carry&lt;br /&gt;
The weight of her race and the burden, yet gift&lt;br /&gt;
Of a foal, sunk down and came to rest,&lt;br /&gt;
All upon her haunches and legs,&lt;br /&gt;
And her breasts shrunk, no longer to the lust of man,&lt;br /&gt;
But innocent and tucked between her legs&lt;br /&gt;
To nourish the life of her race,&lt;br /&gt;
So to raise a foal to health with the&lt;br /&gt;
Warm milk of her tits. And a wild, yet wondrous&lt;br /&gt;
Mane sprouted from her proud neck, a sign&lt;br /&gt;
Of the matriarch, each glossy, &lt;br /&gt;
Yet coarse strand tangled, yet flowing.&lt;br /&gt;
And wild, yet wondrous thoughts filled her head.&lt;br /&gt;
She wanted to gallop and prance,&lt;br /&gt;
And then, her face began to change,&lt;br /&gt;
And Poseidon with his chisel worked it into&lt;br /&gt;
A long and graceful muzzle,&lt;br /&gt;
With velvet lips, and vibrant, flaring nostrils,&lt;br /&gt;
To breath in the very existence of the air,&lt;br /&gt;
And a long tongue caressed her broad teeth,&lt;br /&gt;
Stained yellow as the elder race of the earth,&lt;br /&gt;
Made to chop even a single blade of grass,&lt;br /&gt;
And not to waste a leaf.&lt;br /&gt;
Her eyes became wide and dark, mirrors&lt;br /&gt;
To the natural world,&lt;br /&gt;
And her ears stood like two sentries&lt;br /&gt;
Upon her head, and twitched lightly in the air.&lt;br /&gt;
And there she stood, her transformation complete,&lt;br /&gt;
An exquisite image of the Sea-god’s pride.&lt;br /&gt;
She was as though an orphan,&lt;br /&gt;
Whom Poseidon, the great father,&lt;br /&gt;
Embraced in open arms,&lt;br /&gt;
Yet still the change wasn’t pleasant,&lt;br /&gt;
For no change is,&lt;br /&gt;
But now she gazed untroubled&lt;br /&gt;
Through her dark eyes, beneath&lt;br /&gt;
Her delicate, yet bristly eyelashes.&lt;br /&gt;
And she snorted and breathed in the world,&lt;br /&gt;
And her scent expanded into the world.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
And the son of Kapaneus, Hyppolytos,&lt;br /&gt;
Freer of horses was his name,&lt;br /&gt;
The tamer and lover of chargers found her,&lt;br /&gt;
Most beautiful of her race,&lt;br /&gt;
And fell in love with her form.&lt;br /&gt;
He vowed to take care of her&lt;br /&gt;
Like he had no other,&lt;br /&gt;
For she would bear the greatest of her race,&lt;br /&gt;
And give herself fully to its continuation.&lt;br /&gt;
And he always admired her,&lt;br /&gt;
As she bore many foals and&lt;br /&gt;
Forever had the love and affection&lt;br /&gt;
Of the man she once loved,&lt;br /&gt;
Though she forgot it in her transfiguration;&lt;br /&gt;
Her thoughts became those of a mare,&lt;br /&gt;
Her desire was fulfilled, though she belonged,&lt;br /&gt;
To a different creature, and loved the stallion,&lt;br /&gt;
Not the man.&lt;br /&gt;
	         They were together, but apart&lt;br /&gt;
In a perfect unity, such as only the gods&lt;br /&gt;
Could have bonded.&lt;br /&gt;
		        And she lived to a long age, &lt;br /&gt;
And she and the man died together in battle.&lt;br /&gt;
Upon her back, he rode to Elysium&lt;br /&gt;
They traveled together,&lt;br /&gt;
And upon reached the blessed realm,&lt;br /&gt;
Hyppolytos took the form of a stallion,&lt;br /&gt;
And forgot who he once was.&lt;br /&gt;
The two existed together and&lt;br /&gt;
Gave birth to the steeds of the wilderness,&lt;br /&gt;
Who were untamable and wild;&lt;br /&gt;
Few exist now, but their line&lt;br /&gt;
Continues...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
To all ye mortals, who read this poem,&lt;br /&gt;
Change is painful, yet it can be rewarding,&lt;br /&gt;
Our desires are ne’er fulfilled,&lt;br /&gt;
‘cept in some way we do not perceive.&lt;br /&gt;
And beauty is most present in this perception.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Poem]] [[Category:Animal]] [[Category:Equine]][[Category:Whiteflame]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=6098</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=6098"/>
		<updated>2008-02-18T05:07:09Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* New Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[Beyond the Scope of Reason]], the first transformation story I ever wrote. Of course, it doesn&#039;t follow all of the conventions of writing and is not perfect in cohesion, but heck, it was the first.&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]]&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the past be known?]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled 2]]&lt;br /&gt;
&lt;br /&gt;
[[Finding the Southward Wind]], for a mare that I know and love.&lt;br /&gt;
&lt;br /&gt;
[[Becoming One with Helios]]&lt;br /&gt;
&lt;br /&gt;
[[An Ovidian Metamorphosis; Poseidon’s Gift]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[On Martyrdom]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]] in couplets of iambic pentameter - Yes, I was in one of those moods. Forgive me...&lt;br /&gt;
&lt;br /&gt;
[[In the midst of a Cold, I wrote this Poem]]&lt;br /&gt;
&lt;br /&gt;
[[Las Rosas en la primavera]], Spanish is such a beautiful language.&lt;br /&gt;
&lt;br /&gt;
[[Pictural of Sound Barriers along a Highway]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5631</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5631"/>
		<updated>2008-01-26T04:28:21Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* Older Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[Beyond the Scope of Reason]], the first transformation story I ever wrote. Of course, it doesn&#039;t follow all of the conventions of writing and is not perfect in cohesion, but heck, it was the first.&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]]&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the past be known?]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled 2]]&lt;br /&gt;
&lt;br /&gt;
[[Finding the Southward Wind]], for a mare that I know and love.&lt;br /&gt;
&lt;br /&gt;
[[Becoming One with Helios]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[On Martyrdom]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]] in couplets of iambic pentameter - Yes, I was in one of those moods. Forgive me...&lt;br /&gt;
&lt;br /&gt;
[[In the midst of a Cold, I wrote this Poem]]&lt;br /&gt;
&lt;br /&gt;
[[Las Rosas en la primavera]], Spanish is such a beautiful language.&lt;br /&gt;
&lt;br /&gt;
[[Pictural of Sound Barriers along a Highway]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=Beyond_the_Scope_of_Reason&amp;diff=5530</id>
		<title>Beyond the Scope of Reason</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=Beyond_the_Scope_of_Reason&amp;diff=5530"/>
		<updated>2008-01-21T03:56:01Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: New page: {{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}  	“Where are we Michael?”  	“I’m not sure, goddamn it. The doors are sealed shut.”  	“How’d you two get us into this ...&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
	“Where are we Michael?”&lt;br /&gt;
&lt;br /&gt;
	“I’m not sure, goddamn it. The doors are sealed shut.”&lt;br /&gt;
&lt;br /&gt;
	“How’d you two get us into this mess?”&lt;br /&gt;
&lt;br /&gt;
	“I said I don’t know damn it. I can’t remember a friggen thing. All I know is that we were out camping and some strange guy pulled up in a white van. You two were sleeping. I was attacked; I don’t remember.”&lt;br /&gt;
&lt;br /&gt;
	“Well, we’re stuck here, I can’t even see you guys, are you okay?”&lt;br /&gt;
&lt;br /&gt;
	“I’m fine. Nice of you to care Samantha.”&lt;br /&gt;
&lt;br /&gt;
	“Oh, shut up Michael. How ‘bout you David?”&lt;br /&gt;
&lt;br /&gt;
	“I guess I am okay, considering,” I said. “I’ve got a nasty bruise on my forehead, but the pain seems to be subsiding.” I looked around the room. It was white-washed and completely bare, no furniture or any sort of commodity whatsoever. We were all separated from each other. From what I could tell, Michael was in a room right next to me, and Samantha’s voice seemed to be projecting from across the hall. I looked at the ceiling. The room was a perfect void aside from a small air duct in the corner directly above the door. “I think I may have found a way out of here, but I can’t quite reach it. Mike, you’re taller. See if you can’t.”&lt;br /&gt;
&lt;br /&gt;
	“Damn, if I...there’s nothing in here for me to stand on. I can’t reach it either!” I began to rub the bridge of my nose with frustration, sweat dripping down my brow. We were going the have to wait until whatever sick bastard shows up and explains precisely why we were kidnaped.&lt;br /&gt;
&lt;br /&gt;
	“I can’t believe this!” There was a loud bang on the wall. Apparently, Michael was undergoing a similar vexation.&lt;br /&gt;
&lt;br /&gt;
	“Shh, someone’s coming.” Samantha was right. A small echo reverberated the walls. It was only faint, but I could discern several footsteps out of synch. There must be several people coming. Even if they are sadistic, it is definitely a relief from the oppressive isolation we are currently in, I thought.&lt;br /&gt;
&lt;br /&gt;
	The sound of shuffling feet crescendoed until it reached my door. I could hear mumbling, but I was unable to decipher any of the words of their speech. It seemed as though there were three individuals. I heard a door lock being unlatched and a slight metallic clink as the door was unlocked from across the hall. I must have underestimated how many people there were, for now I perceived several more voices, much deeper than the others. This conversation was louder than before, and I was able to detect a few words of their speech.&lt;br /&gt;
&lt;br /&gt;
	“When I open this door, you will go in first. Get the woman. Then, we’ll come back for the other.”&lt;br /&gt;
&lt;br /&gt;
	“What about this one?” responded one of the deeper voices.&lt;br /&gt;
&lt;br /&gt;
	“Never mind him for now.”&lt;br /&gt;
&lt;br /&gt;
	“What do you think they’ll fetch?” asked another.&lt;br /&gt;
&lt;br /&gt;
	“Forget it; we go in on one, two, three!” I heard what sounded like a metal door being thrown against the wall. This was followed by a high pitched scream and a struggle.&lt;br /&gt;
&lt;br /&gt;
	“Samantha! Get your goddamn hands off her!” Michael’s yell seemed to have little or no effect. The men had easily overpowered my friend. I could hear a scraping sound as her limp body was dragged across the floor.&lt;br /&gt;
&lt;br /&gt;
	After they had completed their task, they unlocked the door adjacent to my room. Someone swore under his breath. The same basic situation happened again, but this time, I could clearly hear several men engaging Michael in a brawl until a dull thud caught my attention. The room was enveloped in silence.&lt;br /&gt;
&lt;br /&gt;
	I strained my ears further, but could only hear the footsteps, this time slower, apparently burdened by my friends’ bodies. Was I to suffer a similar fate? I was alone. My mind was wracked in dread. Are they dead? What is happening? When are they coming back for me? I laid my body on the chilled concrete floor and stared at the ceiling for many minutes, or was it hours? I couldn’t tell. Everything seemed beyond its equilibrium. The light from the only window in the room danced eerily on the floor like heathen wisps in a hellish dance. I felt my mind slowly dimming into a dreamless, yet wretched sleep.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
	I awoke to a foul odor, which seemed to originate from the air ducts above the door. The viscous gas was slowly descending the room. I gasped and held my breath, though I knew it was futile. This was it, I thought, I am going to die. I couldn’t understand it. Why did they waste the time bringing me here just to asphyxiate me on some strange poison? They could have easily murdered me in my sleep. Perhaps they wanted my friends for some special purpose, and I was just an auxiliary body to be flung into a ditch somewhere later. All I managed to do was fill myself with ominous visions of how my friends were being bled and mutilated in some sick, perverted ritual. I couldn’t keep my breath any longer, and reflex took over me. I inhaled the vile gas, and was immediately thrown into convulsions.&lt;br /&gt;
&lt;br /&gt;
	My lungs seared with pain. I dropped to the ground, each breath a throbbing torment. My fingers and toes went numb. My skin felt as though it was being scorched off of my body, and my eyes were hazed by the noxious gas. I screamed out in agony.&lt;br /&gt;
&lt;br /&gt;
	The pains began to dull. The gas was being filtered from the room, and I lay curled up in shock and terror. The worst of the pain was alleviated by a breath of clear, unsullied air, but a metallic tint, though hardly noticeable, was still present. I tasted it on my tongue, and my other senses confirmed it. The room seemed surreal, which may have been a result of the gas or, perhaps, my reaction to it. They must have used some sort of nerve agent, but why am I still alive? I twitched my arms, gradually regaining control over my motor neural skills, but my fingers and toes did not seem to respond to my commands, a residual effect?&lt;br /&gt;
&lt;br /&gt;
	I managed to cock my head, straining to get a decent image of my hands from my contorted position. What I saw frightened me. My hands were slightly elongated; the center digit of my fingers was swollen, and none of them would flex properly. Aside from that, the nail was darker, a pale grey color. It had distributed itself most of the way around my finger, seeming to absorb the skin near the tip and attach itself to the bone. More worrisome, however, was that it seemed to be darkening in color from one moment to the next. I must be hallucinating. I quickly discarded this notion as a dreadful pain ran down the length of my spine.&lt;br /&gt;
&lt;br /&gt;
	I cried out. My back arched, and I lost control over my muscles. My back was heaving in and out and seemed to be forcing something out of the base of my spine. I managed to twist my body just enough to place my hand along my posterior side. &lt;br /&gt;
&lt;br /&gt;
	I felt around with the palm of my hand. I detected some protrusion from my spine several inches long, and it seemed to elongate itself further with each snap and pop along my back. I felt it involuntarily twitch, some sort of tail. A tail! I’m growing a tail! This can’t be real. It can’t. I’m dreaming, just dreaming. Soon you will wake up...“Oh, god it hurts!” I shouted.&lt;br /&gt;
&lt;br /&gt;
	Wait a minute, I’m naked. Why didn’t I notice that? It seemed not to bother me. This isn’t right. What the hell is happening to me?&lt;br /&gt;
&lt;br /&gt;
	My whole body seized up. My appendages burned and froze. I couldn’t tell which. Chills ran along my arms and legs, but it kept shifting back and forth between hot and cold. My extremities seemed to be tingling, almost as if someone was gradually inserting pins through my flesh and adjusting them under my skin into just the right position. I felt a million pricks along the protrusion of my pine, and something furry brushed against my leg. I twitched it again. Long, thick strands of hair hit me in the face. They were too coarse to be human, perhaps some animal? A horse? No, no, this isn’t happening. This is reality. It isn’t possible. My mind was flooded with confusion. All I could seem to focus on was each pain and unusual sensation, which spread itself over my body. The next wave of pains came as my organs and bones appeared to shift themselves on their own will, or rather, someone else’s.&lt;br /&gt;
&lt;br /&gt;
	It was as if someone had tied ropes to my arms and was tugging them forward. I pulled my body away from them, but this only acted to force my arms further out in front of me. My shoulders glided against bone, producing a grating sound. They positioned themselves along the front of my chest. Likewise, my ribs began to distend themselves backwards towards my rear. Each breath forced my rib cage further down my spine and knocked my arms further under my chest. My collar bone appeared to liquify, and my arms were freed to move in sickly angles. I rolled onto my back, trying to gain some control over my body. I grunted as new muscles generated themselves between my arms, locking them into place as new skin developed and fused them to my body.&lt;br /&gt;
&lt;br /&gt;
	The next pain was in my pelvis. I screamed while I twisted myself back and forth along the concrete. My pelvis seemed to be rotating itself and snapping forward. My whole lower body shook and undulate as my pelvis wiggled itself into a new posture. My legs were jammed up against my belly. I tried to resist the movement, but there seemed to be no muscles to direct my legs back into their original position. They forced themselves beyond my range of motion and into my rapidly developing flanks. The skin between my belly and my thighs merged, and the position became permanent. I tried to bend my legs away from me, trying to mimic a position of bipedal creatures, but they only went so far before I started to arch my back instead. Oh god, I’m losing control! I felt dismay and hopelessness. I had no influence over my body’s changes, and struggling only appeared to make it worsen. I rolled into a heap on my side in a state of depressive loss of will. I can’t stop it. There’s nothing I can do. I let the changes overtake me, but this did little to ease my agony.&lt;br /&gt;
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	My body began to gain muscle mass. Every portion of my being tensed up, but in reality, the muscles were growing. The changes increased in pace. I felt my internal organs rearranging, and my buttocks gaining more girth, which, in turn, pushed my legs to the side of my body, separating them further with each swell. By now, my fingers and toes had retracted, and fully formed hooves clattered on the concrete. I tried to stand as my changes mad lying on the cold floor uncomfortable. My feet and hands elongated with a sickening pop, and I winced as each individual bone repositioned itself for quadrupedal walking. My arms and legs became bony, and every portion of them became defined and toned. My chest, buttocks, and stomach swelled again.&lt;br /&gt;
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	The changes continued in my organs. It felt as though someone had placed their hand into my belly and was squeezing them, one after another. My anus moved up below my tail, and I could feel my intestines casting my other organs aside, wrenching themselves further into me with an appalling gushing sound. Then, the changes moved to my groin.&lt;br /&gt;
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	The pain was unbearable. My genitals expanded and pulled up against my body. The skin around my genitals was peeled off, and though I was unable to see what was happening, it felt as though it had fused with my belly. Then, I shook violently with pain. My penis expanded and forced its way into my body, causing my organs to move some more and create a pocket from which it was housed. The air felt cool against my new sheath, almost sensual.&lt;br /&gt;
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	It was difficult to concentrate on anything at all. The sensations were to powerful; they overwhelmed my weaker human mind. I felt strong, energetic, and virile. It was something beyond the effects of human adrenaline. I could feel every muscle twitch, and every pore of my body was stimulated and highly sensitive. I could feel tiny stings as hair developed. I detected a pungent odor. Moving my head around, trying to locate the smell told me that it was from my own body; it was my identity. I bathed in it.&lt;br /&gt;
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	I tried to act disgusted at this notion as a retaliation of my former self, but there seemed to be no need to. I opened my eyes, which I had shut earlier and saw a large mass in front of my face, my nose? Why didn’t I feel the changes? No, this shouldn’t be happening. I shouldn’t be reacting this way. I’m a horse, no a hum...stop, stop. I am...no...can’t...just a...And then, the most excruciating of phase of the transformation commenced. Had I just accepted it, then I would have been spared the pain, but my awareness of my changing self ushered in wave after wave of relentless, intolerable suffering.&lt;br /&gt;
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	My spine distended, and my buttocks felt as though it were moving away from me. The fierce onset of pain translated into something not so distant from having your skin boiled off until your bones were exposed. My body was inverting itself. My heart, lungs, and stomach were being spilled out over the floor, or so it felt. My head shook spasmodically as if it were being stretched until it simply broke off.&lt;br /&gt;
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	I cried out, something that sounded disjointed, like an animal in pain, “Ohiih nhyhynn nyynnh aiiiiyh!” I could no longer formulate words in my throat or in my mind. The pain distorted every cognition. A simple phrase, such as “help me,” became impossible to translate into speech. I didn’t even notice that a mane of coarse strands had grown in.&lt;br /&gt;
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	Whatever attempt at expressing words for my misery was abandoned when my face began to reshape. All anyone would have heard from near or afar would have been grunts, snorts, squeals of pain, and a deafening popping noise.&lt;br /&gt;
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	My eyes pushed apart as my nose and mouth extended themselves into a horse’s muzzle. My nostrils were yanked backwards. My teeth grew in length and width. I could feel my ears moving at the peak of my head. My entire face dropped into my spine, my neck being directed behind my head instead of below it. I screamed a piercing neigh and collapsed to my side with a large reverberation as my body contacted the hard floor. My vision dimmed. Each breath was a raspy struggle for air. I saw black patches, a hill, some grassy meadows, and then, the blackness’ thrall held me. There I lay, an unconscious stallion in a barren room.&lt;br /&gt;
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	When I awoke, I was standing on all fours in the same unforgiving room. I must have gotten up while I slept. My recollection of past events was foggy. I unwittingly began to pace around the room. I detected a clopping noise. Wait a minute, I shouldn’t be on all fours! My legs became wobbly, and I fell over onto my already bruised side. A feeling that was so natural a moment ago was suddenly elusive and out of place. Then, I realized that my ears were back, my tail flicking in agitation. I wasn’t even aware a second ago that I was behaving like a horse. If felt so right. Now everything was a struggle, and maintaining control over my legs and muscles became a challenge.&lt;br /&gt;
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	I tried to think about who I was. The memories came back slightly hazed. They were drifting off, becoming obscured from one moment to the next. Thoughts of childhood, my friends, and my job were fading even as I pictured them. Other images were working their way into my memory: my mother directing me gently with a caress from her nose, me drinking milk from her tits, the time I was socked by the hind legs of the mean dark stallion, rolling on the dry grass and dirt in the hot sun, running with my own founded herd from a strange whirring thing in the air, being locked in cold bars and squeezed against the edge by the other, restless horses. I could remember being dragged to the ground by a bunch of men with ropes, one of whom I bit and left a bloody gash on his leg. I could even remember how I was taken and forced into this room by several human males, who kept thrashing me.&lt;br /&gt;
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	I stood up and began pacing. My eyes were looking in all directions rapidly. This room makes me nervous. It is so closed. I could smell my own fear, which only made my terror deepen. Sweat was dripping through my hair. I started to shuffle on my feet, ready to kick out. My body prepared itself to run or attack at a moment’s notice. The foul smell of humans was intense through my nose. Must run, get away! I heard a noise, and my ears tilted forward. I saw a man. I could smell his fear; he looked at me worried. I started chomping my jaw towards him, ears back. Get away from me! I screamed with anger. I sprang towards him and attempted to hurt and smash his bones. I knocked him over and was about to trample him, when I felt a searing pain in my neck. My muscles weakened, and I fell to the floor. The last thing I could remember was the sound of animal noises, emitted from the two humans.&lt;br /&gt;
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	When I opened my eyes, it was night, or so it seemed to be, but on a second glance, I realized I was trapped. I didn’t like it in here, but wasn’t in a state of panic. There were only tiny lights coming from a small area behind me, but for all purposes, it was dark and mostly peaceful, aside from the sudden rushing noises, which appeared to come from outside. I hadn’t ever heard anything like it. From what my ears could detect, it started soft, grew louder, then suddenly died away. I soon lost interest and began to examine my surroundings.&lt;br /&gt;
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	I could smell a slight bit of manure. There had been others here. Where are they now? I wondered. I craned my neck around to reach a tingling feeling on my side. I rubbed my teeth against it and bit it lightly. It felt good. The feeling went away, and I went back to standing. I swished my tail lazily in boredom.&lt;br /&gt;
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	I suddenly felt an urge in my loins. I felt my penis drop from its sheath, and I began to urinate on the floor. The odor was pungent. It was me; I could smell it. It made me feel confident. No one will come near here. No humans will bother me. With this new confidence, I drifted back to sleep and dreamt about courting a young mare.&lt;br /&gt;
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	I awoke with a start, and evening light caught my eye. There was a loud bang. Some young human came up to me. His confidence was reassuring. When he got close, however, he slipped something over my head. I tasted metal in my mouth. I tried to fumble with the thing in my mouth, biting on it and chewing it, but it was stuck. I shook my head in frustration—get it off, get it off!—but the human forced my head down with a tug on the thing on my head. My mouth burnt; it was cutting into my gums. I stopped struggling and allowed myself to be directed by him. I still chewed the metal, entirely distracted by it. I rolled my tongue over the surface and below, moving it around in my mouth. No position seemed to be comfortable. This irritated me. I moved my lips around its edges, trying to pull it off. I even tried to rub the base of my head against the human, but this only made him tighten his grip. It’s attached to me. I lowered my ears in sadness.&lt;br /&gt;
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	I saw another shape in the distance. It smelled like another human, but this one was an old female. She seemed frail. I curled my nose, looking for other scents. My ears perked up. There are others here. I need to go see them!&lt;br /&gt;
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	I tugged away from the man, trying to get to them, but he pulled harder on the metal thing, and it burnt my mouth again. He was a mean human. I needed to see the others. Why won’t he let me?&lt;br /&gt;
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	I could see the old human now. She seemed delighted by something. She exuded a scent of cheerfulness. As we neared her, the mean human started making noises at her. This made me angry, and I bit him on the shoulder.&lt;br /&gt;
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	The noises were louder now and full of rage. They seemed to be directed at me. My ears went back, and I began pawing the ground. I was about to attack him, when I saw the ginger human close by. She held out a hand, and I sniffed it. It wasn’t as foul as other humans. In fact, it was genial and calm. I let her stroke my face and under my mouth. It was a gentle caress. Memories of my mother flushed through my thoughts. She used to stand over me as I lay in the grass with my sleepy eyes. She nurtured me. This is a nice human. She can be a part of my herd.&lt;br /&gt;
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	When she stopped rubbing my nose, I felt worried. Was something wrong? I rotated my ears forward in puzzlement. To my most joyous surprise, she removed the thing off of my head. I am so happy! I rejoiced by bucking up and down and running whimsically in a few circles. This apparently pleased her because she seemed to become more cheerful watching me.&lt;br /&gt;
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	Now, I can go see the others! I suddenly realized. With this new insight, I bolted toward the scent. It became more distinct as I drew closer, and I could pick out two separate smells, a male and a female. I found them with their heads in the grasses, a few paces from each other. Both of them raised their heads and looked at me as I approached. They seemed hesitant, but curious at this new visitor.&lt;br /&gt;
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	I whinnied. Don’t be shy; I’m a friend. The female gave a look of approval. She seemed happy to have more company, and I felt welcomed by this gesture. The male resumed his grazing and paid me no heed, while I went to examine around the place. I soon found myself eating as well. I hadn’t realized how famished I was. So much excitement! This is much better than that lonely place with the cruel humans. Everything tastes so sweet.&lt;br /&gt;
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	As it just so happens, I was also extremely thirsty. I went looking for some water and stumbled upon an object. I stiffed it. So this is where the water is. I cautiously tasted it with my tongue and then plunged in my mouth up to my nose. It was clear and crisp, unlike the water I had been given before.&lt;br /&gt;
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	I stood there for awhile, drinking, until I felt my thirst quenched, and then I resumed grazing where I had been before. I stumbled upon a patch of clover and sampled it. Everything here seemed so much alive. My spirit was recovering from my past terror. Memories of that time began to fade as I redirected my attention to my great life. I watched as the sun set over the mountains in the distance.&lt;br /&gt;
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	Today was a brand new morning. I wanted to get out of this place so badly. I chewed on the edge of the room in state of ennui, swishing my tail back and forth to keep the flies off. I stuck my head out. Still nothing was happening. I want out. I want to run. Somebody? I neighed, trying to draw in any attention I could get. I heard two neighs come back in acknowledgment. The others are still here! I could smell them. They were near. I didn’t feel quite so lonely now, but this room did little to lessen my nervous excitement. I snorted and shook my mane, trying to get the flies off my head. They were pesky, but aside from being irritating, they didn’t bother me much.&lt;br /&gt;
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	I chewed on the edge of the room some more. I could hear the others shuffling around nearby. I started playing with the yellow twigs on the ground. It was fun, a game. I picked up a bunch of them in my mouth and then tossed them outside, all about the floor. I put my head down, picked up another mouthful, and dropped it outside. How fun! At least I am not so bored. I did it again, but stopped in the process.&lt;br /&gt;
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	I smelled the nice human. She is coming! My eyes opened wide with anticipation. Whatever drowsiness I got from standing around simply vanished. She stopped by the female and opened the door. Then, she grabbed the thing on the female’s head and guided her away. Come back! I neighed out towards them, but they didn’t pay any attention.&lt;br /&gt;
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	I waited a few seconds for the nice human to return and let me out, but she didn’t. I felt so left out. She took the female away; why can’t I go? I lowered my head, trying to look pitiful, but no one was there to see me. Oh well, back to my game. I picked up another mouthful of twigs and dropped them outside the room. I did this several more times.&lt;br /&gt;
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	There was so little to do in here. I looked around my room and tried to find something entertaining. The walls were empty. There is absolutely nothing interesting in here. I went back and stuck my head outside the room again. I saw an interesting object on the ground I remembered seeing it on the nice human’s head. I stretched my neck out to reach it. Just...barely, there. It tasted dry and flavorless in my mouth. I swung it around and then I dropped it. I realized something: I could play with it too. I craned my neck out again and picked it up in my mouth. I shook it around, and it suddenly left my lips.&lt;br /&gt;
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	I looked around startled. The nice human was standing before me. I perked up in joy, but was soon taken aback. The nice human seemed to not be pleased with me. Why? What did I do? She placed the object back on her head and opened my door. Why does she put it back on her head? I wondered, I would never do that. She lead me out of the room.&lt;br /&gt;
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	I didn’t chew the metal thing any more. I guess I got used to it. I anticipated where the nice human wanted to go and did so before the metal thing hurt me. It made sense. Anyway, wherever the nice human is taking me is more interesting than that room.&lt;br /&gt;
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	Suddenly, she stopped and tied me to a log. I watched her inquisitively. Wasn’t I going outside? She took out an object from behind the wall and began to rub it against my hair. It was soothing. I stroked my head against her in return, but she tugged at the metal thing in my mouth, and so I stopped moving. &lt;br /&gt;
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	Each brush was stimulating. She repeated the motion several times along the same area, moving down by my flanks. I felt calm and protected, secure. She brushed my legs as well and then worked her way up to my head. She seemed to be enjoying it as much as me. Maybe I don’t have to rub her as well. She did my neck and face, and tried to reach up to the top of my head. She wasn’t tall enough, so I lowered for her. It was very sensitive. I could feel my body tingling. She checked each of my feet, and then, she finished and released me from the log, taking the straps off of the metal thing.&lt;br /&gt;
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	I ran outside into the cool air and greeted the female. She was so lovely. She called out to me and I to her. Soon, we were standing by each other. She came up, nearing my body, and nipped me on the cheek. Then, she turned and sprinted off. I can’t let her get away with that. I playfully chased after her.&lt;br /&gt;
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	When I caught up, I bit the tip of her tail, and she ran faster. She was difficult to keep up with, but this game was far from taking a toll on me. In fact, it was quite refreshing, exhilarating, to be exact. I always kept her on her toes. She had to slow on the sharp turns, but these were easy for me, and I always got her right at the corner. I don’t know how long we did this, but it mattered not. It was fun. Despite the limited area for me to run, my path seemed infinite. Who would ever think that being captured could be so great? I still miss the wild, but if I could never return, I would most definitely settle for this.&lt;br /&gt;
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	When we had both worked up a good sweat, we stopped and waited around in the field. The nice human removed the things from our heads, and we went to go graze. I had tried earlier, but the metal thing in my mouth made it a challenge to bite the grass without hurting my teeth. &lt;br /&gt;
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	After I had eaten for awhile, I went roaming around the place, looking for new things. My mother had always disapproved of my curiosity, but we are all curious. I didn’t see the harm in it.&lt;br /&gt;
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	I could smell the male now. I was repulsed by the scent. There he is. He’s close by. The dislike was mutual. His ears went back, and he looked at me with his teeth bared. I bared my teeth back at him and curled my lips in aggression. We stood there like that, each ready to attack, for a little while until I decided I didn’t wish to be near him any longer. I think he felt the same, for he walked off as well. I was the larger stallion. If we fought, I would win. I was confident in that.&lt;br /&gt;
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	I returned to grazing, stopping only to get a drink of water. The day continued much the same, although at some point, I had a horrible tingling feeling on my head. I found a bunch of yellow twigs and began rolling around in them. It felt good and relieved my itch, but when I came up, I had a bunch of the yellow twigs in my hair. I shook my head and got most of them off, not caring about any that might have remained stuck.&lt;br /&gt;
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	The air grew chilled, signaling the coming of night. The nice human came about once more to head us back to the rooms. I yawned and she rubbed my forehead. Her gentle touch was so kind and generous that I suffered to wear the thing on my head for her. I was accustomed to it now, anyway. She was too frail to simply lead us without it, so the metal thing helped me understand where she wanted me to go without too much of a struggle on her part. I knew she couldn’t exert herself that much (not as much as I could), and I wanted to be complacent. She was so kind.&lt;br /&gt;
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	I went to my own room and paced for a little while. The nice human made the light go away, and I was in darkness. This is so soothing. I closed my eyes and drifted into a pleasant, uninterrupted sleep.&lt;br /&gt;
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	I have been here several risings of the light now, and although I sometimes was nervous as to whether the nice human will come and brush me and let me out, she always seemed to show up to my utter delight. I ran out to grasses to romp a little and flex my legs in the afternoon, but something was different. The smell that caught my nose was enthralling. It overpowered my senses and drove me wild. I could feel it permeating my entire body. I traced it through the area until I reached the female, and then, I knew.&lt;br /&gt;
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	I felt aroused by the female’s presence. She exuded a scent of pure ecstacy. I went up to her face and back to her rear, but she scurried away from me quickly. I followed her.&lt;br /&gt;
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	I knew she wanted to mate with me. I felt a stirring in my loins. The scent was so strong. It breathed life through my flesh. My hair felt like a ripple in the breeze, that was, until I suddenly detected another odor, which infuriated me. I twisted around just in time to avoid an onslaught from the male.&lt;br /&gt;
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	We leapt to our hind legs, thrashing each other with our feet. She is my herd! I kicked him across the neck. He lunged for my throat. The pain didn’t phase me, as I bit him back in a bloody frenzy. I forced him back. I am the stronger. He retaliated. We both leapt at each other again until we both lost our footing and fell to the ground. I rolled over to my feet, ready to resume the fight, but I thought again.&lt;br /&gt;
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	Something was different, unusual. I felt compelled to not attack anymore. The male, who had gotten to his feet, prepared another assault, but I sensed that he was hesitant. What is happening? Why am I not fighting? This is the way it is supposed to be.&lt;br /&gt;
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	The male looked at me confused. Something about this seemed familiar. I have fought dozens of times, but this was not right. What is it? I struggled with his scent. I felt repelled by it, but I didn’t want to attack. The female also stepped into the circle of doubt, twitching her ears in puzzlement.&lt;br /&gt;
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	I tried to focus on what was amiss. I felt as though I was drifting in and out of a fog, which had settled in the base of my mind. Slowly, it dawned on me.&lt;br /&gt;
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	“Michael?” I neighed.&lt;br /&gt;
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	“David, Samantha? Wh...what is happening?”&lt;br /&gt;
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	“You attacked me...,” I answered.&lt;br /&gt;
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	“I know I...wanted to hurt you, to drive you away from her. I felt like she was mine.”&lt;br /&gt;
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	“No, she was mine!” I shouted, the anger returning to me, coursing through my very blood. Her scent was prevailing over my mind.&lt;br /&gt;
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	“Calm down David,” Samantha interjected, “I know I choose you as my stallion, handsome, but this is no time to be at each others’ throats.” With this statement, I felt relieved, almost joyous. Michael hung his head in a defeated expression.&lt;br /&gt;
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	“Those men turned us into animals. How is that possible?” neighed David.&lt;br /&gt;
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	“Well, it seemed to work out okay, at least up to now,” I replied, starting to scratch myself by my haunches.&lt;br /&gt;
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	“How could you say something like that?”&lt;br /&gt;
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	“Hey, admit it. You were enjoying yourself.”&lt;br /&gt;
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	“Well, I guess I...”&lt;br /&gt;
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	“Doesn’t it seem odd that we can remember everything from both of our minds; at least, I know I can. Its as if we had lived separate live simultaneously.” I hadn’t even acknowledged Samantha’s presence until now. I was still irritated by Michael’s smell. It seemed to be the only thing on my mind, and trying to communicate as a human would, rather than my normal self, seemed to pose a challenge with all these distractions. &lt;br /&gt;
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	“Yeah, its making me have trouble focusing,” I replied. “Michael, could you step back from me a bit. Perhaps, we will communicate a little better.” He did as he was told. It scared the part of my mind that was human. I felt so dominant over him. He just stared at me with his drooping head. I bet he’d do anything I’d tell him. Wait, that is not civilized. He is your friend. You’ve got to control yourself.&lt;br /&gt;
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	I’m not sure which frightened me more, the feeling of control or the drastic change in Michael’s personality. This isn’t the friend I used to know. The again, I am definitely not who I was either. He used to be so head strong...&lt;br /&gt;
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	“So, what do we do now?” neighed Samantha.&lt;br /&gt;
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	“We can’t exactly go back. I’m not sure I’d want to. I suppose we just go on living like we have been. Its just that I keep feeling a slight resistance. It’s as if a part of me wants to go back, when I, myself, don’t want to.”&lt;br /&gt;
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	“I feel the same way,” Michael stated.&lt;br /&gt;
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	Samantha interrupted again, “I don’t think the mind was designed to be thrown apart like this. It isn’t natural.”&lt;br /&gt;
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	“It sure felt natural up until this point,” I replied.&lt;br /&gt;
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	“I think we should talk about this some more tomorrow, if that’s okay with you, David? I’m feeling sort of tired.” I had to admit, I was drowsy myself, though I really wanted to disagree with him. Probably the stallion side of me again. It isn’t like I can even control it, trying to only makes me control the human side of my mind. I guess I am not a human. I don’t even think I am. I don’t even want to try to think I am.&lt;br /&gt;
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	“Lets head back,” I said. “Try to control yourselves. Act normal. We want to stay as inconspicuous as possible.” We went up to the stables separately, while Michael kept his distance from me. I didn’t seem to have any trouble myself. The nice human came out to greet me. She rubbed my nose and lead me back to my stall. She is such a nice human. She can stroke me all she wants. She left. I was once again alone in the dark. I went to sleep and dreamt about galloping to work and being chased away by my boss, who was a bigger stallion.&lt;br /&gt;
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	Later that night, I awoke to mutters in the dark. They weren’t of my friends, and they were too deep to be the nice human’s. I sniffed. The scent was familiar, foreboding. I couldn’t quite place it, but it reminded me of being furious and frightened. It frightened me even now with an aura of maliciousness. I strained my memory. I could recall a cold floor. There were some white walls, a window...it was him, the man I attempted to trample to death. What are they doing here. Why did they come back? They shouldn’t be here. I neighed out loud. This apparently drew their attention, and I immediately regretted it.&lt;br /&gt;
&lt;br /&gt;
	“I think he smells you,” said a voice, “You know, he probably can tell we’re strangers.” How do I understand what they are saying?&lt;br /&gt;
&lt;br /&gt;
	“Shut up, I don’t care. He’s just some stupid animal. Get the truck and meet me back here.” Apparently, this was enough noise to awaken my friends as I heard the shifting of the horses in the other stalls.&lt;br /&gt;
&lt;br /&gt;
	“David, what’s that?” Michael yawned.&lt;br /&gt;
&lt;br /&gt;
	“Shh, quiet!” I nickered under my breath. I stuck my head out of the stall slightly, trying to get a glimpse of what was happening. There was a shadow in the dark, which seemed to be loitering around. After a few seconds, a large trailer came into view, backing up towards the stables. The driver apparently miscalculated his trajectory as he rammed the trailer right into the edge of the stables’ entrance, creating a loud noise.&lt;br /&gt;
&lt;br /&gt;
	“Son of a...!” yelled the shadow nearby. My friends jerked their heads back, apparently startled by the shout. “What do you want to do, wake the old hag! They didn’t hire us to be so goddamn careless. Try again. Bring it back gently this time, moron.”&lt;br /&gt;
&lt;br /&gt;
	I looked about some more. Not so far away a light flickered on in the farm house. There was some more swearing in the dark.&lt;br /&gt;
&lt;br /&gt;
	“We can’t let them do this to us!” I was taken aback by Michael’s outburst. He must have recovered from our brawl earlier. Michael began to make ruckus as much as he could. Samantha, who had remained quiet until now, joined in.&lt;br /&gt;
&lt;br /&gt;
	I saw a figure get out of the truck. The man who had been in the shadows ran over to calm my friends down. I could smell worry. It was thick in the air from the men and the horses.&lt;br /&gt;
&lt;br /&gt;
	Before the truck driver could run to the aid of his comrade, I heard a shout that was different from the other two voices. I could faintly make out a small hunched figure in the dark. It’s the nice human! I could see a shotgun quivering in her hands aimed at the truck driver’s chest.&lt;br /&gt;
&lt;br /&gt;
	“I suggest you get back in that truck and leave before I unload this into you, horse thief!”&lt;br /&gt;
&lt;br /&gt;
	“Mam, just calm down. I’ll get in the truck.” The figure got back inside the passenger door. Where is the other man? I wondered. I scanned the room. A black silhouette was moving along the other side of the vehicle, seeming to be carrying an object in his hands. I screamed, trying to warn the nice human, but she did not pay any attention to it. I felt dreadfully helpless.&lt;br /&gt;
&lt;br /&gt;
	“You’re lucky I didn’t just shoot you, mister. Get off my property!” sneered the nice human. I called out desperately again, but it was too late. The man made his way around the other side of the truck. The nice human didn’t even realize it until the man swung the shovel at the backside of her neck. Her body dropped to the ground, motionless. It felt as if a phantom had gripped my heart. I could sense death. I reared in anguish. My thoughts were lost. I didn’t even heed my friends. Everything was spinning. I let her die. This is my fault. They murdered her. I let her die. I let her die. I allowed the men to guide me harshly into the trailer with my friends. I didn’t even fight back. It hurt too much to resist.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
	I came to my senses, more or less, when we arrived back at the facility we had originally came from. The men put Michael in a nearby stall, but were in such a hurry that they locked Samantha and I into a small pen just outside the building. The night chill bit at every breath. Until now, my friends and I had been silent. The atrocity was on all our minds. I couldn’t bare to think about it any longer. My insides were ripping themselves apart.&lt;br /&gt;
&lt;br /&gt;
	“Are you okay Samantha?” I asked as I nuzzled her, trying to consul her as well as myself. Our ears were drooped. It was if reality, our lives, had been shattered.&lt;br /&gt;
&lt;br /&gt;
	“How could they do that? It was so cruel,” she muttered as if to nobody.&lt;br /&gt;
&lt;br /&gt;
	“I don’t know. I don’t know,” I replied listlessly.&lt;br /&gt;
&lt;br /&gt;
	It was Michael’s turn to speak. “Everything seems so hopeless. What are we supposed to do now?”&lt;br /&gt;
&lt;br /&gt;
	“I wish I knew,” said Samantha. “I guess we just wait until they sell us to another person, and then, once they die, perhaps we’ll go to another.”&lt;br /&gt;
&lt;br /&gt;
	“This just isn’t right,” said Michael.&lt;br /&gt;
&lt;br /&gt;
	“Well, what are we supposed to do about it?”&lt;br /&gt;
&lt;br /&gt;
	I walked away slowly, not wanting to be a part of this despairing conversation. They didn’t seem to notice as they continued their speech even with my absence. I just wanted to sleep. However, as I drifted further from the building, something caught my attention. I went to investigate, trying to focus despite the void in my heart.&lt;br /&gt;
&lt;br /&gt;
	I could see two shadows in the dark, and I walked quietly towards them, trying not to attract attention to myself. There were two humans standing right outside our pen. I could understand their whispers to each other.&lt;br /&gt;
&lt;br /&gt;
	“Why did we have to bring them back?”&lt;br /&gt;
&lt;br /&gt;
	“There was an error in the system. The experiment was a failure. The military is pulling its funds.”&lt;br /&gt;
&lt;br /&gt;
	“I thought we were doing it for the money.”&lt;br /&gt;
&lt;br /&gt;
	“We were, but it was simply a facade. Whose to take notice of a private horse trading practice? Anyway, they were the tests and the bots had glitches. We detected them in the systems check.”&lt;br /&gt;
&lt;br /&gt;
	“So, what do we do with them?” The man pointed towards the pen.&lt;br /&gt;
&lt;br /&gt;
	“We’ve got to destroy all evidence of this project. Dispose of them. That’s what you’re here for...”&lt;br /&gt;
&lt;br /&gt;
	Oh no, oh no! I’ve got to tell the others quickly! I ran over to Samantha in a mad frenzy. “We’ve got to, to...”&lt;br /&gt;
&lt;br /&gt;
	“David, calm down. What’s the matter? I can see the whites of your eyes.” My body was tensed in fear.&lt;br /&gt;
&lt;br /&gt;
	“They’re going to kill us!” I yelled. I felt cold sweat.&lt;br /&gt;
&lt;br /&gt;
	“You can’t be serious!” neighed Mike.&lt;br /&gt;
&lt;br /&gt;
	“I am. We have to get out of here. Hurry! They’re coming this way!”&lt;br /&gt;
&lt;br /&gt;
	“I’m trying, I’m trying.” Michael began kicking the door in a maddened fury. The humans must have seen this because they quickened their pace. When they reached Michael’s stall, they threw a rope around the furious stallion’s neck. Both men struggled against his immense strength.&lt;br /&gt;
&lt;br /&gt;
	“Get help,” the taller one said. Soon, there were several others armed with cattle prods.&lt;br /&gt;
&lt;br /&gt;
	The shock of the situation wore off, and my legs seemed free again to move. The same must have been true for Samantha because she began to throw her body at the gate of the pen.&lt;br /&gt;
&lt;br /&gt;
	The men unlatched Michael’s door, and he bolted out, knocking the tall one over. The others began to stick Michael with the prods and struggled to get him into another barn. I could smell a pungent reek of burnt hair and ozone. Poor Michael. Don’t worry about him. He’s strong. A few humans can’t control him.&lt;br /&gt;
&lt;br /&gt;
	I stopped paying attention, too focused on saving my own life. Samantha and I kept kicking the door, but it appeared to be too strong to break. The lock was beyond what our equine mouths could open.&lt;br /&gt;
&lt;br /&gt;
	“We have to try harder!” I neighed.&lt;br /&gt;
&lt;br /&gt;
	Samantha emitted a high pitched squeal as she pushed her body further. I heard a slight splintering of wood, but the door was not about to give way. It was no use, our muscles weren’t strong enough. Don’t give up! Don’t give up!&lt;br /&gt;
&lt;br /&gt;
	“David, we must work together! One, two, three, hit!” I heard a horrified squeal in the distance. A crack of gunshot went off. It was deafening. There was a thump as something heavy hit the ground.&lt;br /&gt;
&lt;br /&gt;
	“No, Michael!,” Samantha screamed. “How horrible, terrible, wretched...” My stomach knotted. I felt dizzy. I was dropping away. “David, keep your focus! If we don’t get out, he’ll have died for nothing. My god, Michael!”&lt;br /&gt;
&lt;br /&gt;
	“Try again, again,” I yelled. “I’m going to kill those bastards!” The sound of splintering increased dramatically. The door was giving way. With our last strength, the door shattered onto the ground in a pile of logs and splinters. We leapt outside the pen. I could see the men running back quickly. One of them was shouting. Each moment lessened the distance between us. I wanted to attack them, to kill them, but instinct overcame my hatred. I realized it would only result in my death as well.&lt;br /&gt;
&lt;br /&gt;
	Samantha and I sprinted out into the night. The shade of darkness allowed us to slip away. Lights were flashing all over the building’s parameter behind us. I tried desperately to cry, but couldn’t. Had I, I’m sure not even the gates of hell could hold back my tears.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
	It has been several days since our escape from the facility, and Michael’s and the nice human’s deaths still weighed heavily on our hearts. Samantha and I have been roaming the planes, trying to relieve the anguish, which always remained buried in our hearts despite our occasional joy. I looked over at her. She was beautiful, my beloved. She was grazing while I stood a sentry, worried that there might be carnivores out in the wild. Nothing was going to touch her as long as I lived. I was so preoccupied by these thoughts that I didn’t notice as she walked over to me.&lt;br /&gt;
&lt;br /&gt;
	“You know, even if I could go back to being human, I wouldn’t,” she nickered, rubbing her nose against my neck. I placed my head over hers.&lt;br /&gt;
&lt;br /&gt;
	“I agree, but how are we to go on living like this with our conflicting minds. I know we have fully adapted to our lives, but the human part of me keeps bringing back memories of another life and horrible memories.”&lt;br /&gt;
&lt;br /&gt;
	“We simply forget,” she neighed.&lt;br /&gt;
&lt;br /&gt;
	“Forget, is that even possible?” I replied.&lt;br /&gt;
&lt;br /&gt;
	“Why not? I can remember when I was a foal, and you know as well as I that we both feel as though we’ve always been horses...” This was true. &lt;br /&gt;
&lt;br /&gt;
	Not a bad feeling, I thought, but how do we accept a different past if we know of another?&lt;br /&gt;
&lt;br /&gt;
	“...The horse side of us does not want human memories; we don’t want human memories. If we can let that side, or rather, become entirely that side, then we can forget. We must accept who we are.”&lt;br /&gt;
&lt;br /&gt;
	“I guess we can try it, if...if you’re ready,” I neighed.&lt;br /&gt;
&lt;br /&gt;
	“I’m ready.”&lt;br /&gt;
&lt;br /&gt;
	“Well, here it goes.” We moved apart. I looked into her eye and concentrated, accepting myself. I am the stallion. I could see a light behind her eye dimming, being replaced by something else. I looked at her. I could feel myself slipping, the last of my humanity fading. Like...letting...into...the... I tilted my head and sniffed her. I started running, and she followed, side by side, my herdsmate, through the long grasses and plants. We ran and ran through the planes, the meadow, the trees. We ran, stopping only to pause in a world, which may only exist...beyond the scope of reason.&lt;br /&gt;
[[Category:Story]] [[Category:Animal]] [[Category:Equine]][[Category:Whiteflame]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5529</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5529"/>
		<updated>2008-01-21T03:41:42Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* Prose, Stories, etc. */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[Beyond the Scope of Reason]], the first transformation story I ever wrote. Of course, it doesn&#039;t follow all of the conventions of writing and is not perfect in cohesion, but heck, it was the first.&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]], the poem that, in essence, started it all. This poem indicates the beginning of my ostracization from society as it was submitted to a competition and scorned greatly. I went into a brooding depression afterwards (for many, many reasons) and have only recently recovered with the help of a good friend, Kevin Rooste.&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the past be known?]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled 2]]&lt;br /&gt;
&lt;br /&gt;
[[Finding the Southward Wind]], for a mare that I know and love.&lt;br /&gt;
&lt;br /&gt;
[[Becoming One with Helios]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[On Martyrdom]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]] in couplets of iambic pentameter - Yes, I was in one of those moods. Forgive me...&lt;br /&gt;
&lt;br /&gt;
[[In the midst of a Cold, I wrote this Poem]]&lt;br /&gt;
&lt;br /&gt;
[[Las Rosas en la primavera]], Spanish is such a beautiful language.&lt;br /&gt;
&lt;br /&gt;
[[Pictural of Sound Barriers along a Highway]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=Las_Rosas_en_la_primavera&amp;diff=5528</id>
		<title>Las Rosas en la primavera</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=Las_Rosas_en_la_primavera&amp;diff=5528"/>
		<updated>2008-01-21T03:29:44Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
En la primavera,&lt;br /&gt;
las flores dulces floresen,&lt;br /&gt;
Y se abren y llenan&lt;br /&gt;
el cielo con&lt;br /&gt;
un olor,&lt;br /&gt;
una perfume de&lt;br /&gt;
Naturaleza, la mujer.&lt;br /&gt;
Y las abejas ofertas&lt;br /&gt;
flotan de tallo&lt;br /&gt;
a tallo,&lt;br /&gt;
Cantando una canción de&lt;br /&gt;
Su belleza.&lt;br /&gt;
&lt;br /&gt;
En el invierno,&lt;br /&gt;
los rojos, y amarillos desteñirán&lt;br /&gt;
a morrón&lt;br /&gt;
Y la perfume&lt;br /&gt;
morirá.&lt;br /&gt;
Y los tallos pequeños&lt;br /&gt;
caen&lt;br /&gt;
en blanco,&lt;br /&gt;
blanco frio.&lt;br /&gt;
&lt;br /&gt;
Pero siempre yo sé&lt;br /&gt;
Que los petálos&lt;br /&gt;
Abrirán y desplegarán de nuevo.&lt;br /&gt;
Y calentarán el mundo&lt;br /&gt;
Con rojos, amarillos, y blancos,&lt;br /&gt;
Y lucirán sus caras simples&lt;br /&gt;
Al sol.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Whiteflame]]&lt;br /&gt;
[[Category:Non-TF poems]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=Las_Rosas_en_la_primavera&amp;diff=5527</id>
		<title>Las Rosas en la primavera</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=Las_Rosas_en_la_primavera&amp;diff=5527"/>
		<updated>2008-01-21T03:29:19Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: New page: {{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}  &amp;lt;poem&amp;gt; En la primavera, las flores dulces floresen, Y se abren y llenan el cielo con un olor, una perfume de Naturaleza, la mujer....&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
En la primavera,&lt;br /&gt;
las flores dulces floresen,&lt;br /&gt;
Y se abren y llenan&lt;br /&gt;
el cielo con&lt;br /&gt;
un olor,&lt;br /&gt;
una perfume de&lt;br /&gt;
Naturaleza, la mujer.&lt;br /&gt;
Y las abejas ofertas&lt;br /&gt;
flotan de tallo&lt;br /&gt;
a tallo,&lt;br /&gt;
Cantando una canción de&lt;br /&gt;
Su belleza.&lt;br /&gt;
&lt;br /&gt;
En el invierno,&lt;br /&gt;
los rojos, y amarillos desteñirán&lt;br /&gt;
a morrón&lt;br /&gt;
Y la perfume&lt;br /&gt;
morirá.&lt;br /&gt;
Y los tallos pequeños&lt;br /&gt;
caen&lt;br /&gt;
en blanco,&lt;br /&gt;
blanco frio.&lt;br /&gt;
&lt;br /&gt;
Per siempre yo sé&lt;br /&gt;
Que los petálos&lt;br /&gt;
Abrirán y desplegarán de nuevo.&lt;br /&gt;
Y calentarán el mundo&lt;br /&gt;
Con rojos, amarillos, y blancos,&lt;br /&gt;
Y lucirán sus caras simples&lt;br /&gt;
Al sol.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Whiteflame]]&lt;br /&gt;
[[Category:Non-TF poems]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5526</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5526"/>
		<updated>2008-01-21T03:24:01Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* New Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]], the poem that, in essence, started it all. This poem indicates the beginning of my ostracization from society as it was submitted to a competition and scorned greatly. I went into a brooding depression afterwards (for many, many reasons) and have only recently recovered with the help of a good friend, Kevin Rooste.&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the past be known?]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled 2]]&lt;br /&gt;
&lt;br /&gt;
[[Finding the Southward Wind]], for a mare that I know and love.&lt;br /&gt;
&lt;br /&gt;
[[Becoming One with Helios]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[On Martyrdom]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]] in couplets of iambic pentameter - Yes, I was in one of those moods. Forgive me...&lt;br /&gt;
&lt;br /&gt;
[[In the midst of a Cold, I wrote this Poem]]&lt;br /&gt;
&lt;br /&gt;
[[Las Rosas en la primavera]], Spanish is such a beautiful language.&lt;br /&gt;
&lt;br /&gt;
[[Pictural of Sound Barriers along a Highway]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=In_the_midst_of_a_Cold,_I_wrote_this_Poem&amp;diff=5525</id>
		<title>In the midst of a Cold, I wrote this Poem</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=In_the_midst_of_a_Cold,_I_wrote_this_Poem&amp;diff=5525"/>
		<updated>2008-01-21T03:17:52Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: New page: {{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}  &amp;lt;poem&amp;gt; In the spring, The sweet blossoms Open to fill the air with an aroma of Nature’s womanhood, And the tender bees float fro...&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
In the spring,&lt;br /&gt;
The sweet blossoms&lt;br /&gt;
Open to fill the air with an aroma of&lt;br /&gt;
Nature’s womanhood,&lt;br /&gt;
And the tender bees float from&lt;br /&gt;
Stem to stem,&lt;br /&gt;
Humming a tune of &lt;br /&gt;
Her bosom and beauty,&lt;br /&gt;
And gently stroking her breasts.&lt;br /&gt;
&lt;br /&gt;
But soon, the scarlets and sharp yellows&lt;br /&gt;
Will fade to golden brown.&lt;br /&gt;
And the heavenly scent will be encased&lt;br /&gt;
In a world of crystal tears.&lt;br /&gt;
And the small delicate stems curl,&lt;br /&gt;
Snap and fall into the dust&lt;br /&gt;
Or rather, they are buried in a tomb of&lt;br /&gt;
Blinding white&lt;br /&gt;
And burning water.&lt;br /&gt;
&lt;br /&gt;
But I always know that those&lt;br /&gt;
Petals will once again unfurl,&lt;br /&gt;
And warm the earth&lt;br /&gt;
With reds, yellows, and whites,&lt;br /&gt;
And show their silly face&lt;br /&gt;
To the sun.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Whiteflame]]&lt;br /&gt;
[[Category:Non-TF poems]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5524</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5524"/>
		<updated>2008-01-21T03:13:52Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* New Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]], the poem that, in essence, started it all. This poem indicates the beginning of my ostracization from society as it was submitted to a competition and scorned greatly. I went into a brooding depression afterwards (for many, many reasons) and have only recently recovered with the help of a good friend, Kevin Rooste.&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the past be known?]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled 2]]&lt;br /&gt;
&lt;br /&gt;
[[Finding the Southward Wind]], for a mare that I know and love.&lt;br /&gt;
&lt;br /&gt;
[[Becoming One with Helios]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[On Martyrdom]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]] in couplets of iambic pentameter - Yes, I was in one of those moods. Forgive me...&lt;br /&gt;
&lt;br /&gt;
[[In the midst of a Cold, I wrote this Poem]]&lt;br /&gt;
&lt;br /&gt;
[[Pictural of Sound Barriers along a Highway]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=Pictural_of_Sound_Barriers_along_a_Highway&amp;diff=5523</id>
		<title>Pictural of Sound Barriers along a Highway</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=Pictural_of_Sound_Barriers_along_a_Highway&amp;diff=5523"/>
		<updated>2008-01-21T03:07:12Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: New page: {{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}  &amp;lt;poem&amp;gt; I look at the fallen trees along The highway, Who have been cleared out For some faceless concrete walls, More walls, to ke...&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
I look at the fallen trees along&lt;br /&gt;
The highway,&lt;br /&gt;
Who have been cleared out&lt;br /&gt;
For some faceless concrete walls,&lt;br /&gt;
More walls, to keep the stupid wanderers&lt;br /&gt;
Like me from being hit by&lt;br /&gt;
Blind drivers and deaf SUVs,&lt;br /&gt;
Deafened by their own conversations&lt;br /&gt;
With the wall on the ground, which&lt;br /&gt;
Keeps my toes from feeling the soil.&lt;br /&gt;
–Walls to keep the loud chatter of&lt;br /&gt;
Engines from interrupting the loud&lt;br /&gt;
Chatter of humans.&lt;br /&gt;
They don’t even wish to hear their own monster&lt;br /&gt;
As he grumbles incoherently.&lt;br /&gt;
How they stare blindly or look away as he occasionally&lt;br /&gt;
Commits a murder.&lt;br /&gt;
&lt;br /&gt;
And as I look upon that wall, I think to myself:&lt;br /&gt;
In my lifetime, all the trees will be gone,&lt;br /&gt;
And the wild horses too,&lt;br /&gt;
Dead or walking dead, and broken,&lt;br /&gt;
And all of the beautiful planes in&lt;br /&gt;
The west, my home in my heart,&lt;br /&gt;
Which I have ventured so far from in my wanderings&lt;br /&gt;
And lost,&lt;br /&gt;
Will be paved over with walls,&lt;br /&gt;
Factories, power cables, wind farms, solar panels, and waste disposal plants.&lt;br /&gt;
Everything that I love will die.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Whiteflame]]&lt;br /&gt;
[[Category:Non-TF poems]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5522</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5522"/>
		<updated>2008-01-21T03:04:24Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* New Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]], the poem that, in essence, started it all. This poem indicates the beginning of my ostracization from society as it was submitted to a competition and scorned greatly. I went into a brooding depression afterwards (for many, many reasons) and have only recently recovered with the help of a good friend, Kevin Rooste.&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the past be known?]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled 2]]&lt;br /&gt;
&lt;br /&gt;
[[Finding the Southward Wind]], for a mare that I know and love.&lt;br /&gt;
&lt;br /&gt;
[[Becoming One with Helios]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[On Martyrdom]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]] in couplets of iambic pentameter - Yes, I was in one of those moods. Forgive me...&lt;br /&gt;
&lt;br /&gt;
[[Pictural of Sound Barriers along a Highway]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=On_Martyrdom&amp;diff=5521</id>
		<title>On Martyrdom</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=On_Martyrdom&amp;diff=5521"/>
		<updated>2008-01-21T02:55:20Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: New page: {{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}  &amp;lt;poem&amp;gt; Out of all the people In the world who need friends, Martyrs need them the most, And yet, they have no friends, No companio...&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Out of all the people&lt;br /&gt;
In the world who need friends,&lt;br /&gt;
Martyrs need them the most,&lt;br /&gt;
And yet, they have no friends,&lt;br /&gt;
No companions to share the burden of sacrifice,&lt;br /&gt;
&lt;br /&gt;
After all, “a friend is someone&lt;br /&gt;
Who can like you despite&lt;br /&gt;
Knowing you very well.”&lt;br /&gt;
No one wants to befriend a martyr,&lt;br /&gt;
And quite frankly,&lt;br /&gt;
I don’t blame them.&lt;br /&gt;
Martyrs are too...driven&lt;br /&gt;
By only one concept and instinct,&lt;br /&gt;
And die too quickly.&lt;br /&gt;
&lt;br /&gt;
A martyr is a machine,&lt;br /&gt;
And not a person,&lt;br /&gt;
In that a martyr can only&lt;br /&gt;
Grasp that single programmed cause–&lt;br /&gt;
That single looped algorithm.&lt;br /&gt;
He or she speaks of nothing&lt;br /&gt;
Else and thus, is unbearable,&lt;br /&gt;
And he or she tries in all vanity to&lt;br /&gt;
Grasp that friendship, but the martyr,&lt;br /&gt;
Knows in the pit of his metallic&lt;br /&gt;
Heart that none’s to be had.&lt;br /&gt;
&lt;br /&gt;
I am a machine.&lt;br /&gt;
&lt;br /&gt;
Martyrs are interesting when viewed&lt;br /&gt;
From a lense on a page,&lt;br /&gt;
But they are terribly dull&lt;br /&gt;
And redundant in closeness.&lt;br /&gt;
&lt;br /&gt;
Martyrs make terrible friends,&lt;br /&gt;
As well as terrible enemies.&lt;br /&gt;
Alas.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Whiteflame]]&lt;br /&gt;
[[Category:Non-TF poems]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5520</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5520"/>
		<updated>2008-01-21T02:52:28Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* New Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]], the poem that, in essence, started it all. This poem indicates the beginning of my ostracization from society as it was submitted to a competition and scorned greatly. I went into a brooding depression afterwards (for many, many reasons) and have only recently recovered with the help of a good friend, Kevin Rooste.&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the past be known?]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled 2]]&lt;br /&gt;
&lt;br /&gt;
[[Finding the Southward Wind]], for a mare that I know and love.&lt;br /&gt;
&lt;br /&gt;
[[Becoming One with Helios]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[On Martyrdom]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]] in couplets of iambic pentameter - Yes, I was in one of those moods. Forgive me...&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=Finding_the_Southward_Wind&amp;diff=5519</id>
		<title>Finding the Southward Wind</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=Finding_the_Southward_Wind&amp;diff=5519"/>
		<updated>2008-01-21T02:50:44Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: New page: {{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}  &amp;lt;poem&amp;gt; Her wandering gaze always falls Upon some troubled gate, One which the passing Autumn breeze, Rustling leaves, And quiverin...&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Her wandering gaze always falls&lt;br /&gt;
Upon some troubled gate,&lt;br /&gt;
One which the passing Autumn breeze,&lt;br /&gt;
Rustling leaves,&lt;br /&gt;
And quivering branches of trees&lt;br /&gt;
Gives some means of anticipation,&lt;br /&gt;
Some excitement, some anxiety.&lt;br /&gt;
Her brown, soft eyes,&lt;br /&gt;
Pan the grasses and the skies,&lt;br /&gt;
Looking for some heart to keep,&lt;br /&gt;
But never in the chilly wind&#039;s&lt;br /&gt;
Soft touch that sends shivers along the tangled hairs,&lt;br /&gt;
And capricious forelock,&lt;br /&gt;
Does she find a heart to keep,&lt;br /&gt;
For she knows not her own&lt;br /&gt;
And desires deep.&lt;br /&gt;
Yet never doth these occurrences remain&lt;br /&gt;
And prevent the mare from finding a home,&lt;br /&gt;
For that unhinged gate is always swaying,&lt;br /&gt;
Always open for her to travel.&lt;br /&gt;
And now, as she gently nuzzles my open palm,&lt;br /&gt;
Looking for some hidden apple&lt;br /&gt;
In my pockets,&lt;br /&gt;
I can see the fire in her eyes that gaze so &lt;br /&gt;
Listlessly out into the open,&lt;br /&gt;
Pretending to be lost,&lt;br /&gt;
Reminding me of you.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Poem]] [[Category:Animal]] [[Category:Equine]][[Category:Whiteflame]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5518</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5518"/>
		<updated>2008-01-21T02:49:15Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* New Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]], the poem that, in essence, started it all. This poem indicates the beginning of my ostracization from society as it was submitted to a competition and scorned greatly. I went into a brooding depression afterwards (for many, many reasons) and have only recently recovered with the help of a good friend, Kevin Rooste.&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the past be known?]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled 2]]&lt;br /&gt;
&lt;br /&gt;
[[Finding the Southward Wind]], for a mare that I know and love.&lt;br /&gt;
&lt;br /&gt;
[[Becoming One with Helios]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]] in couplets of iambic pentameter - Yes, I was in one of those moods. Forgive me...&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=Becoming_One_with_Helios&amp;diff=5517</id>
		<title>Becoming One with Helios</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=Becoming_One_with_Helios&amp;diff=5517"/>
		<updated>2008-01-21T02:43:25Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: New page: {{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}  &amp;lt;poem&amp;gt; The sun, the sun is a red orb upon the horizon, And with each passing second, It sets, reds and golds and oranges becoming ...&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
The sun, the sun is a red orb upon the horizon,&lt;br /&gt;
And with each passing second,&lt;br /&gt;
It sets, reds and golds and oranges becoming&lt;br /&gt;
A darkening flame,&lt;br /&gt;
Consuming the sky, &lt;br /&gt;
Yet consumed by the earth. &lt;br /&gt;
&lt;br /&gt;
And as I walk, I gradually step faster,&lt;br /&gt;
Faster and faster,&lt;br /&gt;
Until I begin to run on tiptoes,&lt;br /&gt;
Each passing moment becoming faster,&lt;br /&gt;
Quicker,&lt;br /&gt;
&lt;br /&gt;
Like dusk, I fly,&lt;br /&gt;
And I hear the turning brook,&lt;br /&gt;
Babbling about some fleeting knowledge,&lt;br /&gt;
And I pass the crimson stones,&lt;br /&gt;
Which point fingers up towards the stars,&lt;br /&gt;
And the bleached skull of some oxen&lt;br /&gt;
Shatters beneath my toes,&lt;br /&gt;
&lt;br /&gt;
My body sears,&lt;br /&gt;
Boiling like some infernal furnace&lt;br /&gt;
Of Hephaestus’ forge itself,&lt;br /&gt;
My body engulfed in flames,&lt;br /&gt;
Fires burning around me&lt;br /&gt;
Until I burst into a scorching steed,&lt;br /&gt;
&lt;br /&gt;
I can feel the whip crack upon my flanks,&lt;br /&gt;
Faster and faster, I run,&lt;br /&gt;
Hoofs pounding upon the sky,&lt;br /&gt;
Neighs echoing from planet to yonder planet,&lt;br /&gt;
It is Helios who cracks the whip,&lt;br /&gt;
And I am bound to his chariot,&lt;br /&gt;
&lt;br /&gt;
Faster and faster,&lt;br /&gt;
Every star becoming a streak of light,&lt;br /&gt;
All time becoming an instant,&lt;br /&gt;
And my mane flares up into a furious golden light;&lt;br /&gt;
For a second it shines blindingly so,&lt;br /&gt;
Touching the green and brown earth with&lt;br /&gt;
A molten blaze,&lt;br /&gt;
And then I set.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Poem]] [[Category:Animal]] [[Category:Equine]][[Category:Whiteflame]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5516</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5516"/>
		<updated>2008-01-21T02:40:32Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* New Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]], the poem that, in essence, started it all. This poem indicates the beginning of my ostracization from society as it was submitted to a competition and scorned greatly. I went into a brooding depression afterwards (for many, many reasons) and have only recently recovered with the help of a good friend, Kevin Rooste.&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the past be known?]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled 2]]&lt;br /&gt;
&lt;br /&gt;
[[Becoming One with Helios]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]] in couplets of iambic pentameter - Yes, I was in one of those moods. Forgive me...&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=Untitled_2&amp;diff=5415</id>
		<title>Untitled 2</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=Untitled_2&amp;diff=5415"/>
		<updated>2008-01-18T23:29:49Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: New page: {{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}  &amp;lt;poem&amp;gt; ...And I looked into his  Dark brown eyes  And knew I was him,  Ripples in a shadow Of a glass pond, My soul. &amp;lt;/poem&amp;gt; [[Cat...&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
...And I looked into his &lt;br /&gt;
Dark brown eyes &lt;br /&gt;
And knew I was him, &lt;br /&gt;
Ripples in a shadow&lt;br /&gt;
Of a glass pond,&lt;br /&gt;
My soul.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Poem]] [[Category:Animal]] [[Category:Equine]][[Category:Whiteflame]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5414</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5414"/>
		<updated>2008-01-18T23:28:40Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* New Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]], the poem that, in essence, started it all. This poem indicates the beginning of my ostracization from society as it was submitted to a competition and scorned greatly. I went into a brooding depression afterwards (for many, many reasons) and have only recently recovered with the help of a good friend, Kevin Rooste.&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the past be known?]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled 2]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]] in couplets of iambic pentameter - Yes, I was in one of those moods. Forgive me...&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=As_it_may,_the_past_be_known%3F&amp;diff=5413</id>
		<title>As it may, the past be known?</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=As_it_may,_the_past_be_known%3F&amp;diff=5413"/>
		<updated>2008-01-18T23:22:18Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: New page: {{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}  &amp;lt;poem&amp;gt; As it may, the little blue bird waits with anticipation for his mother&amp;#039;s morsel, one which nature hath bequeathed in her ef...&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
As it may, the little blue bird waits with&lt;br /&gt;
anticipation for his mother&#039;s morsel,&lt;br /&gt;
one which nature hath bequeathed&lt;br /&gt;
in her effort and exertion.&lt;br /&gt;
As it may, the lines of kings and stewards&lt;br /&gt;
dwindle in the days of remembrance,&lt;br /&gt;
knowing not the times of the past,&lt;br /&gt;
the toil and the success, but always &lt;br /&gt;
striving for memory.&lt;br /&gt;
&lt;br /&gt;
As it may, the little blue bird falls from branch&lt;br /&gt;
and plummets to the grown, toiling&lt;br /&gt;
in the midst of an unknown earth.&lt;br /&gt;
As it may, some fall and some live,&lt;br /&gt;
some live and some die.&lt;br /&gt;
As it may, a rock is only a rock,&lt;br /&gt;
and a twig only a twig.&lt;br /&gt;
As it may, a blade is only a blade,&lt;br /&gt;
and a dagger only dagger,&lt;br /&gt;
a wounding weapon,&lt;br /&gt;
emancipator of the soul,&lt;br /&gt;
inflictor of pain,&lt;br /&gt;
Or can it be something else?&lt;br /&gt;
Can a dagger...&lt;br /&gt;
&lt;br /&gt;
...be a tool?&lt;br /&gt;
&lt;br /&gt;
Can a human...&lt;br /&gt;
&lt;br /&gt;
...be horse?&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Poem]] [[Category:Animal]] [[Category:Equine]][[Category:Whiteflame]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5412</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=5412"/>
		<updated>2008-01-18T23:20:38Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* New Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]], the poem that, in essence, started it all. This poem indicates the beginning of my ostracization from society as it was submitted to a competition and scorned greatly. I went into a brooding depression afterwards (for many, many reasons) and have only recently recovered with the help of a good friend, Kevin Rooste.&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the past be known?]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]] in couplets of iambic pentameter - Yes, I was in one of those moods. Forgive me...&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=4943</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=4943"/>
		<updated>2008-01-07T02:12:51Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* New Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]], the poem that, in essence, started it all. This poem indicates the beginning of my ostracization from society as it was submitted to a competition and scorned greatly. I went into a brooding depression afterwards (for many, many reasons) and have only recently recovered with the help of a good friend, Kevin Rooste.&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]] in couplets of iambic pentameter - Yes, I was in one of those moods. Forgive me...&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=A_Light_Bush_Bashing_in_the_Style_of_Geoffrey_Chaucer_(1343-1400)&amp;diff=4941</id>
		<title>A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=A_Light_Bush_Bashing_in_the_Style_of_Geoffrey_Chaucer_(1343-1400)&amp;diff=4941"/>
		<updated>2008-01-07T02:11:30Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: New page: {{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}  &amp;lt;poem&amp;gt; For sooth, a man of politics he be, And though he speaks his words to high degree, And flies his voice beyond what is aloft...&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
For sooth, a man of politics he be,&lt;br /&gt;
And though he speaks his words to high degree,&lt;br /&gt;
And flies his voice beyond what is aloft,&lt;br /&gt;
Like canty sheep upon the grass so soft,&lt;br /&gt;
Some other man with coat of wool on breast,&lt;br /&gt;
Did come and shear the hair off said sheep’s chest.&lt;br /&gt;
The haughty script that rests upon his feet,&lt;br /&gt;
The sheep does bah to yonder sheep in heat.&lt;br /&gt;
The audience which roars and cheers at him,&lt;br /&gt;
Does not realize this man’s mind lights are dim,&lt;br /&gt;
He simply states what is another’s word,&lt;br /&gt;
The woolly man snickers; this is absurd.&lt;br /&gt;
The woolly man controls the mass’ cheer,&lt;br /&gt;
Because he writes the speech the people hear.&lt;br /&gt;
&lt;br /&gt;
Now that the man of politics is known,&lt;br /&gt;
It is time to describe him at his throne,&lt;br /&gt;
His ears are like an elephant’s large fans,&lt;br /&gt;
Which amplify his voice to distant stands.&lt;br /&gt;
Though true, his voice is loud and clear,&lt;br /&gt;
He stumbles when he speaks of “nucleur,”&lt;br /&gt;
And thus he talks of danger near and ‘round,&lt;br /&gt;
So to Iraq our men and guns do bound,&lt;br /&gt;
But still the only thing we need have fear,&lt;br /&gt;
Is that some terrorist shall bomb his rear.&lt;br /&gt;
Although he never deals in amnesty,&lt;br /&gt;
He is all for homeland security,&lt;br /&gt;
He shows this through his search for W-MD,&lt;br /&gt;
He also puts “food on our families.”&lt;br /&gt;
On issues, yes, his mouth and words do fly,&lt;br /&gt;
He claims he “talks to families who die.”&lt;br /&gt;
At least our oafish friend knows his true place,&lt;br /&gt;
As when he states so bold his own disgrace,&lt;br /&gt;
As he proclaims, the vice presidency,&lt;br /&gt;
“Reflects A half-full-glass mentality.”&lt;br /&gt;
In truth I do not doubt that few will miss,&lt;br /&gt;
This troll-like man; his bread, bologna, and swiss.&lt;br /&gt;
&lt;br /&gt;
So when some boisterous man walks into town,&lt;br /&gt;
And crashes cymbals like a foolish clown,&lt;br /&gt;
All men (and women too) will come to see,&lt;br /&gt;
Who else! None other than George Dubya Bee!&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Whiteflame]]&lt;br /&gt;
[[Category:Non-TF poems]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=4940</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=4940"/>
		<updated>2008-01-07T02:08:58Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* New Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]], the poem that, in essence, started it all. This poem indicates the beginning of my ostracization from society as it was submitted to a competition and scorned greatly. I went into a brooding depression afterwards (for many, many reasons) and have only recently recovered with the help of a good friend, Kevin Rooste.&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400)]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=4938</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=4938"/>
		<updated>2008-01-07T02:08:08Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* New Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]], the poem that, in essence, started it all. This poem indicates the beginning of my ostracization from society as it was submitted to a competition and scorned greatly. I went into a brooding depression afterwards (for many, many reasons) and have only recently recovered with the help of a good friend, Kevin Rooste.&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[A Light Bush Bashing in the Style of Geoffrey Chaucer (1343-1400) &lt;br /&gt;
in Couplets of Iambic Pentameter]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=The_Indifferent_Shrew&amp;diff=4936</id>
		<title>The Indifferent Shrew</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=The_Indifferent_Shrew&amp;diff=4936"/>
		<updated>2008-01-07T02:04:44Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: New page: {{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}  &amp;lt;poem&amp;gt; I can see him As he looks about, With small beady black eyes, And brownish bristles that Stem from every centimeter of skin...&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
I can see him&lt;br /&gt;
As he looks about,&lt;br /&gt;
With small beady black eyes,&lt;br /&gt;
And brownish bristles that&lt;br /&gt;
Stem from every centimeter of skin.&lt;br /&gt;
&lt;br /&gt;
He does not care,&lt;br /&gt;
I know he doesn’t&lt;br /&gt;
As he scurries about,&lt;br /&gt;
Doing as a shrew is supposed to,&lt;br /&gt;
And why should he care?&lt;br /&gt;
After all, he is a shrew,&lt;br /&gt;
Doing as a shrew is supposed to.&lt;br /&gt;
&lt;br /&gt;
Then, what am I doing&lt;br /&gt;
Watching him?&lt;br /&gt;
Huh, did he just look&lt;br /&gt;
Up at me, acknowledge my existence?&lt;br /&gt;
Did he, out of the corner of his eye,&lt;br /&gt;
Glance at the behemoth biped?&lt;br /&gt;
He is breaking the rules!&lt;br /&gt;
Then again, perhaps I am, for taking interest&lt;br /&gt;
In a shrew’s life;&lt;br /&gt;
Aw, to hell with the rules,&lt;br /&gt;
Damn them,&lt;br /&gt;
Humans made them anyway.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Whiteflame]]&lt;br /&gt;
[[Category:Non-TF poems]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=4935</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=4935"/>
		<updated>2008-01-07T02:02:32Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* New Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]], the poem that, in essence, started it all. This poem indicates the beginning of my ostracization from society as it was submitted to a competition and scorned greatly. I went into a brooding depression afterwards (for many, many reasons) and have only recently recovered with the help of a good friend, Kevin Rooste.&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[The Indifferent Shrew]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=As_it_may,_the_heart_be_known%3F&amp;diff=4934</id>
		<title>As it may, the heart be known?</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=As_it_may,_the_heart_be_known%3F&amp;diff=4934"/>
		<updated>2008-01-07T02:01:37Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: New page: {{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}  &amp;lt;poem&amp;gt; As it may, the sun makes its voyage down from the white-capped peaks. As it may, the glistening droplets bring small puddle...&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
As it may, the sun makes its voyage&lt;br /&gt;
down from the white-capped peaks.&lt;br /&gt;
As it may, the glistening droplets bring&lt;br /&gt;
small puddles down from the skies.&lt;br /&gt;
As it may, the blue jay breaks into&lt;br /&gt;
yonder nests to steal the eggs of another bird.&lt;br /&gt;
As it may, the feral sea turns about&lt;br /&gt;
its tides in lows and highs,&lt;br /&gt;
where water mixes with salt.&lt;br /&gt;
As it may, the spirit drives&lt;br /&gt;
the mind to ponder that which the spirit already knows.&lt;br /&gt;
As it may, the wandering pilgrim wanders&lt;br /&gt;
through the seemingly tame woods of lamp posts,&lt;br /&gt;
He knows why, but not the destination.&lt;br /&gt;
As it may, a dove is only a dove,&lt;br /&gt;
and a goose only a goose.&lt;br /&gt;
As it may, a hare is only a hare,&lt;br /&gt;
and a horse only a horse,&lt;br /&gt;
or can it be something else?&lt;br /&gt;
Can a horse...&lt;br /&gt;
&lt;br /&gt;
...be human?&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
[[Category:Poem]] [[Category:Animal]] [[Category:Equine]][[Category:Whiteflame]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=4932</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=4932"/>
		<updated>2008-01-07T01:59:58Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* New Poetry */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]], the poem that, in essence, started it all. This poem indicates the beginning of my ostracization from society as it was submitted to a competition and scorned greatly. I went into a brooding depression afterwards (for many, many reasons) and have only recently recovered with the help of a good friend, Kevin Rooste.&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
[[As it may, the heart be known?]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=4543</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=4543"/>
		<updated>2007-12-31T17:38:12Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* Catastrophe and Whispers in the Meadow, a novel */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. Of course, the narrator&#039;s views will change as the novel progresses.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]], the poem that, in essence, started it all. This poem indicates the beginning of my ostracization from society as it was submitted to a competition and scorned greatly. I went into a brooding depression afterwards (for many, many reasons) and have only recently recovered with the help of a good friend, Kevin Rooste.&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=4542</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=4542"/>
		<updated>2007-12-31T17:36:54Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* Catastrophe and Whispers in the Meadow, a novel */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
I just wanted to note that this is not meant to be a religious novel. The views of the narrator are not mine, but her own. She just is who she is. Rather, this is an existential work as can be seen through Scot&#039;s views and all of the inexplicable absurdities that occur. The narrator is just confused.&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]], the poem that, in essence, started it all. This poem indicates the beginning of my ostracization from society as it was submitted to a competition and scorned greatly. I went into a brooding depression afterwards (for many, many reasons) and have only recently recovered with the help of a good friend, Kevin Rooste.&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User_talk:Whiteflame&amp;diff=4541</id>
		<title>User talk:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User_talk:Whiteflame&amp;diff=4541"/>
		<updated>2007-12-31T17:33:10Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Welcome!==&lt;br /&gt;
&lt;br /&gt;
Hi there and welcome to Shifti!  You may notice the admins like myself doing a little housekeeping.  I&#039;ve added a few things to your poetry posts.  There is a &amp;lt;nowiki&amp;gt;[[Category:Poem]]&amp;lt;/nowiki&amp;gt; that will fit your works better. --[[User:JonBuck|Buck]] 15:52, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
Also, you may have noticed that I reformatted your poems a bit; there&#039;s &amp;quot;&amp;amp;lt;poem&amp;amp;gt;&amp;amp;lt;/poem&amp;amp;gt;&amp;quot; tags you can wrap around text to prevent line breaks from being ignored as happens with regular wikitext formatting. And I&#039;ve added you to the author usergroup so that you can protect your pages from editing by others if you choose. [[User:Bryan|Bryan]] 16:12, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
Thank you very much for pointing me in the right direction! I plan on adding a whole bunch more poems and reorganizing my page a bit to accommodate them. On another note, I was wondering if the poems that I have posted are currently protected, being on my user page. [[User:Whiteflame|Whiteflame]] 18:27, 24 December 2007 (EST)&lt;br /&gt;
:Stories are not typically protected from others unless two things happen.  1) It can be protected using the &amp;quot;Protect&amp;quot; tab on the top of the page.  2) It&#039;s put in your userspace.  The way you&#039;ve posted them right now, they&#039;re in the normal space.  If you wish to keep them in your own user space in the future, use this as a model: &amp;lt;nowiki&amp;gt;[[User:Whiteflame/Poem Title]]&amp;lt;/nowiki&amp;gt;.  Otherwise, just click &amp;quot;protect&amp;quot;.  As an Author here you have that ability as well. --[[User:JonBuck|Buck]] 18:40, 24 December 2007 (EST)&lt;br /&gt;
:Just to clarify, anything in your own userspace, only you and the site administrators can edit.  It&#039;s thus not necessary to protect your own user page.  But if you create anything without the model I used above, it&#039;ll end up in the &amp;quot;main namespace&amp;quot; of the site and thus be editable by anybody.  Creating a link &amp;lt;nowiki&amp;gt;[[that looks like this]]&amp;lt;/nowiki&amp;gt; will put it into the main namepace.  &amp;lt;nowiki&amp;gt;[[User:Username/Like This]]&amp;lt;/nowiki&amp;gt; will put it into a specific user&#039;s own namespace.  --[[User:JonBuck|Buck]] 19:24, 24 December 2007 (EST)&lt;br /&gt;
::That makes much more sense now. I am convinced that my ineptness with electronics will one day get the better of me. :-) [[User:Whiteflame|Whiteflame]] 19:30, 24 December 2007 (EST)&lt;br /&gt;
:::No worries, you&#039;ve got a couple of experienced admins standing by to help out. Learning by doing is a good approach to wikis since it&#039;s easy to clean up if things go wrong; there&#039;s nothing you can break that we can&#039;t fix. :) [[User:Bryan|Bryan]] 19:57, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
==MIDI files==&lt;br /&gt;
&lt;br /&gt;
I&#039;m actually not sure whether the uploading of midi files is currently enabled on Shifti - I&#039;m on vacation right now and don&#039;t have the passwords for the server handy, so I can&#039;t go digging in the configuration file to check on this. But if you find that you can&#039;t, hang on to them for a few days and when I get back I can probably enable that for you. MIDI files generally aren&#039;t large so I&#039;m sure Shadowwolf won&#039;t mind (he owns the server and pays for the bandwidth so he gets final say over resource usage :) [[User:Bryan|Bryan]] 20:36, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
:If all else fails, I will try to find some other site to upload them and perhaps create an external link. Unfortunately, I have finished everything of the piece except for the last ten measures of the fourth movement. I absolutely cannot make up my mind on them. It&#039;s not even like it is the end of the entire work! I must warn you that the MIDI&#039;s sound a bit odd to the ear as they were derived from the notation software I use. Perhaps, one day an orchestra will perform it, but until then, I am stuck with MIDI&#039;s. [[User:Whiteflame|Whiteflame]] 20:51, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
==Laying in Bed One Night in June==&lt;br /&gt;
&lt;br /&gt;
I notice you&#039;ve removed all content from [[Laying in Bed One Night in June]]. Would you like the page to be deleted entirely? In future, you can make this request without being asked each time by adding &amp;lt;nowiki&amp;gt;{{request deletion}}&amp;lt;/nowiki&amp;gt; to the page in question. [[User:Bryan|Bryan]] 13:02, 26 December 2007 (EST)&lt;br /&gt;
:Yes, I would like it to be deleted. &amp;quot;Lie vs. lay&amp;quot; has to be one of the most annoying confusions in the English language. Sorry about that. At least I am learning wiki magic. :-) ¡Gracias! [[User:Whiteflame|Whiteflame]] 13:15, 26 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
::Heh. One other bit of wiki magic that might be useful in similar situations; if you replace an article&#039;s text with &amp;quot;#REDIRECT [[Lying in Bed One Night in June]]&amp;quot;, then whenever someone visits that article they&#039;ll be bounced straight over to the redirected-to page. Redirects get automatically created when pages are moved, for example, so that old links don&#039;t break as a result. I&#039;ll delete this one outright, though, since I presume you&#039;d rather not have incorrect titles linking here. [[User:Bryan|Bryan]] 13:20, 26 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
==Non-TF categories==&lt;br /&gt;
&lt;br /&gt;
I only just now saw your note on your userpage about not categorizing non-TF poetry as &amp;quot;poetry&amp;quot;, after having gone through and done all that myself. Sorry about that, my cleanerfish instincts from Wikipedia are very strong.&lt;br /&gt;
&lt;br /&gt;
For a long while now I&#039;ve been thinking about creating an explicit &amp;quot;Non-TF&amp;quot; category to hold the few items on this site that don&#039;t qualify as TF-oriented, if you don&#039;t mind I&#039;ll start with these this evening when I get home (I&#039;m currently on the road and don&#039;t want to get into making any significant structural changes to Shifti until I&#039;m back at my main computer where I keep my notes :) [[User:Bryan|Bryan]] 13:20, 26 December 2007 (EST)&lt;br /&gt;
:TF is such a broad category, and I think it sometimes becomes difficult to classify certain works. In respect to this, A number of my poems make reference to transformation or are told from another animals perspective. The question is, &amp;quot;what exactly defines a work of transformation?&amp;quot; Is it a change of body, mind, or the notions of a different feeling or thought? I&#039;m just getting philosophical again. [[User:Whiteflame|Whiteflame]] 13:36, 26 December 2007 (EST)&lt;br /&gt;
::I would tend to be quite liberal about what would fall under the &amp;quot;TF&amp;quot; category. However, I think most people would agree that [[A Period|a short poem about punctuation]] would fit nicely into a &amp;quot;non-TF&amp;quot; category. :) [[User:Bryan|Bryan]] 22:04, 26 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
No need to worry. If I possessed cleanerfish instincts, perhaps I would have noticed the mistake before posting. [[User:Whiteflame|Whiteflame]] 13:36, 26 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
There. Not only did I create a &amp;quot;Non-TF&amp;quot; category, but you&#039;ve now got the &amp;quot;Non-TF poems&amp;quot; subcategory entirely to yourself at the moment. That way they&#039;re still categorized as poems but you don&#039;t have to worry about the main poem category getting &amp;quot;cluttered&amp;quot; :) [[User:Bryan|Bryan]] 01:15, 27 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
==Catastrophe...==&lt;br /&gt;
&lt;br /&gt;
I&#039;m curious, by the way, as to why you split the story &amp;quot;Catastrophe...&amp;quot; into two pages. I notice that each one contains exactly one fewer section header than the number that would cause Shifti to automatically create a table of contents, was it perhaps to avoid having a table of contents appear? If so, there&#039;s a better way to do it; simply include the magic word &amp;quot;&amp;lt;nowiki&amp;gt;__NOTOC__&amp;lt;/nowiki&amp;gt;&amp;quot; anywhere in the page (near the top where the table of contents would normally appear is probably best) and a table of contents won&#039;t be generated. [[User:Bryan|Bryan]] 01:15, 27 December 2007 (EST)&lt;br /&gt;
:I&#039;m sorry that I didn&#039;t respond sooner. Actually, there is no particular reason why I broke the story up the way I did. I didn&#039;t want to place everything on the same page because I will be adding chapters later. I guess one could have done it differently. I just figured that since I have six chapters, two sets of three is a nice even division. [[User:Whiteflame|Whiteflame]] 12:31, 31 December 2007 (EST)&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User_talk:Whiteflame&amp;diff=4540</id>
		<title>User talk:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User_talk:Whiteflame&amp;diff=4540"/>
		<updated>2007-12-31T17:31:27Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* Catastrophe... */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Welcome!==&lt;br /&gt;
&lt;br /&gt;
Hi there and welcome to Shifti!  You may notice the admins like myself doing a little housekeeping.  I&#039;ve added a few things to your poetry posts.  There is a &amp;lt;nowiki&amp;gt;[[Category:Poem]]&amp;lt;/nowiki&amp;gt; that will fit your works better. --[[User:JonBuck|Buck]] 15:52, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
Also, you may have noticed that I reformatted your poems a bit; there&#039;s &amp;quot;&amp;amp;lt;poem&amp;amp;gt;&amp;amp;lt;/poem&amp;amp;gt;&amp;quot; tags you can wrap around text to prevent line breaks from being ignored as happens with regular wikitext formatting. And I&#039;ve added you to the author usergroup so that you can protect your pages from editing by others if you choose. [[User:Bryan|Bryan]] 16:12, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
Thank you very much for pointing me in the right direction! I plan on adding a whole bunch more poems and reorganizing my page a bit to accommodate them. On another note, I was wondering if the poems that I have posted are currently protected, being on my user page. [[User:Whiteflame|Whiteflame]] 18:27, 24 December 2007 (EST)&lt;br /&gt;
:Stories are not typically protected from others unless two things happen.  1) It can be protected using the &amp;quot;Protect&amp;quot; tab on the top of the page.  2) It&#039;s put in your userspace.  The way you&#039;ve posted them right now, they&#039;re in the normal space.  If you wish to keep them in your own user space in the future, use this as a model: &amp;lt;nowiki&amp;gt;[[User:Whiteflame/Poem Title]]&amp;lt;/nowiki&amp;gt;.  Otherwise, just click &amp;quot;protect&amp;quot;.  As an Author here you have that ability as well. --[[User:JonBuck|Buck]] 18:40, 24 December 2007 (EST)&lt;br /&gt;
:Just to clarify, anything in your own userspace, only you and the site administrators can edit.  It&#039;s thus not necessary to protect your own user page.  But if you create anything without the model I used above, it&#039;ll end up in the &amp;quot;main namespace&amp;quot; of the site and thus be editable by anybody.  Creating a link &amp;lt;nowiki&amp;gt;[[that looks like this]]&amp;lt;/nowiki&amp;gt; will put it into the main namepace.  &amp;lt;nowiki&amp;gt;[[User:Username/Like This]]&amp;lt;/nowiki&amp;gt; will put it into a specific user&#039;s own namespace.  --[[User:JonBuck|Buck]] 19:24, 24 December 2007 (EST)&lt;br /&gt;
::That makes much more sense now. I am convinced that my ineptness with electronics will one day get the better of me. :-) [[User:Whiteflame|Whiteflame]] 19:30, 24 December 2007 (EST)&lt;br /&gt;
:::No worries, you&#039;ve got a couple of experienced admins standing by to help out. Learning by doing is a good approach to wikis since it&#039;s easy to clean up if things go wrong; there&#039;s nothing you can break that we can&#039;t fix. :) [[User:Bryan|Bryan]] 19:57, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
==MIDI files==&lt;br /&gt;
&lt;br /&gt;
I&#039;m actually not sure whether the uploading of midi files is currently enabled on Shifti - I&#039;m on vacation right now and don&#039;t have the passwords for the server handy, so I can&#039;t go digging in the configuration file to check on this. But if you find that you can&#039;t, hang on to them for a few days and when I get back I can probably enable that for you. MIDI files generally aren&#039;t large so I&#039;m sure Shadowwolf won&#039;t mind (he owns the server and pays for the bandwidth so he gets final say over resource usage :) [[User:Bryan|Bryan]] 20:36, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
:If all else fails, I will try to find some other site to upload them and perhaps create an external link. Unfortunately, I have finished everything of the piece except for the last ten measures of the fourth movement. I absolutely cannot make up my mind on them. It&#039;s not even like it is the end of the entire work! I must warn you that the MIDI&#039;s sound a bit odd to the ear as they were derived from the notation software I use. Perhaps, one day an orchestra will perform it, but until then, I am stuck with MIDI&#039;s. [[User:Whiteflame|Whiteflame]] 20:51, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
==Laying in Bed One Night in June==&lt;br /&gt;
&lt;br /&gt;
I notice you&#039;ve removed all content from [[Laying in Bed One Night in June]]. Would you like the page to be deleted entirely? In future, you can make this request without being asked each time by adding &amp;lt;nowiki&amp;gt;{{request deletion}}&amp;lt;/nowiki&amp;gt; to the page in question. [[User:Bryan|Bryan]] 13:02, 26 December 2007 (EST)&lt;br /&gt;
:Yes, I would like it to be deleted. &amp;quot;Lie vs. lay&amp;quot; has to be one of the most annoying confusions in the English language. Sorry about that. At least I am learning wiki magic. :-) ¡Gracias! [[User:Whiteflame|Whiteflame]] 13:15, 26 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
::Heh. One other bit of wiki magic that might be useful in similar situations; if you replace an article&#039;s text with &amp;quot;#REDIRECT [[Lying in Bed One Night in June]]&amp;quot;, then whenever someone visits that article they&#039;ll be bounced straight over to the redirected-to page. Redirects get automatically created when pages are moved, for example, so that old links don&#039;t break as a result. I&#039;ll delete this one outright, though, since I presume you&#039;d rather not have incorrect titles linking here. [[User:Bryan|Bryan]] 13:20, 26 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
==Non-TF categories==&lt;br /&gt;
&lt;br /&gt;
I only just now saw your note on your userpage about not categorizing non-TF poetry as &amp;quot;poetry&amp;quot;, after having gone through and done all that myself. Sorry about that, my cleanerfish instincts from Wikipedia are very strong.&lt;br /&gt;
&lt;br /&gt;
For a long while now I&#039;ve been thinking about creating an explicit &amp;quot;Non-TF&amp;quot; category to hold the few items on this site that don&#039;t qualify as TF-oriented, if you don&#039;t mind I&#039;ll start with these this evening when I get home (I&#039;m currently on the road and don&#039;t want to get into making any significant structural changes to Shifti until I&#039;m back at my main computer where I keep my notes :) [[User:Bryan|Bryan]] 13:20, 26 December 2007 (EST)&lt;br /&gt;
:TF is such a broad category, and I think it sometimes becomes difficult to classify certain works. In respect to this, A number of my poems make reference to transformation or are told from another animals perspective. The question is, &amp;quot;what exactly defines a work of transformation?&amp;quot; Is it a change of body, mind, or the notions of a different feeling or thought? I&#039;m just getting philosophical again. [[User:Whiteflame|Whiteflame]] 13:36, 26 December 2007 (EST)&lt;br /&gt;
::I would tend to be quite liberal about what would fall under the &amp;quot;TF&amp;quot; category. However, I think most people would agree that [[A Period|a short poem about punctuation]] would fit nicely into a &amp;quot;non-TF&amp;quot; category. :) [[User:Bryan|Bryan]] 22:04, 26 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
No need to worry. If I possessed cleanerfish instincts, perhaps I would have noticed the mistake before posting. [[User:Whiteflame|Whiteflame]] 13:36, 26 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
There. Not only did I create a &amp;quot;Non-TF&amp;quot; category, but you&#039;ve now got the &amp;quot;Non-TF poems&amp;quot; subcategory entirely to yourself at the moment. That way they&#039;re still categorized as poems but you don&#039;t have to worry about the main poem category getting &amp;quot;cluttered&amp;quot; :) [[User:Bryan|Bryan]] 01:15, 27 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
==Catastrophe...==&lt;br /&gt;
&lt;br /&gt;
I&#039;m curious, by the way, as to why you split the story &amp;quot;Catastrophe...&amp;quot; into two pages. I notice that each one contains exactly one fewer section header than the number that would cause Shifti to automatically create a table of contents, was it perhaps to avoid having a table of contents appear? If so, there&#039;s a better way to do it; simply include the magic word &amp;quot;&amp;lt;nowiki&amp;gt;__NOTOC__&amp;lt;/nowiki&amp;gt;&amp;quot; anywhere in the page (near the top where the table of contents would normally appear is probably best) and a table of contents won&#039;t be generated. [[User:Bryan|Bryan]] 01:15, 27 December 2007 (EST)&lt;br /&gt;
:I&#039;m sorry that I didn&#039;t respond sooner. Actually, there is no particular reason why I broke the story up the way I did. I didn&#039;t want to place everything on the same page because I will be adding chapters later. I guess one could have done it differently. I just fingured that since I have six chapters, two sets of three is a nice even division. [[User:Whiteflame|Whiteflame]] 12:31, 31 December 2007 (EST)&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User_talk:Whiteflame&amp;diff=4454</id>
		<title>User talk:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User_talk:Whiteflame&amp;diff=4454"/>
		<updated>2007-12-26T18:36:57Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Hi there and welcome to Shifti!  You may notice the admins like myself doing a little housekeeping.  I&#039;ve added a few things to your poetry posts.  There is a &amp;lt;nowiki&amp;gt;[[Category:Poem]]&amp;lt;/nowiki&amp;gt; that will fit your works better. --[[User:JonBuck|Buck]] 15:52, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
Also, you may have noticed that I reformatted your poems a bit; there&#039;s &amp;quot;&amp;amp;lt;poem&amp;amp;gt;&amp;amp;lt;/poem&amp;amp;gt;&amp;quot; tags you can wrap around text to prevent line breaks from being ignored as happens with regular wikitext formatting. And I&#039;ve added you to the author usergroup so that you can protect your pages from editing by others if you choose. [[User:Bryan|Bryan]] 16:12, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
Thank you very much for pointing me in the right direction! I plan on adding a whole bunch more poems and reorganizing my page a bit to accommodate them. On another note, I was wondering if the poems that I have posted are currently protected, being on my user page. [[User:Whiteflame|Whiteflame]] 18:27, 24 December 2007 (EST)&lt;br /&gt;
:Stories are not typically protected from others unless two things happen.  1) It can be protected using the &amp;quot;Protect&amp;quot; tab on the top of the page.  2) It&#039;s put in your userspace.  The way you&#039;ve posted them right now, they&#039;re in the normal space.  If you wish to keep them in your own user space in the future, use this as a model: &amp;lt;nowiki&amp;gt;[[User:Whiteflame/Poem Title]]&amp;lt;/nowiki&amp;gt;.  Otherwise, just click &amp;quot;protect&amp;quot;.  As an Author here you have that ability as well. --[[User:JonBuck|Buck]] 18:40, 24 December 2007 (EST)&lt;br /&gt;
:Just to clarify, anything in your own userspace, only you and the site administrators can edit.  It&#039;s thus not necessary to protect your own user page.  But if you create anything without the model I used above, it&#039;ll end up in the &amp;quot;main namespace&amp;quot; of the site and thus be editable by anybody.  Creating a link &amp;lt;nowiki&amp;gt;[[that looks like this]]&amp;lt;/nowiki&amp;gt; will put it into the main namepace.  &amp;lt;nowiki&amp;gt;[[User:Username/Like This]]&amp;lt;/nowiki&amp;gt; will put it into a specific user&#039;s own namespace.  --[[User:JonBuck|Buck]] 19:24, 24 December 2007 (EST)&lt;br /&gt;
::That makes much more sense now. I am convinced that my ineptness with electronics will one day get the better of me. :-) [[User:Whiteflame|Whiteflame]] 19:30, 24 December 2007 (EST)&lt;br /&gt;
:::No worries, you&#039;ve got a couple of experienced admins standing by to help out. Learning by doing is a good approach to wikis since it&#039;s easy to clean up if things go wrong; there&#039;s nothing you can break that we can&#039;t fix. :) [[User:Bryan|Bryan]] 19:57, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
==MIDI files==&lt;br /&gt;
&lt;br /&gt;
I&#039;m actually not sure whether the uploading of midi files is currently enabled on Shifti - I&#039;m on vacation right now and don&#039;t have the passwords for the server handy, so I can&#039;t go digging in the configuration file to check on this. But if you find that you can&#039;t, hang on to them for a few days and when I get back I can probably enable that for you. MIDI files generally aren&#039;t large so I&#039;m sure Shadowwolf won&#039;t mind (he owns the server and pays for the bandwidth so he gets final say over resource usage :) [[User:Bryan|Bryan]] 20:36, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
:If all else fails, I will try to find some other site to upload them and perhaps create an external link. Unfortunately, I have finished everything of the piece except for the last ten measures of the fourth movement. I absolutely cannot make up my mind on them. It&#039;s not even like it is the end of the entire work! I must warn you that the MIDI&#039;s sound a bit odd to the ear as they were derived from the notation software I use. Perhaps, one day an orchestra will perform it, but until then, I am stuck with MIDI&#039;s. [[User:Whiteflame|Whiteflame]] 20:51, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
==Laying in Bed One Night in June==&lt;br /&gt;
&lt;br /&gt;
I notice you&#039;ve removed all content from [[Laying in Bed One Night in June]]. Would you like the page to be deleted entirely? In future, you can make this request without being asked each time by adding &amp;lt;nowiki&amp;gt;{{request deletion}}&amp;lt;/nowiki&amp;gt; to the page in question. [[User:Bryan|Bryan]] 13:02, 26 December 2007 (EST)&lt;br /&gt;
:Yes, I would like it to be deleted. &amp;quot;Lie vs. lay&amp;quot; has to be one of the most annoying confusions in the English language. Sorry about that. At least I am learning wiki magic. :-) ¡Gracias! [[User:Whiteflame|Whiteflame]] 13:15, 26 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
::Heh. One other bit of wiki magic that might be useful in similar situations; if you replace an article&#039;s text with &amp;quot;#REDIRECT [[Lying in Bed One Night in June]]&amp;quot;, then whenever someone visits that article they&#039;ll be bounced straight over to the redirected-to page. Redirects get automatically created when pages are moved, for example, so that old links don&#039;t break as a result. I&#039;ll delete this one outright, though, since I presume you&#039;d rather not have incorrect titles linking here. [[User:Bryan|Bryan]] 13:20, 26 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
==Non-TF categories==&lt;br /&gt;
&lt;br /&gt;
I only just now saw your note on your userpage about not categorizing non-TF poetry as &amp;quot;poetry&amp;quot;, after having gone through and done all that myself. Sorry about that, my cleanerfish instincts from Wikipedia are very strong.&lt;br /&gt;
&lt;br /&gt;
For a long while now I&#039;ve been thinking about creating an explicit &amp;quot;Non-TF&amp;quot; category to hold the few items on this site that don&#039;t qualify as TF-oriented, if you don&#039;t mind I&#039;ll start with these this evening when I get home (I&#039;m currently on the road and don&#039;t want to get into making any significant structural changes to Shifti until I&#039;m back at my main computer where I keep my notes :) [[User:Bryan|Bryan]] 13:20, 26 December 2007 (EST)&lt;br /&gt;
:TF is such a broad category, and I think it sometimes becomes difficult to classify certain works. In respect to this, A number of my poems make reference to transformation or are told from another animals perspective. The question is, &amp;quot;what exactly defines a work of transformation?&amp;quot; Is it a change of body, mind, or the notions of a different feeling or thought? I&#039;m just getting philosophical again. [[User:Whiteflame|Whiteflame]] 13:36, 26 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
No need to worry. If I possessed cleanerfish instincts, perhaps I would have noticed the mistake before posting. [[User:Whiteflame|Whiteflame]] 13:36, 26 December 2007 (EST)&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User_talk:Whiteflame&amp;diff=4451</id>
		<title>User talk:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User_talk:Whiteflame&amp;diff=4451"/>
		<updated>2007-12-26T18:15:16Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Hi there and welcome to Shifti!  You may notice the admins like myself doing a little housekeeping.  I&#039;ve added a few things to your poetry posts.  There is a &amp;lt;nowiki&amp;gt;[[Category:Poem]]&amp;lt;/nowiki&amp;gt; that will fit your works better. --[[User:JonBuck|Buck]] 15:52, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
Also, you may have noticed that I reformatted your poems a bit; there&#039;s &amp;quot;&amp;amp;lt;poem&amp;amp;gt;&amp;amp;lt;/poem&amp;amp;gt;&amp;quot; tags you can wrap around text to prevent line breaks from being ignored as happens with regular wikitext formatting. And I&#039;ve added you to the author usergroup so that you can protect your pages from editing by others if you choose. [[User:Bryan|Bryan]] 16:12, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
Thank you very much for pointing me in the right direction! I plan on adding a whole bunch more poems and reorganizing my page a bit to accommodate them. On another note, I was wondering if the poems that I have posted are currently protected, being on my user page. [[User:Whiteflame|Whiteflame]] 18:27, 24 December 2007 (EST)&lt;br /&gt;
:Stories are not typically protected from others unless two things happen.  1) It can be protected using the &amp;quot;Protect&amp;quot; tab on the top of the page.  2) It&#039;s put in your userspace.  The way you&#039;ve posted them right now, they&#039;re in the normal space.  If you wish to keep them in your own user space in the future, use this as a model: &amp;lt;nowiki&amp;gt;[[User:Whiteflame/Poem Title]]&amp;lt;/nowiki&amp;gt;.  Otherwise, just click &amp;quot;protect&amp;quot;.  As an Author here you have that ability as well. --[[User:JonBuck|Buck]] 18:40, 24 December 2007 (EST)&lt;br /&gt;
:Just to clarify, anything in your own userspace, only you and the site administrators can edit.  It&#039;s thus not necessary to protect your own user page.  But if you create anything without the model I used above, it&#039;ll end up in the &amp;quot;main namespace&amp;quot; of the site and thus be editable by anybody.  Creating a link &amp;lt;nowiki&amp;gt;[[that looks like this]]&amp;lt;/nowiki&amp;gt; will put it into the main namepace.  &amp;lt;nowiki&amp;gt;[[User:Username/Like This]]&amp;lt;/nowiki&amp;gt; will put it into a specific user&#039;s own namespace.  --[[User:JonBuck|Buck]] 19:24, 24 December 2007 (EST)&lt;br /&gt;
::That makes much more sense now. I am convinced that my ineptness with electronics will one day get the better of me. :-) [[User:Whiteflame|Whiteflame]] 19:30, 24 December 2007 (EST)&lt;br /&gt;
:::No worries, you&#039;ve got a couple of experienced admins standing by to help out. Learning by doing is a good approach to wikis since it&#039;s easy to clean up if things go wrong; there&#039;s nothing you can break that we can&#039;t fix. :) [[User:Bryan|Bryan]] 19:57, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
==MIDI files==&lt;br /&gt;
&lt;br /&gt;
I&#039;m actually not sure whether the uploading of midi files is currently enabled on Shifti - I&#039;m on vacation right now and don&#039;t have the passwords for the server handy, so I can&#039;t go digging in the configuration file to check on this. But if you find that you can&#039;t, hang on to them for a few days and when I get back I can probably enable that for you. MIDI files generally aren&#039;t large so I&#039;m sure Shadowwolf won&#039;t mind (he owns the server and pays for the bandwidth so he gets final say over resource usage :) [[User:Bryan|Bryan]] 20:36, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
:If all else fails, I will try to find some other site to upload them and perhaps create an external link. Unfortunately, I have finished everything of the piece except for the last ten measures of the fourth movement. I absolutely cannot make up my mind on them. It&#039;s not even like it is the end of the entire work! I must warn you that the MIDI&#039;s sound a bit odd to the ear as they were derived from the notation software I use. Perhaps, one day an orchestra will perform it, but until then, I am stuck with MIDI&#039;s. [[User:Whiteflame|Whiteflame]] 20:51, 24 December 2007 (EST)&lt;br /&gt;
&lt;br /&gt;
==Laying in Bed One Night in June==&lt;br /&gt;
&lt;br /&gt;
I notice you&#039;ve removed all content from [[Laying in Bed One Night in June]]. Would you like the page to be deleted entirely? In future, you can make this request without being asked each time by adding &amp;lt;nowiki&amp;gt;{{request deletion}}&amp;lt;/nowiki&amp;gt; to the page in question. [[User:Bryan|Bryan]] 13:02, 26 December 2007 (EST)&lt;br /&gt;
:Yes, I would like it to be deleted. &amp;quot;Lie vs. lay&amp;quot; has to be one of the most annoying confusions in the English language. Sorry about that. At least I am learning wiki magic. :-) ¡Gracias! [[User:Whiteflame|Whiteflame]] 13:15, 26 December 2007 (EST)&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=User:Whiteflame&amp;diff=4430</id>
		<title>User:Whiteflame</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=User:Whiteflame&amp;diff=4430"/>
		<updated>2007-12-26T05:59:23Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: /* Catastrophe and Whispers in the Meadow, a philosophical novel */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Prose, Stories, etc. ==&lt;br /&gt;
&lt;br /&gt;
[[The Mare in the Moonlight]], one of my first short stories. It is a bit choppy in style due to my former focus purely on poetry and my poetic style. I hope to revise it sometime soon now that I am getting a better hang of prose.&lt;br /&gt;
&lt;br /&gt;
=== Catastrophe and Whispers in the Meadow, a novel ===&lt;br /&gt;
&lt;br /&gt;
Part 1:&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.1-3]]&lt;br /&gt;
&lt;br /&gt;
[[Catastrophe...Ch.4-6]]&lt;br /&gt;
&lt;br /&gt;
== Older Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Beauty in White Flames]], the poem that, in essence, started it all. This poem indicates the beginning of my ostracization from society as it was submitted to a competition and scorned greatly. I went into a brooding depression afterwards (for many, many reasons) and have only recently recovered with the help of a good friend, Kevin Rooste.&lt;br /&gt;
&lt;br /&gt;
[[Upon My Future Death or Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Houyhnhnm]]&lt;br /&gt;
&lt;br /&gt;
[[Before the Break of Day]], a very vivid dream I once had&lt;br /&gt;
&lt;br /&gt;
== New Poetry ==&lt;br /&gt;
&lt;br /&gt;
[[Mustaño]], an elegy&lt;br /&gt;
&lt;br /&gt;
[[A Young Horse Floats in a Pond of Grass]]&lt;br /&gt;
&lt;br /&gt;
[[Untitled]]&lt;br /&gt;
&lt;br /&gt;
=== Sonnet Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete - will consist of ten sonnets)&lt;br /&gt;
&lt;br /&gt;
[[Sonnet 1]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Perspectives&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
(incomplete)&lt;br /&gt;
&lt;br /&gt;
[[Perceptions]]&lt;br /&gt;
&lt;br /&gt;
[[Prison of Leather]]&lt;br /&gt;
&lt;br /&gt;
=== &amp;quot;Poems of Equus&amp;quot; Sequence ===&lt;br /&gt;
&lt;br /&gt;
This sequence is a set of poems that goes with a symphonic suite to complete the works. I wrote these three poems first, then the three movements that correspond to them. Afterwards, I wrote the last three movements of the symphony, and I have yet to write the last three poems. Perhaps, if allowed, I will upload midi files of the music.&lt;br /&gt;
&lt;br /&gt;
[[Transfiguration]]&lt;br /&gt;
&lt;br /&gt;
[[Agitation]]&lt;br /&gt;
&lt;br /&gt;
[[Frolic]]&lt;br /&gt;
&lt;br /&gt;
== Non-Transformational Poetry ==&lt;br /&gt;
I realize that none of this is transformation oriented, but all of these poems relate in theme in some way. I always snuck in refrences to my desire to be a horse, which passed unnoticed. ;-) I haven&#039;t put links to the poetry category because I do not wish to clutter the transformation poems with these.&lt;br /&gt;
&lt;br /&gt;
=== Older Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[Circulationoitalucric]], yay riddles!&lt;br /&gt;
&lt;br /&gt;
[[Sapling of the Evergreen]]&lt;br /&gt;
&lt;br /&gt;
[[Subpoena]]&lt;br /&gt;
&lt;br /&gt;
[[The Skewing of Time: A Land&#039;s Requiem]]&lt;br /&gt;
&lt;br /&gt;
[[A Sylvan Vengeance]]&lt;br /&gt;
&lt;br /&gt;
[[A Mare Hath Died and Lived]]&lt;br /&gt;
&lt;br /&gt;
=== New Poetry ===&lt;br /&gt;
&lt;br /&gt;
[[A Period]]&lt;br /&gt;
&lt;br /&gt;
[[Lamentation is Grey]]&lt;br /&gt;
&lt;br /&gt;
[[Watching a Pair of Horses and a Human After a Brief Trip on Foot Along a Paved Road in the Morning]]&lt;br /&gt;
&lt;br /&gt;
[[Lying in Bed One Night in June]]&lt;br /&gt;
&lt;br /&gt;
[[A Letter to the Deceased Poet James Wright]]&lt;br /&gt;
&lt;br /&gt;
[[Nature&#039;s Land]], another riddle poem&lt;br /&gt;
&lt;br /&gt;
[[Lament to the Eight-Legs]]&lt;br /&gt;
&lt;br /&gt;
[[I am Reminded of Thoreau, Standing Beside a Pond Located Near a Retirement Center]]&lt;br /&gt;
&lt;br /&gt;
[[The Ocean]]&lt;br /&gt;
&lt;br /&gt;
[[A Train to Ambiguity]]&lt;br /&gt;
&lt;br /&gt;
[[Fog on the Horizon]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Author|Whiteflame]]&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=Catastrophe...Ch.4-6&amp;diff=4429</id>
		<title>Catastrophe...Ch.4-6</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=Catastrophe...Ch.4-6&amp;diff=4429"/>
		<updated>2007-12-26T05:58:23Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: New page: {{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}   == Ch.4 ==  It was the next day, and Scot was pacing about the desolate plains. He was weary and deprived from sleep, and his ene...&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Ch.4 ==&lt;br /&gt;
&lt;br /&gt;
It was the next day, and Scot was pacing about the desolate plains. He was weary and deprived from sleep, and his energy was siphoned out of him by the chilling torrent of rain. Fortunately, the temperature had diminished slightly since the storm front passed through; the sun was blushing lightly over the horse’s tan hair and dark mane and tail. Scot immersed himself in the benevolent light, and the light in turn evaporated the water off of his damp body. &lt;br /&gt;
&lt;br /&gt;
He was in much better spirits, having survived the night and the potentially fatal situations of the previous day. He realized (as he informed me) that each day brought with it a chance of death. From one moment to the next, he could have drunken impure water, been attacked by carnivorous animals, slipped on a insecure rock thus fracturing or bruising a limb, or died of various internal ailments or failures, which can occur quite unexpectedly. &lt;br /&gt;
&lt;br /&gt;
Each day bore with it the risk of a sudden and unanticipated death. As Scot informed me on the matter of this subject, “To live is like running in the midst of coyotes, and like such does one live, but death is death. There are not risks there.” In other words, death kills.&lt;br /&gt;
&lt;br /&gt;
In my mind, there are always those (coyotes appropriately) who desire to sway one from the strait and narrow path and bring victory to the prince of darkness. To do good is to walk though the lines of wrongdoers and sinners waving a flag with God’s name written upon it in silver ink and golden embroidery.&lt;br /&gt;
&lt;br /&gt;
Likewise, death, the indifferent assassin, lies lurking in the shadows, but always within feet from the living as they tread unwittingly through its path. In this way, Scot’s relation between life and coyotes pleased me. At least we come to an agreement whether expounding upon death’s ever poised attack or the cunning and hidden malice of infidelity. &lt;br /&gt;
&lt;br /&gt;
To continue, life is indeed like running in the midst of coyotes, and if this does not prove true universally, at least it did for Scot on this particular day. The morning progressed quite uneventfully with no particular detail of great interest. &lt;br /&gt;
&lt;br /&gt;
The horse had found a minute trickling stream from which to quench his thirst, and since grass was plentiful in the region–though frequently withered or heat-baked–he had little struggle in obtaining the necessary nutrients for him to maintain his health as far as a horse is concerned. &lt;br /&gt;
&lt;br /&gt;
Running was a staple of his morning routine as it was quite entertaining and decent exercise. I cannot claim that this is as great a diversion for me, but, then again, I am human. Of course, it not so easy for me now in my frailty.&lt;br /&gt;
&lt;br /&gt;
In any case, Scot proceeded to do what a horse does. That is, after he had completed his–dare I call it–breakfast, he went quite deliberately into his search for others of the same species so that he could form a herd for mutual protection and the benefit of the race. &lt;br /&gt;
&lt;br /&gt;
This proved to be a fruitless endeavor. Discerning an individual trail was particularly difficult as he detected so many paths that horses had trod. If I had to surmise answer as to why this might have been, my best theory would be that he had come across the diverging paths of the former residents of Parken, Montana–about 6000 total. &lt;br /&gt;
&lt;br /&gt;
As the horse confessed, he still could detect a lingering death in the air. It was not so much a smell, but a feeling. The malignant force was biding its time for some reason, and Scot was compelled to distance himself from the town as much as possible. &lt;br /&gt;
&lt;br /&gt;
In light of this, he became lost as to whether his search for a herd was genuine or just a subconscious impulse. The reason behind this is that as he explored, the distance between him and Parken increased until it became a mere speck upon the horizon. It had vanished, but still he continued in direction that never varied from its course away from the town. &lt;br /&gt;
&lt;br /&gt;
He told me that the true motive behind his search remains inconclusive even though it was he who was conducting it, and it only ever was an impulse. This has been paraphrased from his actual speech. It seems that communicating the point was particularly challenging for him during our discussions. I would attribute this to a lesser capacity for reason, especially abstract reason. &lt;br /&gt;
&lt;br /&gt;
God gave man reason in order to for them to be capable of faith. It is Scot’s lack of trust in the unknown and even the known that presents itself most noticeably. I am beginning to worry, nevertheless, that I might be basing my ideas on the original fear that Dr. Doyle’s soul was lost to the body of a beast. Perhaps, this is only a passing feeling, and I will recover from it soon enough. Let me proceed with the account.&lt;br /&gt;
&lt;br /&gt;
Notwithstanding the difficulty of communicating this particular idea, he resorted to a metaphor yet again, giving his meaning some clarity. I will include an excerpt of it here:&lt;br /&gt;
&lt;br /&gt;
“When thinking back to that event with me fleeing the place, I realize that I did not exactly know what I was fleeing from. It was as if commanded by being–like the sun rises and the moon falls without any thought on the matter. It was ever since I saw the corpse that this feeling planted itself within me. I cannot, however, make what it was that I was looking for–my herd–stand for moving so far from the place, and this was looking into a pool of water and seeing oneself rippling without telling what picture of oneself appeared and seeing only the blur of the bottom because of the picture on top. I don’t trust my reasons for leaving...”&lt;br /&gt;
&lt;br /&gt;
I will also note that at roughly this point in time, people began to curiously venture away from the local towns and residential areas some fifty or so miles away. This wasn’t a mass desertion but was more or less individuals deciding that they suddenly and desperately had to be somewhere else. To this ends, they packed their bags and vacationed to highly remote areas, more remote than Montana. &lt;br /&gt;
&lt;br /&gt;
Of course, most of them stayed, but the number of those who left was great enough to attracted the attention of the media. This (as it later proved to be) was the first information I had heard with regards to the catastrophe. The media could fabricate no reason for the sudden increase in the tourist industry and the sudden decrease in the population of Montana, but it was curious and thus was their duty to report even if it proved to be utterly useless. &lt;br /&gt;
&lt;br /&gt;
It did prove to be utterly useless mostly due to the how late everyone realized that vacationing to remote locations was indeed a very good idea at the time, but I will not expound upon this at the moment. The desertion was just curious and nothing more than that.&lt;br /&gt;
&lt;br /&gt;
Needless to say, Scot continued with his search for a herd even if he wasn’t looking for a herd to begin with.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The weather was eerily clam by midday, and minute clouds suspended themselves in the sky, which was a pail blue, darkening as one looked from directly up to parallel with the earth. The air was calm and not a single breeze dared to interrupt the absolute stillness which had settled upon the region. Silence was all that existed. The absence of noise became noise itself. &lt;br /&gt;
&lt;br /&gt;
Thus, the concreteness of the sky seemed more of a surreality then a realness entirely. It was nothingness in a physical form. Then, for a moment, a tiny cloud blotted out the sun, bathing the earth in shadow, but it quickly passed. For Scot, this was a wondrous effect.&lt;br /&gt;
&lt;br /&gt;
As time progressed and noon turned to evening, the horse happened upon a bush that was rustling peculiarly. Upon nearing it, a medium sized coyote leaped dextrously out, carrying a dead hare between its jaws. The blood of the recently killed prey was dripping slowly where the coyote’s teeth had penetrated the flesh. As Scot added on the matter, “a coyote is hungry and eats because the coyote is hungry and knows that the coyote is hungry.” &lt;br /&gt;
&lt;br /&gt;
The coyote glared at Scot but was also curious as to this new and sudden arrival. This is what the horse observed. Scot, however, was not particularly interested the coyote’s existence aside from the fact that he posed a threat to his life. Thus, the horse barred his teeth aggressively with his ears back and head low, conveying all possible levels of abhorrence and menace so that the coyote would not think it a greater prize having come across a much larger prey. &lt;br /&gt;
&lt;br /&gt;
At this point, the coyote’s stoic, almost inanimate stance faltered. Scot’s interpretation of the events concludes that apparently, the animal did not expect such a sudden display of aggression. For this reason, the coyote felt a need to retaliate. This proved to be difficult; he had all intention of barking at the horse, but could not do so as his jaws were locked around his previous quarry. &lt;br /&gt;
&lt;br /&gt;
So, as to be expected, he did the sensible thing considering his desire and let fall the hare in order to voice his hostility towards Scot. The horse lunged at him, and the coyote retreated hastily, not wishing to be fatally trampled by a enraged stallion. He left the dead hare where he dropped it. It sat there motionless, and Scot looked upon it with pity. &lt;br /&gt;
&lt;br /&gt;
He also pitied the coyote because he would soon suffer from the same pangs of hunger he had suffered from, and this was–to say the least–entirely Scot’s fault for coming across the animal in the first place and displaying such aggression. I asked him why he should feel such remorse for an animal to which he did not comment.&lt;br /&gt;
&lt;br /&gt;
In truth, it was a necessary action, for the horse himself was threatened by the coyote equally. Thus, Scot decided, despite his remorse, that there was nothing to be said for the event. It happened, and it was Scot who was fevered with regret. No doubt (according to the horse) the coyote felt similarly in some way. There is nothing to conclude except that we are all herbivores grazing in a field of life, and death is the hunter.&lt;br /&gt;
&lt;br /&gt;
This having been accepted, Scot proceeded about his life as was his manner and took to grazing lightly in the faded evening glow. The heathenish light from the sun danced in dazzling flames upon the horse’s coat. It gradually grew redder until it simply vanished, and then it was nighttime. &lt;br /&gt;
&lt;br /&gt;
Scot felt the tug of sleep upon his weary eyelids, but he knew that the forthcoming watch must remain as vigilant as the previous night. As long as he was alone, he would not allow a lapse in his guard, and this proved to be most beneficial to this account. I say this because had he not sacrificed his peace for the steadfast protection of his life, the work simply would have never existed.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
For several long periods of time (Scot does not state units) he remained silent and still–a mere silhouette upon the moonlit backdrop. He stood nervously, poised to investigate the slightest disturbance or sound. His vigil might have been easier had their indeed been a disturbance or sound, but the region remained resolutely noiseless. &lt;br /&gt;
&lt;br /&gt;
The absoluteness of the silence was profound. It instilled upon Scot, a feeling of nothingness yet also a feeling of anticipation–almost as if in a moment this temporary limbo would be settle into a heaven or be shattered into a raging maelstrom of hell. Scot waited. He continued to wait. &lt;br /&gt;
&lt;br /&gt;
A cool zephyr passed over his hair and fluttered his mane, but it did not create the smallest sound. In pertinence to this, Scot was determined to combat the will of nature. If nothing else was going to disturb the peace with even a minute noise, then he wouldn’t either. He and nature would see who falters first. It, of course, was a contest of pretend nonexistence–hide-and-seek in essence.&lt;br /&gt;
&lt;br /&gt;
Scot waited some more. The stars were twinkling through a transparent and thin horizon. They glared with blinding brilliance, and Scot watched them not move. The infinitely distant suns struggled to show there true light upon the earth, and the nearest of them only managed to appear indirectly off of the moon’s glassy surface. The stars formed various shapes, which Scot was playing with in his mind. One line here, another there, and soon an ideal picture of the most beautiful mare was illustrated in the sky. There was no mare floating in the sky.&lt;br /&gt;
&lt;br /&gt;
Scot waited a tad more. Another zephyr passed over his head, and this one did not emit a single sound as well. Scot snorted quietly but restively. He had lost the competition. &lt;br /&gt;
&lt;br /&gt;
Yet another zephyr passed over his head, and as if to exclaim Scot’s defeat, it too did not emit a noise. It was relaxing, though. It skipped like a ballet dancer across the air and barely touched his mane, dogging all the tiny shrubs and only contacting the largest object–the horse. The wind was very skilled at this game, and Scot waited some more...&lt;br /&gt;
&lt;br /&gt;
And then, all hell broke out. A ravenous carnivore leapt from the nearby bushes and sank it fangs into Scot’s flanks. The horse went mad with fear and let out a high-pitched squeal, which shattered the delicate silence of the night. &lt;br /&gt;
&lt;br /&gt;
More figures paced about him, calculating the precise moment and angle in which to attack the herbivore so to avoid injury by his flailing motions and deal a mortal blow.&lt;br /&gt;
&lt;br /&gt;
In a moment, Scot had thrown the coyote from his hide with the shear force of sporadic movements and of his powerful muscles. Even with his acute night vision, he could hardly make out the black shapes converging on him poised for the fatal attack which would bring him down upon the dirt floor and cease his life.&lt;br /&gt;
&lt;br /&gt;
He kicked and spun in a berserk rage, hoping against all hope that it might fend off the aggressors. He reared into the air as one particularly bold coyote sprang forth to claim his prize. The hunter narrowly avoided an instant death under the hooves and weight of eight hundred-pound animal. &lt;br /&gt;
&lt;br /&gt;
The attack was relentless. Scot was in terrible danger. He could feel the bite marks of the coyote searing his flesh and burning through the body, but this only served to fan the flames which coursed though his soul and increase his fury. &lt;br /&gt;
&lt;br /&gt;
He could see such passing glimpses of white fangs, pointed and razor-sharp as the light of the moon shown upon them. They flashed like bodyless jaws, floating in the darkness and lunging upon him only for the sake of appeasing a voracious hunger. Cold sweat turned though his coat and body, which sent shivers of terror along his spine. &lt;br /&gt;
&lt;br /&gt;
Scot could sense his death was imminent. It was drawing around him with each circling of the carnivores. He had only seconds left, and then, it came. The coyotes rushed in unison. Scot leapt in one final effort, envisioning the ruthless meat eaters tearing flesh from limb as he remained barely enough alive to feel his body being devoured. He landed with sickening crunch upon the dirt. And as soon as it all came, it was over. The threat vanished; the coyotes retreated.&lt;br /&gt;
&lt;br /&gt;
It took a decent amount of time for Scot to calm himself after the horror and stress of the high stakes battle. Sweat was still dripping profusely though his coarse hairs and had foamed into a sort-of lather. He breathed cold air quickly through flaring nostrils. Gradually, he nerves relaxed, and he decided to reflect on what had happened–particularly what had inspired flight in the aggressor. &lt;br /&gt;
&lt;br /&gt;
He looked upon the ground where the battle had occurred and saw a limp body sprawled upon the dirt. Its left paw twitched slightly. Its rib cage was shattered and compressed, and a few of the bones punctured the flesh where Scot’s hooves had landed. It wined pitifully for a brief moment and then shut its eyes–dead as dead can be.&lt;br /&gt;
&lt;br /&gt;
Why the coyotes retreated is not entirely evident, though I do believe that Scot must have killed the alpha male, the pack leader. Scot informed me that he believes the dead coyote was the largest of the bunch, but one cannot be sure in such an emotionally charged situation. &lt;br /&gt;
&lt;br /&gt;
In fact, one can never be sure in any situation as long as there is a situation. Even with the likely reason that the coyotes retreated upon their leader’s death, this is not typical behavior for these carnivores. &lt;br /&gt;
&lt;br /&gt;
First of all, they are not pack hunters and generally rely on individualistic cunning. Coyotes have been known from time to time to conjoin forces into a single hunting machine, but this occurs infrequently. A single coyote would not be a great threat to a large herbivore like Scot, but a pack is extremely dangerous. Also, it must be noted that pack hunters do not usually retreat upon the injury of a member, even the alpha male. &lt;br /&gt;
&lt;br /&gt;
My personal theory on the matter is that the animals were behaving more aggressively due to the catastrophe which had occurred and was still occurring. &lt;br /&gt;
&lt;br /&gt;
During disasters, living beings tend to become more belligerent as they brace themselves for the survival of the race. I know this is even true for human beings, who are above the level of common animals. &lt;br /&gt;
&lt;br /&gt;
One such example is during the aftermath of a hurricane. People in the midst of flooded streets can be seen to loot stores and various other businesses in hopes of obtaining the necessary (and sometime unnecessary) requirements for continued living. Killings also increase, which is a result of aggression but is also contradictory because in a crisis situation, people should be supporting one another in order to insure the greatest number of survivors. Murdering each other surely won’t achieve this and yet, murder occurs frequently. &lt;br /&gt;
&lt;br /&gt;
Perhaps this is directly related to the proportion of those who work towards the benefit of a race and those who counteract it. I am, however, not sure on this matter and so will not proceed further. Instead, I will continue with some of my discussion with Scot at this point in the retelling of the account. &lt;br /&gt;
&lt;br /&gt;
I asked him if he felt remorse for having killed a coyote–a much greater transgression than simply scaring one off as is what occurred before. Scot told me that he did greatly–unbearably for that matter. He also said that he must avoid dwelling on the matter. “Death is death, and the coyotes ran to me knowing that they were running in the midst of death, and I was in the midst of death. I regret it, but regret is suffering. And suffering is life; grieving is not...” Thus, life is all about coyotes.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Ch.5 ===&lt;br /&gt;
&lt;br /&gt;
That same night, Scot did sleep, though he didn’t necessarily think it prudent at the time. He was, however, weary from the previous battle and sleep deprived to begin with. The horse figured that if he didn’t rest at some point, life would become increasingly difficult, and he would eventually die. &lt;br /&gt;
&lt;br /&gt;
Though awareness while not sleeping proves to be a great protection, but it eventually takes its tole when the living being is no longer able to function at standards during the day. Death will come then instead of at night. To me, this was all very acceptable and logically sound in the way Scot described it. Unfortunately, he continued his description into a realm that instilled an uneasiness upon me. This was mostly due to what it implied.&lt;br /&gt;
&lt;br /&gt;
Scot did sleep, and he also (as he suggested to me) dreamt. At first, he stood with his legs locked and his eyes shut into a black absence of thought. Then, after several minutes, a picture manifested itself which was vivid and possessed a concreteness as if it was simply another reality. &lt;br /&gt;
&lt;br /&gt;
I sat before him dumbfounded and silent. I could not control myself enough refute anything he told me but instead, listened ever more intently with an ever growing fear. At the same time I was being enticed by my curiosity, I was also experiencing a burning pain which yelled for me to stop and which I ignored. My curiosity was too great to be wavered by these prickles of forebodance.&lt;br /&gt;
&lt;br /&gt;
Scot continued by describing the setting of the place: “A bright bush that glowed yellow and then blue was hovering in the air, and next to it was a little island just big enough for a patch of grass and a small tree. The tree grew up out of the floating dirt, and its branches arched over me.”&lt;br /&gt;
&lt;br /&gt;
“Then, a small human foal rode past me one some strange object with two spinning circles. He stopped some ways under the tree with the arching limbs and pointed to a small rock barely the size of a hoof. And that rock moved and fell.”&lt;br /&gt;
&lt;br /&gt;
“It land upon mare in center of the tree, and the branches unfolded to reveal her. The rock merged with her back and was absorbed. I could smell her. She was beautiful like a morning breeze just before one is awake but is waking. But then the child’s face went bad, and he frowned, becoming something dark and mean. And he menacingly point a finger at the mare again.”&lt;br /&gt;
&lt;br /&gt;
“From his finger and the surrounding area erupted black shapes with blood soaked fangs, and they dove at her. I watched helplessly, bound to the floor as my hooves melted into the dirt. I watched as each black shape tore a section of her body off until all that was left was a putrid skeleton whose blank eye sockets stared at me imploringly but also in anger.”&lt;br /&gt;
&lt;br /&gt;
“Then, I smelt it–a reek of death and her former smell changing into something horrible–something that drew me in and tore apart my body in sadness. And I saw the human foal, who was now a man but ugly with hate. He grinned at me for the smell was now his. Then, he pointed a long black stick at me. And there was a horrible crack and fire–oh fire that burned! I woke up. The sun was hot on my head...”&lt;br /&gt;
&lt;br /&gt;
“I do not know why I dreamt that, if dreamt is the right word. I guess I dreamt that because of what had happened with coyotes. I also hoped to some day establish a big herd for the good of all like me. I cannot be sure this is why I dreamt it. I only think I know it. This is my idea. I know there is some human who likes to think of dreams. I don’t bother. It gains nothing but confusion and no good answers because there are no answers. I think his name was Sighhiieh Fraud, but I cannot be sure. The name is hard to say right...” and Scot continued apparently unaware of the ghastly expression which had engrafted itself upon my face. &lt;br /&gt;
&lt;br /&gt;
Or perhaps, the ghastly feeling was so profound that it remained internally within my heart and mind and was too painful even to define itself with physical gestures. It was a seed which had planted itself within me and could only grow until its roots had dug into my intestines and its angular branches sprang forth through my skin. It was a seed of doubt–the doubt I had experienced ever since I had come across Scot, but now I had felt it for some reason gnawing in my gut.&lt;br /&gt;
&lt;br /&gt;
Scot described a nightmare to me. I don’t believe that horses dream during sleep, nor do I believe that they have long term dreams for the future. Animals only exist in the present; they don’t think in the past of memories or in the future of dreams. The horse’s evidence proves against me. Unless his recount is true, Scot would have had to fabricate the story entirely. I absolutely cannot believe that he would do that, so this isn’t an answer for me either. Lying is a sin. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;“Therefore, putting away lying, ‘Let each one of you speak truth with his neighbor.’ for we are all members of one another.”&#039;&#039; &lt;br /&gt;
-Ephesians 4:25&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Ch.6 ===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
I don’t know what is wrong with me. What am I becoming? Last Sunday, Father Heinrich preached a sermon on the nature of the human soul being constant and either under His light or the devil’s dominion as determined by God at birth. The significance of the catastrophe and its involvement of everyone at this point had provoked the religious community into a fanatical two color spectrum–black and white, good and evil.&lt;br /&gt;
&lt;br /&gt;
I confess that during the sermon, I could not control myself enough to keep my seat. Instead, I stood up and contradicted the Father in the middle of his preaching, professing that the soul changes over time and that the individual is capable of change. There was a hushed silence and stifled gasps at such heresy, but still, I could not bring myself to stop. The father looked down upon me from his pulpit and stared half out of anger, half out of shock by my sudden effrontery, and half out of a righteous pity. My words did not cease with the contradiction, however, and I continued by incensing the already baffled congregation to a further degree of horror. &lt;br /&gt;
&lt;br /&gt;
I preached that the soul experiences the life of the body it inhabits, and this alters it over time. The bad are shaped into bad through their life experiences and how they reacted to these particular experiences, and since the bad did not choose what occurred in their life and might not have been instructed on the ways to a morally right path, they deserve pity. They cannot necessarily be considered bad either mostly due to the fact they fell to the uncontrollable nature of change and were blown around like leaves in the wind–God’s wind–His creation, mind you. Anything that experiences life also experience life’s changes, and this determines the nature of the soul. &lt;br /&gt;
&lt;br /&gt;
Once I had finished, it took a couple of moments for my audience to realize that I had ceased my calm ravings. I do believe that they were still fixed back at the point where I first spoke out against the priest in such a rude fashion. I felt terrible, but I had lost control entirely. My doubt was gripping me, and I could do nothing as hundreds of eyes stood blankly fixed upon me. I stood erect and frozen in the center of the church, positioned upon an invisible pulpit. The priest was the first to speak.&lt;br /&gt;
&lt;br /&gt;
“Mrs. Amnerson, I cannot justly deny anyone admittance to a house of God–the almighty whose arms are open to all those who would open their hearts to him–but might I suggest that you not stay here right now. I would hope that you’ll reflect on what you have said. It is quickly like this that the devil so deftly takes hold of those thought most pious when they let their minds stray. They start to believe that the world is all good or all bad, and soon they fall prey to the dark prince himself who is ever waiting. I hope that you will come back later to see me when there are less ears to be injured. If you will allow it, I can steer you back to the righteous path, but I will not let you corrupt innocent souls during you time of ignorance. I hope for your sake that you will return. I pray you will.”&lt;br /&gt;
&lt;br /&gt;
“Father Heinrich,” I replied, “I was not hailing those who seek to injure others. I was just explaining that the humanity, in essence, is not evil and that goodness and evilness are not present within the living. The living only experience that which is around them, and this influences them. It is all the same...”&lt;br /&gt;
&lt;br /&gt;
“Go!” he interrupted with a sudden eruption of stoic forcefulness and finality, which gave the impression that he was the process of performing an particularly strenuous exorcism. I walked as quickly as my worn body would allow me through the rows and across the blood red carpets. I felt the painful jabs of a thousand staring eyes upon my back, and upon leaving the church, I felt the needle-like pricks of a frigid wind in my face. I was wretched for having questioned the words of one of God’s voices on earth, but also aggrieved for having been persecuted for saying that which I was unable to restrain myself from saying. Then again, God doesn’t lie or speak; only men do. What is wrong with me?&lt;br /&gt;
&lt;br /&gt;
After a few days, I did contact Father Heinrich as he had prayed I would, but only to ask him how horses played into the grand scheme of existence. He was, to say the least, puzzled by my inquiry and for what reason I found the world of horses so urgent in current state of my soul. I cast aside his questions and insisted that he answer me promptly. &lt;br /&gt;
&lt;br /&gt;
In summation, his response was that God’s will does not apply to them aside from the fact that He created them to serve man to whom He bequeath reason. “They were created simply like God created rocks or twigs–animate, yet inanimate.” In other words, they do not fit into the scheme of existence. This is, of course, how he and many others view the matter, but if it is true, then doesn’t animals’ existence contradict his argument? How can it be true if animals with feelings and desires exist? This troubles me greatly because if we look down upon animals, how could...yes and I will say it!... how could we ever treat them fairly?&lt;br /&gt;
&lt;br /&gt;
It seems as though humans find it easier to justify to themselves taking advantage of animals as much as they do by not acknowledging their anima. How much does everything change, when suddenly we must value a bird, a rat, or a bull as much as ourselves–not in a mere materialistic fashion, though some view love, marriage, and other humans in such a way. Oh, and how easy does it become to oppress once something is considered not human or inhuman!&lt;br /&gt;
&lt;br /&gt;
This was entirely evident in the concentration camps of World War II. Need I explain further than to simply mention what the Nazis’ views of the Jewish people were at the time–how they were considered to be the heathenish downfall of the German people–how inferior their race?&lt;br /&gt;
&lt;br /&gt;
This is also evident from the slavery in United States, and in Saudi Arabia, England, China, America, Europe, Asia, and Africa. Slavery persists today. We have not yet abolished it.&lt;br /&gt;
&lt;br /&gt;
Not considering animals in religion, philosophy, and morality makes humans’ lives much easier lest other animals appear too human. This is understandable to some degree. We silently whisper to ourselves how ignorant all other life is–how inanimate. Yet still, life is life. Animals feel pain and pleasure, sadness and happiness, rage and infatuation, apathy and contentedness, depression and jubilance, fear and resolve, anxiety and excitement, sickness and healthiness, life and death. There is one that I did not mention, which I personally feared should prove true, but I will not expound upon it now.&lt;br /&gt;
&lt;br /&gt;
Now it must be know that these events occurred all of last Sunday. On the current Sunday, I skipped church altogether and instead spent my time with the horse, gathering notes for his account. I am so curious, but at the same time I enjoy it, I am also tormented. Is my immortal soul suffering from this? Am I being profaned by giving into my desire which is to hear an animals thoughts? &lt;br /&gt;
&lt;br /&gt;
I can feel myself slipping under the corruption of an animalistic passion–curiosity. More accurately, I am slipping under a drive to rid myself of habitual thought. Certain things which I have never questioned before I am now questioning with the algorithmic precision of a machine. Quickly, I move in a progression of thoughts; one uncertain idea leads to another. If one is questionable, then the rest are equally questionable. &lt;br /&gt;
&lt;br /&gt;
It hurts so terribly, but I must listen, write, and ponder. I hope to God that each stroke of my pen is not subjecting my soul to blows by the devil himself, each strike chipping off a piece of my being. This is such a horrid thing to have befallen me as old as I am and nearing death. I will be forsaken after such a long life’s devotion to chastity and righteousness, yet I must write. I am compelled to write. God forgive me.&lt;br /&gt;
&lt;br /&gt;
I will resume the account after Scot had spent several more days in much the same manner as he had up until this point.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The horse woke early before dawn to a slightly colder air, which had settled upon the surrounding area and seemed to cause even the spears of grass the shiver soundlessly. Scot glanced up at the stars and saw the feeble and oblivious moon hanging pointlessly above a patch of clouds. Every now and then, a lumbering whiff of vapor would blot out the pale light, and the witless moon acted in nor accord to prevent it. The opportunity to stifle the moon’s reflected light was limitless, and thus, malicious cloud after malicious cloud took advantage only mere seconds between departures. The foolish orb let the clouds block its gentle shine and was ever unaware of its plight. &lt;br /&gt;
&lt;br /&gt;
This proceeded for much of the remaining morning hours until the sun finally brandished its sword through the open air and scorched the sky like a fiery brand upon tough hide. And yet, the clouds continued to humiliate even the lordship of that golden speck. Of course, the light was always present by its shear intensity, but it did not care whether or not it was dimmed by vapors. This is, more or less, what I have gathered from Scot’s descriptions. I wonder, is the horse is capable of sarcasm, or is he, perchance, trying to communicate an idea?&lt;br /&gt;
&lt;br /&gt;
Now that the morning had taken a firm hold of time, Scot ventured across the grasses, pursuing the same goal he had committed himself to a week ago. Surely after no success in finding a herd or even a herdmate, he would have given up, but against all reason, he proceeded in his endeavor, searching to fulfill his particular dream, if I dare call it that. Scot commented on the matter, “they are there, so I walk and look, but I do not know they are there, so as long as they can be there, I walk and look.”&lt;br /&gt;
&lt;br /&gt;
Thus, the horse dedicated himself to walking and looking, but even with such determination, he was unable to gather any of the information or companionship which were his affairs to seek. The concept of a herd remained an always possible, but ever distant prospect. It was a image of desire and an image of expectation–hope, none the less– but it stayed clouded in the back of Scot’s mind because he could not physically have what it was that he pictured. In short, he dreamt of having it.&lt;br /&gt;
&lt;br /&gt;
After a period of time, Scot discovered that a fierce itch was developing alongside his back. This simple backfire of nerves became unbearable, and the horse attempted to arch his neck beyond comfortable range so he could use his teeth to scratch it. The attempt, however, proved to be an unsuccessful endeavor as much as the search for a herd.&lt;br /&gt;
&lt;br /&gt;
Having failed once but not given up, he instead laid his breadth and length upon the floor and began to roll around vigorously in the dirt. This movement kicked up so much dust and debris that it clouded the air and stifled the lungs. &lt;br /&gt;
&lt;br /&gt;
For the horse, though, it was well worth the effort and sacrifice since the tingling sensation became agonizingly painful. He twisted back and forth, and if viewed from the unsuspecting eye, he would have simply appeared to be frolicking in the dirt. He was, however, committing himself to a task, not just for the sake of caprice or enjoyment, although the itch itself was capricious and its banishment would be joyful.&lt;br /&gt;
&lt;br /&gt;
As the itchy area frictioned against rough stones and prickly shrubs, the intensity began to diminish until the feeling was almost entirely obliterated. The horse returned to his hooves and sneezed an tremendous equine sneeze, spewing phlegm and the rust-colored dirt from his sinuses in a puff of mist. All in all, he had thankfully overcome yet another life threatening situation to add to his daily routine of life threatening situations.&lt;br /&gt;
&lt;br /&gt;
Now that this pressing irritation was abated, it was time to cease a much more painful and threatening loneliness, which plagued the horse and stifled his life. As long as the wretched disease remained within his body–his very cells–he would be incapacitated, unable to live as much as he could. &lt;br /&gt;
&lt;br /&gt;
Loneliness is a walking death, and it is not the physical absence of another like being that is the great symptom of pain. Rather, it is the physical absence of an intangible thought. The true absurdity is that the thought is both the disease and the relief. It both fills in the void-like emptiness and creates other pits of desire. &lt;br /&gt;
&lt;br /&gt;
In this way, it spreads like a pathogen, enveloping whole towns, always exponentially growing. It compounds itself until all that remains is hope, and all other feelings like contentedness, enjoyment, and the like are extinguished. And hope resides, not so much an emotion but an absence there of. &lt;br /&gt;
&lt;br /&gt;
According to Scot, there are really only two cures for loneliness. They are “the real being of the need (the physical presence of the desired person or object) and the sudden thought that it might never be there without giving up trying.” Like diseases, the first of these–the antidote, if you will–may or may not actually expel the contaminate. It depends on the disease and the host. The latter allows the disease to go into remission on its own. This does not always work either, and sometimes the host dies of it. Only the realization of loneliness’ fatality will suppress it entirely in whatever organism it afflicts. Yes, loneliness is indeed fatal.&lt;br /&gt;
&lt;br /&gt;
Needless to say, a combination of both antidote and remission in an amalgam of remedies is sometimes required as in the case of Scot. Even today, he remains bedridden with loneliness. It is in light of this that I have finally realized what it was that always grieved him–his need for companionship of his own kind. &lt;br /&gt;
&lt;br /&gt;
Still, I don’t fully understand it since he has many more alike to him on my farm. He himself has even stated that “they are same as me in all way, and my human speak does not matter to me.” I must say that it does not appear to be the same disease which Scot originally described his loneliness to be. He does not speak of it, so I must guess.&lt;br /&gt;
&lt;br /&gt;
Of course, his time with the inept owner compounded his grief, but the disease itself can be traced back much earlier in Scot’s account. Perhaps, it is a want to share his memories with another being not of the same species and he is fighting the disease as I speak. His statement contradicts this in a way, though. I shall not think more on this subject until he is ready to confide more to me.&lt;br /&gt;
&lt;br /&gt;
He might never be fully rid of his disease of loneliness–the same loneliness that we all possess. Nevertheless, I won’t know until he is purged or he dies, if I don’t die first. I pray he will be banish his pain for his sake, and for this reason I attempt to maintain a daily regiment of company of his kind and myself. This is all I can do. I don’t know enough about the disease to cure it besides to maintain his healthiness.&lt;br /&gt;
&lt;br /&gt;
Now that I have strayed greatly from his actual account, let me retrace my steps back to where I had left off. Ah yes, it was at the moment of the horse’s first administration of antidote, so to speak...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
After having grazed and found a trickle of water along a wall of smooth stones from which to drink, Scot came across a scent that he recognized, but to which he did not immediately react. The primary reason was that it seemed too good to be true. There it was, the most beautiful scent in the world, floating like a bodiless fragrance upon the undulating breeze. &lt;br /&gt;
&lt;br /&gt;
I gather that Scot had bent his thoughts on maintaining the image of a herd so much that when he finally came upon the actuality of it, he was startled into disbelief. He couldn’t fathom the actuality of the scents existence. Realization, however, slowly began to draw upon him as his ears perked up in curiosity. He began to pace in small increments towards the scent’s origin. Then, as if suddenly let loose from his restraints, he broke into a full gallop, not wishing for the moment to be lost in circumspection.&lt;br /&gt;
&lt;br /&gt;
As he trotted, the scent gain potency until it became an overwhelming force upon his body and mind; it seeped into his blood and warmed him out of his grief. In essence, he became the scent–the ever compelling force which demands, or rather, forcibly takes another’s heart. He submitted to it fully and irrevocably. He would never again be able to live in absence of that scent.&lt;br /&gt;
&lt;br /&gt;
As his pacing slowed, he happened upon the source of his obligation for the first time. She was a lovely, crimson horse similar to himself but, according to Scot, all the more beautiful. Upon sighting Scot, she became inquisitive. Her ears rotated forward telling the horse that she was not feeling at all threatened and desiring to investigate this new appearance of a like being. Scot stated on the matter:&lt;br /&gt;
&lt;br /&gt;
“I would think that she felt the same as I had whilst searching for her. She nickered to me and said that she had been searching for so many suns and moons. She also stated that she ‘was hesitant for not seeing what it might be not within that which now she sees.’ I sorry, it difficult to say in human speak. This is why she did not right away come accept me. In truth it is the same reason why I did not accept her, although I felt so jubilant for her being and me finding her. We did not come to each other right away...” and so forth. Even after they came across that which they were searching for most desperately, they couldn’t even believe their senses upon discovering each other. It took more than a moment for this confusion to disperse. The Universal Law of Animal Life dictates that you must hesitate for a 5.83 seconds before embracing another as your own.&lt;br /&gt;
&lt;br /&gt;
The mare gradually eased out of her frozen stance and stepped towards Scot until she was able to sniff him up close. She moved her flaring nostrils along his neck and flanks as if scanning every fiver of his being. The stallion did likewise to her. After several moments in such a manner the mare placed her head over his neck in embrace–the equine equivalent of a hug. Scot was overjoyed. &lt;br /&gt;
&lt;br /&gt;
Even still, he feared that she could vanish out of concreteness at any moment for any reason. How did he know she was not just a figment of his mind which spawned out of shear want? He assured himself that nothing could break the bond which they had so strongly formed–a bond of friendship, a bond of trust, a bond of...and still he was doubtful. &lt;br /&gt;
&lt;br /&gt;
He could not dwell on these thoughts, however. He had to live and not succumb to the inconclusiveness of thought versus feeling. At least, he would use his feelings to assume she was there with him, even if she wasn’t.&lt;br /&gt;
&lt;br /&gt;
Scot expressed to me that the mare did not have a name in the sense that humans name each other. He knew her by her scent–an identity that was bequeath upon her by birth and not by any sire or parent. In a sense, she was born and suddenly alive, suddenly herself. The name just popped out of nonexistence. Thus, to call her by something was shear absurdity. He could for instance, whinny in a certain wavering pitch and then cadence down to a low nicker every time he wanted to attract her attention, but in truth any sound he could produce would in turn train her gaze upon him. &lt;br /&gt;
&lt;br /&gt;
As Scot wittily put it, “if I wanted to get her to see me, I would get her to see me. If I wanted to talk to her, I would talk to her. If we always said the same thing to each other, how can we learn to say other things?” In conclusion, names are little mice that scurry out of one being’s mouth and into another’s ear for reuse later. Eventually, the mice grow old and die somewhere along their journey. And sometimes they are even too fat to get out of the beings mouth in the first place. And there are too many of those who are poor and do not have enough mice.&lt;br /&gt;
&lt;br /&gt;
Scot and the mare, who I will call Laila for the sake of reference, traveled and grazed together under the golden sun, which smiled outwards. Perhaps the sun was smiling upon their union. Perhaps it wasn’t and with no particular reason. It does not matter for the horses were inseparable, joined by invisible bonds of mutual benefaction. &lt;br /&gt;
&lt;br /&gt;
Each, in turn, watched over one another with no hesitation. Scot was finally relieved of his solemn watch. No longer would the stallion have to stand alert and awake within the black abyss of night, calling silently for someone, anyone to fill his empty solitude and coalesce some felicity from the nothingness that absorbed the very air. They were together, and that was all that mattered. Life is life and unity is unity. Sometimes they overlap.&lt;br /&gt;
&lt;br /&gt;
The bond, which joined their lives, was so strong that neither could be called an autonomous being. They existed as components of the same organism. And yet, they were both individuals, freely thinking whatever thoughts they choose. It was a unique relationship to say the least, not one that I can say readily exists in humans. This bond I suspect can only occur within a herd. It is that fellowship which links herbivores’ lives together such as in the case of Laila and Scot. They were united and only in death would they part from each other, or so they thought. That, however, is another matter, reserved for latter in this account.&lt;br /&gt;
&lt;br /&gt;
Upon one particular morning, Scot caught a scent from Laila that was altogether different from any other one she had diffused in the past. It was more compelling, more invigorating. It surged through every microbe of the stallion’s being. He felt drawn to her, gradually coming closer as she drew him in with an invisible line, his every fiber wound upon a spindle of adamantine thread. Each twirl drew him around the mare until every minute weave became taught and secure. Laila was at the height of her estrus, and Scot was caught upon her scent. Needless to say, I will not continue on to describe the details of equine reproduction.&lt;br /&gt;
&lt;br /&gt;
Instead of listening further to Scot’s vivid descriptions, I quickly changed the subject, thus avoiding the overweening awkwardness of the situation and my own personal embarrassment. Oddly enough, my self-consciousness also included a tinge of anger–anger which seemed to have no origin or any particular reason for being. This anger was in all earnestness directed toward Scot himself, but deeper within me I did not wish to be irate with the animal. &lt;br /&gt;
&lt;br /&gt;
So, I presented a question, which of course, was not asked entirely in want of an answer. Indeed, it came out rather bluntly, more so than it needed to be, however, my anger was gradually bubbling–frothing up from my bowels. Alas, I was not at all tactful in what I asked as to be expected. It was with good intentions that I questioned the horse so rudely, for I did not wish for my anger to increase at him. &lt;br /&gt;
&lt;br /&gt;
The emotion that surged through me was of a disquieted rage, and it was not only unpleasant but potentially destructive. My question might have hurt Scot, but it probably afflicted less pain upon him than if I had not released the unvented steam building within me. It was a necessary circumvention of his story.&lt;br /&gt;
&lt;br /&gt;
Daresay, I implored him as to whether he felt any tinge of indecency having been aware that he was once human and having just copulated with a common animal.&lt;br /&gt;
&lt;br /&gt;
“What is copulated?” he witlessly asked. Rather, it came out as “Whhuyyht hyyhys ceyyhperheiteeih?” which it hardly ineligible to hear let alone inscribe upon a page. This was to be expected considering the fact that his vocal chords in their current orientation were not designed for proper speech.&lt;br /&gt;
&lt;br /&gt;
Oh, but this did not excuse his lack of knowledge! I took a few moments to enlighten him of this apparently new concept, which required a bit of ingenuity on my part, though it should have been a reasonably simple notion for him to comprehend. I beg that the reader does not inquire further as to my methods. My descriptions were, let’s say...creative.&lt;br /&gt;
&lt;br /&gt;
“Oh, you mean merging of body,” was his response, unarticulate, and obviously dumb. “If indecency means not feel good, then I don’t feel indecency.”&lt;br /&gt;
&lt;br /&gt;
“But it was an animal!” my irritation building further. &lt;br /&gt;
&lt;br /&gt;
“Do you feel bad when you merge with another animal?” he calmly asked of me. I looked at him perplexed. I could not believe he was implying that I have coupled with an animal. How repulsive! I quickly voiced my indignance, and upon hearing me, the horse’s ears turned back, and I knew that I had over stepped my bounds. &lt;br /&gt;
&lt;br /&gt;
Horses are temperamental and do not take well to outbursts, especially outbursts of spite or rage. This expression of turning the ears away is an expression of agitation. This is what he was communicating towards me. My wits came about me more, and I regretted having attacked Scot for no reason. My anger seemed to have been consuming energy from some hidden source. I was so remorseful. It came upon me like a wave upon rock. I apologized, but no apology was enough.&lt;br /&gt;
&lt;br /&gt;
Once again, I attempted to resume the conversation, and having drifted so far from our previous exchanges, I was at a temporary loss. After a moment, I asked, “Did you love her?” I felt the beast that former rage gradually lift its eyes and become aware again. The flame of anger was reigniting as if from ember that was ignore, now rising to scorch the unwary person who had treaded to close. My own speech seemed to trigger this flame.&lt;br /&gt;
&lt;br /&gt;
“Love? I think I remember this concept, but I don’t be for sure. Can you explain?” My anger grew, but I was collected enough to describe the notion.&lt;br /&gt;
&lt;br /&gt;
“If you mean that, then I desired her and she desired me, and we needed each other, so we did love each other.”&lt;br /&gt;
&lt;br /&gt;
“No! You don’t understand me. Here, think of it in these terms. When a man loves a woman, he’ll do anything to please and support her, emotionally and financially. He takes her to different places and cherishes her, consoling her with soft words, embracing her, protecting her. She, in turn, does the same for him in her ways. The man goes to great lengths to have the woman, and she resists at first. In light of his attempt at wooing her, she flatters him but also flirts with him! She will not give over without cautiousness in order to ensure her lover’s chivalry, chastity, and fidelity. Thus, when they finally embrace, the love that is their’s is their’s alone and no other’s. It is deep and passionate, not merely a passing infatuation that only glances at the surface of love. It is for their mutual benefaction. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&#039;&#039;“Let me not to the marriage of minds&lt;br /&gt;
&#039;&#039;Admit impediments; love is not love&lt;br /&gt;
&#039;&#039;Which alters when it alteration finds,&lt;br /&gt;
&#039;&#039;Or bends with the remover to remove.&lt;br /&gt;
&#039;&#039;Oh no, it is an ever-fixéd mark&lt;br /&gt;
&#039;&#039;That looks on tempests and is never shaken;&lt;br /&gt;
&#039;&#039;It is the star to every wand’ring bark,&lt;br /&gt;
&#039;&#039;Whose worth’s unknown, although his height be taken.”&#039;&#039;&amp;lt;/poem&amp;gt; -Shakespear “Sonnet 116” &lt;br /&gt;
&lt;br /&gt;
His response was this: “I supported her. We ran across the planes together, and she and I nuzzled each other affectionately. Each day while she grazed I stood over her, eating not. Only in a moment could she have been snatched from me, and so in time she was. I don’t hold it against; life is life. She flirted with me, such as before we had our merging of bodies. I would chase her, and she would cunningly evade. Then, she would pause as if waiting, but after enticing me to join her, she trotted off, and I would chase her again. Eventually, she, after quite some time with our diversion, gave into me, convinced I was of good and true intent. Why did we hesitate before meeting? Would she want me to abandon her and her foal? I loved her. I protected her. I would always be there for her, and I love her still, though she is gone...gone.”&lt;br /&gt;
&lt;br /&gt;
“But you cannot love her! You are not capable!” was my response to his argument. At this moment, I was teeming with agitation. It was burning within my deepest gut. The horse snorted but otherwise remained silent, watching me through his dark, warm eye. “You cannot love because you do not have a soul! God is love, and you have no god. You are an animal!” Though I said this with all intention of provoking him, his response was calm–a highly controlled question in spite of my condescension. His frankness startled me, but I detected a tinge of sadness within his words, which grew as he continued. His oval eyes were glazed with a small moisture.&lt;br /&gt;
&lt;br /&gt;
“Why can’t I have a soul or love? Is it because I am different, or do you not love me? Would it hurt so much for one to say that those who are different can love, have a soul. What could one lose by sharing such a simple thing. All I know is that the grass grows short or tall. The wind blows north, south, east, or west. Life is life. Love is love.”&lt;br /&gt;
&lt;br /&gt;
Now I felt the anger consume itself until it ceased to be. In its stead a wracking pity sunk into my thoughts. It was terrible, wretched, utterly intolerable. I felt my whole body retch in spasms of pity. And yet, the horse continued, and I could but listen helplessly as each passing word fed the sorrow. I was speechless, mute...dumb beyond compare.&lt;br /&gt;
&lt;br /&gt;
“You treat me differently because you think I am different. This is understandable. You think I am different because you wish to not be the same is me? Why?”&lt;br /&gt;
&lt;br /&gt;
“I have been beaten, starved, whipped, spurred, overworked, teased by your foals, pelted by rocks, strangled, imprisoned, shackled. I have experienced more chance at death in human hands than ever in the wild. Why? All I give is my love. I am different, and so I am tortured? Please tell me why. What have I done?”&lt;br /&gt;
&lt;br /&gt;
I could sense it now. The irresistible curiosity I had experienced before was not a curiosity at all. It was something wholly different–something that compelled and did not let go. Change had captured me in its clawed grip and would not release until it had its course, the pointed talons sinking deeper and more painfully with each passing moment. &lt;br /&gt;
&lt;br /&gt;
I felt them fleeing, all hopes and happiness–all that could be called human. I could feel myself being swallowed up by a void of meaninglessness. I knew not what I was changing into, but it was no physical change. &lt;br /&gt;
&lt;br /&gt;
I resisted, but it was not my place to resist. I resisted like the clouds resist a breeze. I resisted like a dropped stone resist the earth. I resisted like the mindless tides resist the relentless tug of the moon. I pleaded in my mind for him to stop, screaming silently with no listener to listen–only my own tormented self which granted no solace. I could not resist. I could not shirk the mental convulsions of change. The horse continued.&lt;br /&gt;
&lt;br /&gt;
“I waked, and I slept. I toiled, and I rested to ready myself for more toil. I did what I did. I did not bite. A man kicks a dog, and the dog likely bites him. A man hits a man, and likely gets hit back. Only the dog can be put down...”&lt;br /&gt;
&lt;br /&gt;
“If I am so horrible, I beg you to kill me now. My sorrow is large, and it only grows. This is not life. I am not alive.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And so I was left with all that I had before but not as it was. Pain, happiness, grief–they were all changed, and upon my completed transformation I drew a single conclusion (life is not without a sense of absurd irony); in the end, I concluded that animals feel pain and pleasure, sadness and happiness, rage and infatuation, apathy and contentedness, depression and jubilance, fear and resolve, anxiety and excitement, sickness and healthiness, life and death...and love.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Story]] [[Category:Animal]] [[Category:Equine]][[Category:Whiteflame]]&lt;br /&gt;
&lt;br /&gt;
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&amp;lt;comments /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Whiteflame</name></author>
	</entry>
	<entry>
		<id>https://shifti.org/index.php?title=Catastrophe...Ch.1-3&amp;diff=4428</id>
		<title>Catastrophe...Ch.1-3</title>
		<link rel="alternate" type="text/html" href="https://shifti.org/index.php?title=Catastrophe...Ch.1-3&amp;diff=4428"/>
		<updated>2007-12-26T05:49:05Z</updated>

		<summary type="html">&lt;p&gt;Whiteflame: New page: {{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}   “Of life, death, and change, change is always the hardest in its uncontrollability, and life is her brother.”   Part 1: Catas...&lt;/p&gt;
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&lt;div&gt;{{byline|author=Justin S. (Whiteflame)|user=Whiteflame}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
“Of life, death, and change, change is always the hardest in its uncontrollability, and life is her brother.”&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Part 1: Catastrophe&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Ch.1 ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
I am currently writing this piece on the behalf of a horse by the name of Scot, who specifically requested that I record his story and recount it to his children should they prove to possess the ability to converse with me as Scot himself is capable of doing. This, of course, is in preparation for the future because, as of yet, he has not sired any foals. I am, however, sure that in due course he will, which is a duty he will commit himself to as long as he is a resident on my farm. Elsewhere (if he ever does live elsewhere), he will consent to the duties commanded by whomever is his owner as is right. This may or may not include such stated duties as are present on my farm.&lt;br /&gt;
&lt;br /&gt;
The account itself is a retelling of his most prominent memories. It consists of experiences that are both disturbing and amusing. All of these, though, bear a single relation. They are all extraordinary despite their sometimes mundane nature. Perhaps, this is due to the perspective from which they are told. Perhaps it is the events themselves. All I know is that to me, they are extraordinary.&lt;br /&gt;
&lt;br /&gt;
The setting of this work takes place in to definite locations that are quite remote from each other. The first of these, I am not familiar with as it is a place that I have never happened to visit. This little town of Parken, Montana and the surrounding area constitutes for the setting of the first half of this tale. It was here that the peculiar events leading to Scot’s ability to converse first occurred.&lt;br /&gt;
&lt;br /&gt;
The second half of this account takes place in Louisiana, my home state. It is beautiful and perfect.&lt;br /&gt;
&lt;br /&gt;
As the reader, at this point, is most likely puzzling over the unusualness of the horse’s name and under what circumstances he obtained the ability to communicate, I will work to shed some light on this matter. On one hand, the reader will discover in the progression of this work said circumstances, so I will not expound upon them at this particular moment. I will, on the other hand, attempt to inform the reader as best as I can to the horse’s name and its origins.&lt;br /&gt;
&lt;br /&gt;
Scot, in terms of what most owners call their animals, is a rarity, but it only seemed fitting to me–Lisa Amnerson–considering the events under which we first became acquainted. These mostly are the moments when he began first to vocalize within my presence. I gave him a more human name because he could speak.&lt;br /&gt;
&lt;br /&gt;
Scot is unable to remember his original name as far as he has expressed, but he assures me that it began with the letter “p.” This he reiterates quite often to no end. I do grow tired of it. I cannot, however, justify becoming irritated because I know of his true identity and thus, would only be irritated by this fact. &lt;br /&gt;
&lt;br /&gt;
It is most understandable that the horse does not possess any memory of his former life aside from the fact that he was. The trauma he experienced in the past must have erased all knowledge of it. Should the reader come across this work while Scot is still living, I do ask that he or she never informs him of his true name. He has already suffered too much at the hands of an unworthy equestrian, who could not possibly know how to take care of such a fine animal as he. &lt;br /&gt;
&lt;br /&gt;
I presume that it is only right for me to be patient and attempt to piece together a history of his life up until our meeting. It would be a small consolation after much suffering. Anyway, since it was he who requested it, pleasing him would surely be a more profitable endeavor for me. &lt;br /&gt;
&lt;br /&gt;
The horse’s thoughts, I might add, do spark a tingling curiosity within me. It is my wish not to bring forth memories of his past before the trauma because it would not be in either of our best interests and would surely lead him into a less than functional frame of mind. I do stress, as is a reason for the former statement, that it is my least desire to have him suffer more than he has.&lt;br /&gt;
&lt;br /&gt;
Now that the reader knows Scot at least partially, I must properly introduce myself. As is right for the narrator of a story, some details and credit is due. The reader might have already discovered from the renown of my name that I am a 60-year-old wealthy, widowed lady descended from a very long line of horse breeders, raisers, and trainers. These well-to-do ranchers inhabited an extravagant farmhouse in Louisiana and presided over a vast amount of pastureland. &lt;br /&gt;
&lt;br /&gt;
Thankfully, all of this never left the family’s possession and currently is bequeath to me. I suppose I will eventually pass my inheritance along to my much younger sister, but I assure you, she will have to wait until I kick the bucket, so to speak. Besides, she is not nearly as great a horsewoman as I and does not know the proper way to treat these animals.&lt;br /&gt;
&lt;br /&gt;
I, myself, am also somewhat of a literary enthusiast and writer. For this reason, I found it more appealing to undertake this account of Scot’s past than most would. I will note here that I insist no one reads my work before it is completed. This is something that I particularly cannot bear. It infuriates me when a passerby glances over my shoulder in curiosity. A work is of absolutely no one’s concern except for mine until it has reached what I deem is its final form. &lt;br /&gt;
&lt;br /&gt;
Getting away from my writing habits, I do want to make three things clear before I continue with Scot’s accounts. Other ranchers have made it to my attention that I am particularly fond of spoiling my horses. I wish to inform those who might partake in this notion otherwise. &lt;br /&gt;
&lt;br /&gt;
All in all, I am a strict disciplinarian. None of my animals walk or step out of line, but they do receive extensive care–my affection and what my funds can purchase or provide. Scot, in comparison to the others, is an exception. Had he not the ability to speak or reason, I would not consider him above the level of a common equine. In consideration of this, it would be inappropriate to assume that he deserves the same as the others or that the others deserve the same as him. In this way, he attains the most of my attention, especially for the writing of this narrative. &lt;br /&gt;
&lt;br /&gt;
Secondly, I am Scot’s owner. A more keen reader might make a point that since Scot obviously possesses a phenomenal talent, I would have made the existence of a talking horse known publically should this have proven to not simply be a farce. I keep this knowledge to myself not for selfish reasons, but for my principles and aspects of my personality. &lt;br /&gt;
&lt;br /&gt;
I am dignified and do not wish to become a target of mockery and/or ridicule. Unlike some, I value my solitude. If asked why, I would mostly attribute this to a portion of my being; I simply cannot endure such publicity and company. It is because of this, as the keen reader should note, that I have decided to put my knowledge to the pen and not to the mouth. Is that necessarily selfish?&lt;br /&gt;
&lt;br /&gt;
Lastly, I would like to indicate, more specifically, the exact moment under which Scot was prompted to share his first words with me (indeed I was quite surprised, but it did not strike me as completely absurd as it might have for some others). After I had purchased him from his inept owner, I began to notice a decline in his health and inconsistencies in his behavior. This is usually the first sign that a horse has gone lame, and the reader should already know what happens to lame horses. In case the reader doesn’t, usually the horse is put down (as is the term). I definitely did not desire to undergo that experience as it is both remorseful for the owner to see through and, more or less, a disgrace in the high circles of which I am a part of. And so, by chance, I informed him of what would happen to him while in the midst of speaking to myself. &lt;br /&gt;
&lt;br /&gt;
As he told me later, this is what, in essence, rekindled his lust for life out of the apathy that had developed in his heart–a cataract which threatened to blot out all light for him. This festering despair griped him with each passing day, and he knew from whence it came. Perhaps, it originated from the shear neglect of his former owner. I, however, would vouch for a different cause, though the it would only be a subconscious impression to him.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
He was once a man, and who, anyway, could truly degrade oneself to continue living in the body of a mere animal? Could you–the reader?&lt;br /&gt;
&lt;br /&gt;
During Scot’s period of impassiveness, he must have felt the bitter pangs of a torn soul, which had no business existing in a nonhuman being. Even if he was not consciously aware of the severe breech in God’s divine providence, his being must have sensed the searing flames of His wrath in that Scot had unwittingly allowed himself to be cast from a chance at heaven. Scot brought this upon himself, but I pity him greatly as no one deserves to be forsaken as he is. He is even forsaken from knowing that he is forsaken. &lt;br /&gt;
&lt;br /&gt;
Unfortunately for him, there is no hope–no assurance of a future after his death. One cannot expect him to dwell among the souls of those who have passed. This would not be possible. And yet, he is a martyr because he brought this spiritual death upon himself in hopes of preventing a catastrophe, which will be explained later. Can one really expel someone or, in this case, something from a blissful existence if that blissful existence is rewarded to those few who have sacrificed themselves for the good of others? Could one ostracize a soul at his or her moment of beneficence?&lt;br /&gt;
&lt;br /&gt;
For this reason, I have taken up the notion that the man died long ago, and this Scot is not the human whose body he took over and changed. The real man is already passed on and is dwelling with those blessed few. The horse whom I talk to is human no longer and is an animal. A horse simply is a horse. The reader might ask why I choose to believe this, and the only answer I have to return is that the alternative would be too terrible. As Scot himself later told me, he understands that “to believe otherwise would be to forsake one’s beliefs and it is perfectly reasonable for one to not desire that to happen.” He also adds, “Amnerson, you are in a bit of a pickle, if I recall the use of that phrase correctly.”&lt;br /&gt;
&lt;br /&gt;
As I have already stated, Scot no longer can recollect his true identity and name, which supports my notion as to the true man having died. The simple fact still remains that Scot was not always a horse, and he realizes this to some degree. In this way, his past remains shattered like a mirror blasted upon the floor for him to glance at occasionally and view the shards of his former humanity. This is primarily the reason (as Scot has stated in accord) that he is able to converse with me in the first place. &lt;br /&gt;
&lt;br /&gt;
Had he not fragments of his memory, he would be unable to recall human words or phrases, so he would have no language or speech from which to order his thoughts. His semblance of a memory, however, does not prevent him from behaving as perfectly as a horse should. He eats, sleeps, relieves himself, and acts as a horse. He sniffs my hand to discern that it is me. He bobs his head when he walks. He scratches himself against fence posts. Believe it or not, he even neighs like a horse, which I have witnessed when I was around unnoticed. I do not need to go further; the reader realizes that Scot is a horse. To this ends, a stranger would not be able to discern any abnormality just by watching him, unless of course, Scot vouched for human words. &lt;br /&gt;
&lt;br /&gt;
In consideration of his behavior, Scot seems to be at ease with the other horses, and sometimes he (as he has stated after a few heated arguments) prefers their company to mine. In truth, I believe he always prefers their company to mine. &lt;br /&gt;
&lt;br /&gt;
I gather this from his speech. He always says that “their words are more fitting, considering the proper situation in light of the current situation.” In this manner, however, his speech sometimes loses its coherency. This only occurs when he attempts to communicate something about the other horses. Human words are too elevated for the petty thoughts of a horse. Humans possess superior reasoning. This, at least, is how I and many others view it. &lt;br /&gt;
&lt;br /&gt;
Scot, however, betrays a small sadness of his own, which I have detect, though he hides it well. I believe that his apathy and depression has never truly left him. At least, it no longer hinders him physically. He needn’t worry about being put down.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Although this account is entirely Scot’s, my sources for writing it have come from a variety of places. Included within this narrative is information obtained from interviewing several relevant persons. I sought to peruse these individual’s memories so that to fill in certain pieces of information, which the horse couldn’t have known. This includes such details as events that occurred while Scot was not present. Otherwise, certain aspects of this account would not make as much sense. &lt;br /&gt;
&lt;br /&gt;
Scot, although once human, does not understand or recall all human institutions or devices and their functions. Some of the objects that he refers to would not be clear to the reader if I did not translate them into a intelligible form. An example of this is what Scot describes as “a tossing wind from a floating fan”–in other words, a helicopter. The reader might be vexed that I have not kept more of his speech intact. &lt;br /&gt;
&lt;br /&gt;
One must realize, however, that writing this account is a tedious and perpetual task, drawing on through countless evenings, colorless sunsets, and empty, void-like nights. At the latter part of my conversations with Scot, I was often weary beyond tolerance. My limbs barely held fast to keep a pen upright. I am not of the best heath. For this reason, The first hour of our conversations would usually be a recapitulation of the former nights proceedings. Aside from this, I have often had to ask Scot to expound upon an object or idea further because the words he uses are sometimes not direct or improperly used. In a few cases, I was completely unable to translate his words. Alas, I tried as best as I can.&lt;br /&gt;
&lt;br /&gt;
Before this account continues, I must also note that I came across a number of documents, which informed me as to the period during which Scot suffered extreme trauma. These were not easily to acquire and I only succeeded in gaining one of them from interviewing one of Scot’s previous colleagues, who was exceedingly difficult to track down. This, of course, was under the guise of a journalist attempting to stem the public’s consternation of the catastrophe that had occurred in Parken, Montana–Scot’s birthplace, so to speak. &lt;br /&gt;
&lt;br /&gt;
Since the general public was aware of the catastrophe and what it had resulted in, the colleague had no reason to withhold the document from me. As he stated, “perhaps the way to go about preventing a wide scale panic would be to just give the people all the knowledge they want. This journal might stun the population into submission. Who knows? You seem trustworthy enough...” I think he only considered me trustworthy because of my frail complexion and body. Alas, I don’t entirely believe he ever contemplated how much damage the documents might do if they fell into an opportunist’s hands. They would spark public outrage–the reason: the documents are a first hand account of Scot&#039;s experiences while he was present at the catastrophe. They are written by the man he was.&lt;br /&gt;
&lt;br /&gt;
Of course, the public already knows of the incident and what happened to the victims of the catastrophe. Disclosing this particular information, however would ignite the fuse of the public, which until now has remained a silent, but ever waiting, unstable bomb. The public is in a state of alarm. &lt;br /&gt;
&lt;br /&gt;
Initially, the authorities tried to conceal the catastrophe’s occurrence as much as possible, but it is not as easy of a task when an entire town vanishes in an instant, even if it is in the middle of nowhere. Of course, the people found out. Of course, they are scared. How could a person be expected react to the physical evidence of an event that is unbelievable and, moreover, utterly absurd? What if that event could potentially threaten one’s life? That fear, though, does not need to manifest itself into unchecked bedlam. When I first heard of the catastrophe, I was also entirely shocked. Everyone was in disbelief.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The journal is wholly disturbing and grotesque but entirely true. I have included the journal in its purest form because it is an integral part of Scot’s life experiences. It is, in essence, the beginning of his story, and so it lies at the beginning of this account. I must warn the reader, however, that this journal might repulse him or her to some degree. &lt;br /&gt;
&lt;br /&gt;
The journal depicts the struggles of the former man of Scot as he comes to grips with the catastrophe, and his involvement in it. It is also very detailed and scientific, almost as if, in his last moments of life, he was attempting to latch on to something human, to contain some breath of life. This is why he resorts to a very accurate and disgusting description of the events which resulted from being a victim of the catastrophe. It is his will to survive, which comes through most in these pages. At least, this is how I view it.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Ch.2 ===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
(Narrators note: this journal is copied verbatim from its author&#039;s notes. All erratums present within this chapter were also present within the journal)&lt;br /&gt;
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&#039;&#039;Dr. Frank T. Doyle, Epidemiologist, Center for Disease Control:&#039;&#039;&lt;br /&gt;
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&#039;&#039;Day 5 of our investigation - Sunday, July 2, 2---:&#039;&#039;&lt;br /&gt;
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It must be noted that this journal is intended purely as a scientific documentation pending an investigation of an outbreak that occurred in Parken, Montana, June 25, 2---. Upon our arrival at the site (June 28), my colleague and I discovered the town to be devoid of all population. This includes the medical practitioner, Dr. Micha Wysocki, who first reported this outbreak to the CDC. As of yet, we have found no viable explanation for the town’s disappearance, but this is worrying because the pathogen might induce exotic symptoms. The desertion of the town might be a result of delirium or hysteria. &lt;br /&gt;
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In light of this, my colleague has contacted the CDC to present all of our observations to the head of the department of epidemic control and containment, and we have concluded that the site is to be placed under strict quarantine until further information has been obtained. For the moment, we have taken up temporary residence in an abandoned medical facility. We have no concern as to becoming introduced to the pathogen as we follow strict decontamination procedures when returning to the building and wear protective suits during our investigations into the town. My colleague and I have been speculating on the symptoms, means, and communication of the pathogen, but without a sample, this has proven to be highly inconclusive.&lt;br /&gt;
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The next day, June 29, we located a sample of the pathogen from dried saliva along the rim of a glass. At the time, we had ventured into a number of vacant homes. Further testing confirmed that the sample was a virus and the primary cause for the outbreak. Over the next couple of days, we introduced a live virus to a tissue sample, extracted from my colleague’s skin. Initially, there was no change in the sample, but on the third day of introduction, the tissue sample’s genetic structures began to deteriorate. The virus appears to be cancerous in nature, causing increased replication of cells with dysfunctional DNA patterns. This is hardly a cause for comfort. &lt;br /&gt;
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At the rate the virus incubates, fatality must occur in only a number of days. Considering that we have not encountered a single individual during the entire time that we have been here and that the outbreak was reported three days prior, the fatality rate must be close to one hundred percent. Likewise, the epidemic spread rate is approximately 2000 cases/person days. I will not pretend that panic isn’t justified. A rough extrapolation shows that in a matter of months, a significant portion of the United States would be devastated. In only a few years, the human race will become an endangered species. I am, however, less worried due to the high fatality rate. This is because the virus will be easier to contain if none of the hosts exist to spread the disease. I personally believe that the government will resort to nuclear sterilization once they receive the data, but this virus must be contained before we can resort to that.&lt;br /&gt;
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Due to the urgency of our situation, my colleague has left to deliver samples of the virus to the CDC personally. I volunteered to stay and further the investigation, for there are several questions which have yet to be answered. I do not doubt that it will be some days or weeks until he returns.&lt;br /&gt;
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First of the issues that were puzzling me was the fact that no bodies were found within the premises of the town. According to our data collected from the viral test, the break down in genetic structure would have resulted in the deterioration of cells, but unless the deterioration progressed to protein structures as well, some corpse would have been left behind. Even with protein or catalystic deterioration, we would have found organic residue, and the intact saliva samples we obtained earlier prove against such deterioration.&lt;br /&gt;
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The next major concern of mine was how the virus is communicated, and upon contraction, how the virus affects the host. This would shed some insight on the apparent disappearance of the victims’ bodies and how quarantine is to be conducted.&lt;br /&gt;
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This brings me to the most pressing matter and reason for starting this journal. Today, July 2, 2--- at 7:15 PM, I became aware that I had an elevated temperature. Upon inspecting my suit, I discovered that it had been breeched infinitesimally either before or during our occupation of the medical building. I prayed that it was breeched today in the morning or else my colleague would have been contaminated, thus perpetrating the epidemic by leaving the quarantine zone. Thankfully, I checked the control samples collected from his arm. Yesterday’s samples gave no indication of contamination. It is both fortunate and unfortunate that I am alone in this matter. At least now I know that the virus is airborne.&lt;br /&gt;
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&#039;&#039;Day 6 - Monday, July 3, 2---:&#039;&#039;&lt;br /&gt;
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I awoke this morning with an incredible soreness in my muscles. To go along with this, my senses were also acutely disorientated. I could detect the scent of an otherwise sterile room down to the minutest detail: the metallic tinge of surgical instruments, the crisp smell of paper and wood, the sharp, piercing odor of rubber on my pencil’s eraser. The smell of antibiotic was nauseating, almost unbearably. Aside from my sense of smell, my vision seemed slightly odd. I believe it was difficult to place because my nervous system has become accustomed to the irregularity. From what I could tell, though, light appeared much brighter that before, but the colors were more solid–concrete–possessing less distinction between different shades. I felt like I was viewing the world through a cubist painting, each item depicted with a single, dazzling block of color. My hearing was also painfully augmented. The natural ambience of the room rattled my brain. I had to strain to focus my thoughts amidst this new bombardment of sound. Also in accordance with this, my sense of touch has become extraordinarily sensitive. It seems as though my skin has coarsened and become less pliable, taking on a rough, leathery surface, but I can now detect the smallest air disturbance in the room. I was even able to kill a fly before landed upon my body.&lt;br /&gt;
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All of these, however, did not contradict my implications of the virus. Such muscle soreness is understandable for a weakened immune system. The senses must have been altered due to the structural change of my cells. None of this shocked me, but I was horrified when I examined my body for the first time.&lt;br /&gt;
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Sensorial changes were not the only symptoms fo the virus; there were physical ones as well. Scrutinizing my eyes, I discovered that the pupils were enlarged and partially oval. The color was darkened and the general shape broader. My ears, were located about a half centimeter above their former position and had grown pointed near the tip. Most startling was a protrusion near the base of my spine, which can only be described as the beginnings of a tail. It was hairless. I could sense and twitch it as if it were simply another appendage. I even noticed that throughout the day I might absentmindedly move it when I experienced and extreme emotion such as agitation, nervousness, or excitement. This worries me greatly because if the virus can alther my motor neural system as well as my perception, then my mind is being affected. I do not know how long it will be before I lose myself cognitively or physically. Although all of this is a most fascinating discovery in genetics and virology, what cost will it be to me? Will I live to see this knowledge bring about new changes and advances in medicine? How long do I have before the virus kills me with its alterations?&lt;br /&gt;
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In light of this new, somewhat unusual development, I have had to change to course of my speculations. The vanished population is probably dead, but before they perished, they must have deserted the premises. The only other explanation is that the population is not deceased as I suspect, but our former tests disprove this notion. I am, however beginning to have doubts about the validity of our tests. I plan on reviewing the infected tissue samples tomorrow. At the moment, I am to incapacitated to leave the room. Perhaps after a little rest, I will feel more apt to move.&lt;br /&gt;
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&#039;&#039;Day 7 - Tuesday, July 4, 2---:&#039;&#039;&lt;br /&gt;
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This morning, I awoke to extreme physical agony. My boDy burned and tingled while every muscle contracted beyond reasonable range. IT is difficult to describe exactly how this experience felt, but I fear that the next time will be worse. During this brief wave of pain, I felt my spine elongate, pushing the underdeveloped tail further out, which prickled as small, dark brown hairs grew in. These hairs soon filled out into the long strands of a whisk, such as those of animals in the Equidae family. My chest expanded slighly and forced my ribcage to crack open and become filled with stronger lungs. My posterior and abdomen suffered a similar fate; my internal organs readjusted themselves. I doubt they are in their final configuration. Also, the muscles around my buttocks, thighs, souldiers, and arms gainded significant girth. From what I can tell, they and my feet and hands have elongated about an inch each. The most sickening phase of what I now call my transformation occurred in my face. My head felt as though it dropped into my spine, but in reality, my neck attached itself closer to the back of my head, pushing my skull forward. My face itself also pushed out several inches during which, I almost fainted from intollerable pain. IT is now more snout like, similar to the muzzle of a grazing animal.&lt;br /&gt;
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Upon inspecting myself, I discovered that the front six teeth of my upper and lower jaws have broadened and become the incisors of an herbivore. Since they are longer, they protrude from my lips visibly. My ears have become noticeably higher up on my head and now have a pronounced pointed-oval shape. Also, they have become slightly flexible, and twitching them is a cognitive action. My voice has become more guttural. As I noticed in practice, if I am not careful in concentrating on the enunciation of words, an occasional animalistic grunt works its way into my speech. The only change that seemed to spark remorse in me was that of my eyes. They have become entirely dark and wide, bearing no resemblance to their former shape and complexion. I am much more glad to be able to see all around me, but there is no sign of myself beneath the black pupils.&lt;br /&gt;
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I am now thoroughly convinced that the virus is changing me into another animal, most likely some breed of horse. The virus itself seemes highly adapted by changeing the host in such an order to ensure maximum chance for survival. This explains why my senses were the first to alter, and in the second phase, I grew more muscle mass, a tail, and more suitable internal organs/facial features, while retaining my feet and hands in a functional form. For equines, the tail and facial expressions are a primary form of communication. A virus bent on ensuring its host’s survival would want to adjust the senses and then secure the communication of that animal–I mean host. I have found that I have grown more giddy, curious and quick to startle by ordinary occurrences, which must be behavioral and instinctual imprints, definitely important traits to survive in the wild as a prey animal. &lt;br /&gt;
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Just in case these changes could be attributed to insanity, I checked the infected tissue samples as I had planned on. I am not insane. The genetic structure of the tissue samples appears to have become equine and alterations in protein sturctures, etc. have caused physical change in appearance. This is all correct; I checked. Plus, the town was deserted, which also supports this. The scans of the samples indecated that they was most definitely equine.&lt;br /&gt;
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This virus is far to specific to be taken lightly. It is far too specific. I don’t know of what origen this virus first came about. Perhaps, it was a mutation of another strain, but it is so radically different than any yet encountered. It is awso possible that because the pathogen has lain dormant until this point. Maybe nature has something to do with. And to what end this? I think I will pick this up on tomorrow. It is becomeing increasingly difficult to focus on a subject. I want to sleep, but I can’t. There is no one around so I must keep watch.&lt;br /&gt;
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&#039;&#039;Day 8 - Wedday, July 5, 2---&#039;&#039;&lt;br /&gt;
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No change this morning. I awoke and found myself hungry. Unfortunately, my altered organs has made me lost the desire to eat most of what is in the building. When I tasted meat, my mouth burned, and I vommitedd. I found some crwisp lettuse leaves and bread, which seemed to abate my hunger, but It Sceems like I am always eating After I ate several times, I went down to the lab room with a Idea.&lt;br /&gt;
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I decided to test my breath for traces of the pathogen. I was hopeful that the virues had embed IT self within me and no get out of my breath. I was happy when I found not trace in my breath. This means that no breath has virus in it. So virus cannot spread from those affectedive earlier. I was pleased with myself. Very happy.&lt;br /&gt;
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Not strained from a new phase in this changeation, I go outside to look around. The dust gets in my nose and makes me sneeze. Also the grass looks sonice. Like a change to what I have been eatin. Oh, and by the way, My see a first living being since my herdmate and I came to this place. She was nice, her scent appealing me. I wanted to go rub against her. She looked at me strange. For a moment. I could tell that she was warningin me. Why? No not warning, sad–Why Sad? She stopped lookingin at me. No not sad, but confused. She was confused. Then It go away and she leave.&lt;br /&gt;
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I came back to the builid later to see what happen. There be blinking dot on responding machine. Must be my colleague. I hav been waiting for responce. I pressed the button and listened. He asked if an everything alright. I said yes. He said that they will send people to pick me up in to days; that I should hold out until they come. They are finisin some tests of some sort. Then they have permission to use nuclear sterilize on town to stop virus. Smawl sterilize. I think I know what he mean, but I am not positive. It seems foggy. He dOesnt make muc sense.&lt;br /&gt;
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I find it important to talk about the changeation that happened latter. My neck grow longer and my head. Hard to see strait to wite on paper. My toes get merged into hoofs. So much more comfortable then earlier. No like toes. My butt is bigger too and I have hair all over. It is ruff but keeps me warm, but this is good. It is hard to stand on two legs so sometimes I use four. I don know why I uses two legs sometimes. I have completely lost to ability to speak. My speak is whinnies and neighs. I ame sad for some reason. But I don see wy. It go away tomorrow, I think. I now like stallion and can mate wit mares. Reproduction is important to virus to survive. It fell different but good in sheath. I feel great urgas. Must be testosterome changes. I feel sensul an want to run ad fid my herd. It drives. But I still think, but different. Cannot understan wy here in buildind, better outside. O, well. I hurt during but it gow away, no problem. My back is longer and me much bgirr. I have nice hair on my neck. I like to flick it. It is fun and sit around and gaze. I sleepy.&lt;br /&gt;
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&#039;&#039;Dy 10 Tus, JuL 5 2--&#039;&#039;&lt;br /&gt;
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Had wiT No FinGrs. No Not MoV gooD. No geT wY wIt muts do it. I can do it. Mus for Hrhsses. Wit yeses. Now me Hungr com BAK in Bit...&lt;br /&gt;
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Fid pAper in buld. ViruS no is a nature thing. Hrd read. So MaDI lettr. I Fid. It Ned chAng. Men mak in RoOm. No is naturl. Fid Anti-thing But it brOk in My Hof. I smel mySelf. It me. I hrse no duth. Ned fid hrd. Com bak ltr Primisse in howr...&lt;br /&gt;
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&#039;&#039;11 Ju 2--&#039;&#039;&lt;br /&gt;
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MUS RIT&amp;gt; AlmOT FiNIS. Dom alMot Hr Wit. HRt. MEy Hrt. AHH HuR. Hrhryyh. HRHYSHHRR HY&lt;br /&gt;
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(indistinguishable scratch marks)&lt;br /&gt;
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=== Ch.3 ===&lt;br /&gt;
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As the reader can see, Dr. Frank T. Doyle was a martyr. Even in his last moments, he was searching for something to give humanity–some glimmering hope to cease a scourge of mankind. Alas, it was to no avail. In the process of searching for insight, he came across the cure itself. &lt;br /&gt;
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Unfortunately for all of us, he inadvertently destroyed it. Still, his intentions were for the good of everyone, and his thoughts were inspired from the unity of humankind–a motive for the mutual benefaction of the race–the survival of the race–though he might have doomed us all.&lt;br /&gt;
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It is also apparent that the virus was not a natural phenomenon. As the doctor stated in his second to last entry, “ViruS no is a nature thing...Men mak in RoOm.” Who made the virus and under what intentions remains a mystery. I would guess that the virus was not designed with the motives for changing people. One cannot be sure, though. What the reader can be certain of is that the virus was airborne. This would play a significant and devastating role in later events.&lt;br /&gt;
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The information that Doyle discovered concerning the virus was never unearthed by any of the CDC epidemiologists, who returned to the site after Doyle had failed to give them some word as to his present state and condition. &lt;br /&gt;
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They did find a shattered vial upon the tiled hospital floor and a brief memo, which had dissolved in the vial’s contents. The liquid evaporated, and no evidence was left to confirm that these were the objects Dr. Doyle had described in his journal. All of this I gathered from my interview with the doctor’s colleague. In spite of not having any evidence to support my claim besides what is evident, I do believe they were the objects that Doyle referred to. There isn’t anything standing against this notion.&lt;br /&gt;
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Also, it must be apparent that this journal is a written record of Dr. Doyle’s untimely end. The reader can see the regression of thoughts from a human to a horse. Certain details that no rational human would include in their last entry are present. This supports my belief that Dr. Doyle died, and his soul left the changing body as Scot was coming into existence. Therefore, Scot has no immortal soul because Dr. Doyle’s left at the moment I presume he died. &lt;br /&gt;
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I prefer that the body lost Doyle’s humanity and gained the identity of a horse. God does not punish those like the doctor who do work for good, and He would never give unreasoning animals a soul. This isn’t because animals are wrong. It is simply because He created man in His image as a being to do His work in the world. Animals were not created for the same purpose. Thus, they do not require an immortal soul. This is, at least, how I perceive it.&lt;br /&gt;
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----&lt;br /&gt;
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Scot’s story picks up where the doctor’s journal leaves off. He recalls being severely frightened, but without knowing why. Questioning the unknown is always the most fear inducing especially when one is questioning oneself. After several moments, he realized that he was alive and had not to worry. &lt;br /&gt;
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Puzzling still was that he could not recall his foalhood to any degree. He could procure from his memory images of a human child or a human man but could not piece together his own life up until this point. He looked himself over. Everything appeared as it should; he felt as he should; he behaved and thought as he should. Why were their memories from another being’s existence present within his mind? &lt;br /&gt;
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These were the first thoughts that Scot experienced as he stood in the surgical room, which he described as “a white, bare, unforgiving, enclosed package.” He did not (as he indicated to me) feel at all comfortable in that environment. It confined him, inducing a state of extreme claustrophobia. It was not at all the natural color a place should have been. &lt;br /&gt;
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He did realize that this was because he expected something more earthly, being a horse and being most at ease in such surroundings. Still, he irrationally felt as though someone was aggressing against him by denying him a place to run–a place to escape. If the reader can imagine it, he was experiencing a terrible conflict of emotions and thoughts. At the same time he was questioning his thoughts and memories, he was also experiencing the terror of a assumed threat to his life. &lt;br /&gt;
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Scot decided, at this point, to venture outside of the medical facility under the assumption that clean, wholesome air would alleviate his somewhat disjointed thoughts. Leaving the building, though, proved to be a slight difficulty. It was more than simple enough to exit the surgical room, but Scot could not recall the layout of the floor and thus, couldn’t recall exactly how to get out. To this end, he paced along the vacant corridors, hoping that he would come across the exit by chance. &lt;br /&gt;
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He expressed to me that he distinctly remember how his hooves resonated with a crisp, hammer-like noise upon the tiled floor. It was not at all pleasant to walk atop a floor that was so hard. His hooves were not soft like flesh and contacted the tiles in such a way as sent chills along his limbs. But still, he never ceased his search, deliberately exploring each entrance, and so he happened upon the very threshold he was searching for.&lt;br /&gt;
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In the evening air, Scot felt a little more at ease. A strong breeze was turning up the dust from the street. This, he described as “an obnoxious wind.” He caught of whiff of it in his nostrils. It had a acrid tinge, which diffused itself upon his tongue and in his sinuses, and settled in his eyes. &lt;br /&gt;
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Such is the dust in Parken, Montana. It is unlike that of other towns in the western United States. As opposed to fine grains, which float subtly in the air, this red tinted dirt needs to be blasted by high winds. It gets all over the body and sticks resolutely but, despite its pungent flavor, is somewhat pleasant. It has an earthen, coarse, unbridled quality about it. This is, at least, what I have gathered from Scot’s musings on the matter. Needless to say, it allowed him a greater clarity of thought compared to that while he was in the sterile hospital room.&lt;br /&gt;
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The horse made another attempt at conjuring up some idea of what had happened to him in the past. Human words flittered through his mind, but equine gestures of communication did so as well. He could picture human actions and objects. He could not, however, discern any reason or motive for them. Nothing of human behavior made sense to him. Why did he possess these memories–these images of a life that was not his own? He was a horse, though, and that was entirely undeniable. He could smell his own scent–his own identity– his name. It made him placid and even gave him a sense of security. He was who he was. &lt;br /&gt;
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Still, there was this matter of a memory not in accordance with his current existence and life. The period during which the human memories ceased and his current life began was an utter void in his mind. No information of the sort presented itself to him; he could not draw upon a single minute image of that particular time. How then (as he thought) could he possibly know what had happened? How could he even trust that these recollections as another living organism were of his own past?&lt;br /&gt;
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The reader must note at this point that, had Scot possessed the former reasoning capabilities of a human, the answers to his uncertainties would have been readily apparent. Of course, something had to have occurred in order for him to cease existing as a human being and suddenly become a horse. &lt;br /&gt;
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All that he could conclude, however, was that in the past he was a human and was, at this specific moment, equine. I inquired once during our many conversations as to why he might simply accept that nothing of any significance occurred during the period in which his memory failed him.&lt;br /&gt;
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His answer was this: “I do not accept that thought, but I do not accept that anything happened. I cannot accept either. I know what I know, and I think I know what I think I know.”&lt;br /&gt;
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“But what do you believe?” I asked him with a slight tone of impatience. In our frequent conversations, I attempted to create some semblance of tranquility even when I was agitated by a seemingly irrational remark. It is not always possible for me to maintain a controlled and ordered complexion. I am human, after all, and so am prone to such lapses in restraint. “Can you believe?” I added.&lt;br /&gt;
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“Believe? Believe is mask. I only think I know.” This last comment of his summed up his power of faith. It is most understandable that a horse, even a horse with superior reasoning, wouldn’t be capable of believing in something as profound or abstract as God. For what purpose, anyway, would a horse need to believe in something that transcends itself? God does not require the faith of animals. &lt;br /&gt;
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Animals are not good or evil. They do not possess the ability to exceed themselves beyond their concrete existence and so could not possibly be able to contemplate a majestic, mysterious, omnipotent, and omniscient God. These thoughts are only in accordance with what others and I have observed. I apologize for these tangential thoughts. Perhaps, the reader will benefit from them, or maybe he or she will not.&lt;br /&gt;
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To resume the story, Scot, who’s name I had not granted him yet, decided that the matter wasn’t worth so much time spent on meditation. More pressing on his mind was the fact that he was hungry and dehydrated. This I personally would attribute to the trauma of change itself. &lt;br /&gt;
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Scot, being a horse and having significantly more mass than a human, must have spent his energy during the period of the virus’ infection of his body. This is why he was famished beyond compare. For him, the hunger was unbearable. Furthermore, there appeared to be no source of nourishment within the premises of the Montana town. All was crimson dirt.&lt;br /&gt;
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He ventured across deserted roads and trough alleyways, searching for something to abate his insatiable hunger. The dust was worse in the air now; the breeze had increased in strength. Black clouds were moving across the sky at a violent pace. The wind could have, at this moment, been said to be more of a gale, tossing up the coarse powder, which blinded the senses and scorched the throat. &lt;br /&gt;
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There was now too much of it in the air to have been at all considered pleasant in some way despite its “earthen, unbridled” quality. Buildings disappeared in its wake. Objects lost their substance and dissolved into an ambiguous organism of dust, dirt, and stones. The world ceased to be, and a reddish uniformity became all that was. But still, the horse plodded on–on with some will to survive despite the fact that (as all senses would confirm) the earth had vanished.&lt;br /&gt;
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Likewise, life in the town had come to a stillness. This, in fact, was not due to the dust storm but was a real and worrisome development. As I found out later from my interview with Dr. Doyle’s colleague, the virus did not discriminate against whom its victims were. All were equal targets in its mind, and so, all were free to suffer equally. &lt;br /&gt;
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As Scot supposed, all living beings fled out of fear. He felt this same fear within himself–a fear of unnaturalness–a fear of the uncertain duration of their lives–a fear of death. Scot did not know that it was the virus, which terrified him. I would guess, based on this notion, that life in all its forms had evacuated the western town because they sensed something malignant in nature. When a catastrophe occurs, all living organisms are aware of it. Nothing goes unnoticed. &lt;br /&gt;
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More puzzling was why animals already changed by the virus (ones that were once human) would also possess the same fear of it as the other normal animals. They had already been transformed; what would they have fear from the virus? I did not discover the answer to this until later in this narrative. In fact (as the reader will discover), this fear was a fear of what would happen to the virus further on in this account.&lt;br /&gt;
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I will not inform the reader of what exactly occurred to the virus to cause it to become so malignant at this particular moment. I will, however, in due course, so the reader must be patient. Alas, I will leave the reader something to ponder. I discovered the virus’ hidden malice from a highly alarming and urgent newsflash.&lt;br /&gt;
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To return to the story, Scot was far from being out of the water, so to speak. Actually to be more appropriate, he was far from water, and now the throbbing arid heat of the Montana region was beginning to affect him greatly. Its heart pulsated, beating on and on in a perpetual, redundant, wearisome, overpowering, unending, rhythmic figure. At first, the horse did not register how immensely hot the churning dust clouds were, but–as is always true once one is starving and dying of thirst–heat became a much more terrible adversary to contend with. &lt;br /&gt;
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Wracked by hunger, Scot’s strength was highly diminished. Like most animals, he could sense his imminent death. He felt compelled to find a quiet location where to lie down amidst the chaos of the storm. A brief respite for him seemed so desirable yet so simple. It was something to alleviate his wracked, tormented body. This only proves that death, itself, is not comfortable. &lt;br /&gt;
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Instead of succumbing to fatigue, however, he continued to plod forward through the dust–delirious yet determined. To rest now would be to drift into death. That tiredness was not a need for sleep, but an impulse to close one’s eyes permanently and not prolong the inevitable. This, of course, would only lengthen the period of suffering. He realized that lying down would mean death, and so he would keep walking–trudging until he collapsed from exhaustion, thirst, or the relentless hammer of the hot dust storm. Only then, would he go to death willingly.&lt;br /&gt;
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As his pace slowly diminished, he came upon an open door. In reality, he had been standing besides it almost the entire time he had been in the dust storm. Upon entering, he was immediately dismayed. Even with the sudden realization, he was far too weary to turn back and search for another shelter. This was it. He would die, having reentered the medical building from which he had first glimpsed light. His weary eyes was were slowly drawing closed as his last strength–the strength of thought–left him. He had contested against the will of death by not bowing to the dust storm, and now death had come out the victor. There was no chance for survival. &lt;br /&gt;
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Though this was partially cognitive, it was (as I was informed by him) only what his body believed. In this way, it had fooled his mind into agreeing, for it was indeed his body that desired the peaceful oblivion of death. However resentful, this is what occurs to all living beings whose flame of life is all but spent. If one is to be able to pass on, one must feel a dire obligation. The body provides this obligation. Its whispering promise of a serenity beyond the suffering moments of actually dying allows the mind to finally repose in perpetuity–God’s paradise. At least, this is how I view it. Scot’s mind, however, was not yet ready to be played as a fool by death.&lt;br /&gt;
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The coolness of the building revitalized the horse’s senses out of a the bewildering affects of heat exhaustion. When he opened his eyes to greater clearness, he realized that the room was not in the same medical facility he had exited before the dust storm. It was all together in a different arrangement. The following is a description that Scot presented me during one of his more articulate moments: &lt;br /&gt;
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“A long table jutted out from the far end of the wall and bisected the floor into two separate areas. Alongside this oddly oriented table were a series of log shaped objects, which were evenly spaced and placed upright so that they formed a sort of platform. I could see the dust through large panes of glass and besides these panes, were more tables, which were obviously used for discussions as there were chair shaped objects facing each other on opposite sides. Upon the tables sat a pair of two cones. One was white and the other black. Also, there was a small shiny box placed neatly beside the two cones so that they formed something of a face-like shape when viewed from above...” and so forth. &lt;br /&gt;
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Though I had figured it out to some degree by this description, Scot later recalled and informed me that the human word for the place was “café.” He also apologized for not thinking of it sooner so that the description would have been more vivid and clear.&lt;br /&gt;
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After Scot had analyzed his surroundings, he recommenced his search for food. He ventured over to one of the tables used for discussions. He overturned the black cone over with his nose and the top came off, spilling its contents over the neatly polished surface. He sniffed the black cone, trying to discern whether it was edible, but immediately recoiled when it scorched his nostrils. He snorted it out and blew a fine mist of powder into the air. Clearly, it was not food. &lt;br /&gt;
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Once his sense of smell returned after a severe the shock of pepper, he decided to be more cautious when delving into human devices. For this reason, he gave a cautionary sniff of the entire room from a hopefully not so eventful location, equidistant from any human object that might confound his senses. He detected a flitter of water across his wide nostrils. This he followed until he came across a bizarre human object positioned behind the oblong table cutting across the floor. &lt;br /&gt;
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The horse examined it with uncertainty. He could definitely smell water, there was not question of that, but he had already experienced the effects of tampering with human devices, which were not all that pleasant. Slowly, the device’s function an name floated to the surface of his mind from the depths of his mysterious human memory. The object was a sink, and if he recalled correctly, one of these knobs would cause water to flow from the aching tube. He nuzzled the handle on the right, and a burst of water spewed forth, sprinkling his muzzle and startling him slightly. He drank fiendishly and the crisp liquid revitalized him. His body was young once again, his weariness was beginning to diminish. &lt;br /&gt;
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It was difficult (as I was informed by Scot) to precisely describe how that drink restored his vitality. His limbs were returned to their former strength and stature, and proudly he stood upon his haunches. Also, his mind, which had burned itself out with the test of willpower felt like it had become as it was before the dust storm–nimble and vivacious. In all aspects, he felt as if he was born again and experiencing the fruits of youthfulness. He was alive.&lt;br /&gt;
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But he was still hungry. Thus, he explored the building further by crossing a fairly wide threshold adjacent to the oblong table. The room back here was less easy to navigate, and countless obstacles inhibited his path. It was cluttered and chaotic. Various pots, pans, and utensils (“shiny eating and cooking objects”) were tossed haphazardly across the floor–some broken–others dented severely. All looked as if they were suddenly abandoned. A few of the tiles had apparently cracked under the weight of some large animal. &lt;br /&gt;
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Scot sniffed the air. A wave of excitement rippled through his body. He could smell that others had been here. “Where were they now, though?” he wondered. The horse also smelled food. He navigated through the debris until he happened upon a sack full of nuts and seeds, apparently used in the preparation of some dish. The bag looked as if it had been breeched by an undesired intruder. The top of the container was gnawed open, and some of its contents were scattered along the tiles. It also smelled faintly of like that of an equine. Scot brushed the opening with his muzzle, and rat-sized horse burst from the sack and bolted. As Scot reared his head and neighed in fright at the sudden disturbance, the miniature horse scurried much like a rodent from the room and out of the building. &lt;br /&gt;
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Scot’s shock quickly subsided as he looked after the terrified animal quizzically, but after a moment, he went back to the food, never giving it another thought until he recounted it for this work. He was about to begin eating, when he detected a new scent–one that sent a tiny shiver of nervousness across his mind.&lt;br /&gt;
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It was a peculiar and light smell, but now that he had noticed it, the pungency was more apparent. It had a sort of rancid quality about it, but this could not be considered rancid in terms of spoiled foodstuffs. It not quite so horrendously repulsive, but it was repulsive. It also had a tinge of sweetness. Scot proceeded to investigate from whence this peculiar odor was emitted. As he drew closer, however, his nervousness increased as did the rancidness of the scent. His nose detected the odor and transmitted a signal of alarm to his brain–one that suggested he was in extreme peril. His curiosity, however, was immense, and so he proceed forth despite the warning signals. &lt;br /&gt;
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It wasn’t until he saw the object with his own eyes that his curiosity gave way to terror as he finally realized what the scent was. It was the reek of death that was resent but far enough passed to have fermented into an appalling, yet faintly sweet aroma. &lt;br /&gt;
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Scot looked upon the corpse, if it could be called such. It was about the size of a rat, but was indistinguishable from anything other than a shapeless, formless blob of puss, blood, and distorted appendages. Parts of it resembled that of the miniature horse he had seen earlier, but it seemed to have been sewed together with those of a rat. This juxtaposition of body parts formed an undefinable creature until the putrid, grotesque mass became simply a gooey puddle of organs, dissolved bones, and extremities thrown together much like a Picasso painting. Scot fled in horror and in fear. Though he did not know it at the time, he was actually fleeing for his life.&lt;br /&gt;
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When Scot left the building into the outdoors, the wind that had been tossing the dirt was diminished. The dust storm was nearly cleared and the temperature had dropped drastically since earlier. &lt;br /&gt;
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Scot was still hungry. He hadn’t eaten any of the sack’s contents because he was to distracted by the scent, and later, too afraid to stay in the building. He decided that there should be plenty of grass outside of the town, which he could now access since the dust had settled and his thirst was abated. He walked and did not think as he walked. His only notion was that reaching the edge of the town would mean survival for another day. Thus, he plodded on but not quite so desperately as before.&lt;br /&gt;
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Once he began to near the borders of the town of Parken, he saw for the first time blades of grass. He continued a little further and then stopped to graze. The grass was dry, but edible. His acute sense of taste told him that it was a decent source of food. It also told him which blades were dead and which were rotting. &lt;br /&gt;
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Now that he felt satisfied, he dozed lightly but remained ever alert in case of threat. A crack rattled the air, and a heavy shower came down upon the earth. Scot found a small amount of shelter by an overgrown bush, but this proved to only halt the rain slightly. Day turned to night, and the horse shivered as cold droplets fell upon his head. The bush, however, proved to have been more help then expected. It kept the rain off enough so that it did not soak beneath his hair. This would have been disastrous and would have most likely resulted in him becoming sick. &lt;br /&gt;
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Even with the shelter, he did not sleep at all during the night. He remained ever watchful for he was alone and possessed no herd to watch over him or for him to watch over later when it was their turn to rest. He lay there drenched, cold, lonely, but alive. This was the important thing. He was alive and would be content only with that being known. I asked him as to how he could possibly feel this way with all that had transpired, but his only response was that “to live, one must suffer, not grieve.” &lt;br /&gt;
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[[Category:Story]] [[Category:Animal]] [[Category:Equine]][[Category:Whiteflame]]&lt;br /&gt;
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		<author><name>Whiteflame</name></author>
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